Kategoria: Fantastyka i sci-fi Język: angielski Rok wydania: 1900

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Opis ebooka The Brass Bottle - Thomas Anstey Guthrie

A djinn, sealed in a jar for three thousand years, has been found by Horace Ventimore, a young and not very flourishing architect. Upon his release the djinn expresses his gratitude by seeking to grant his benefactor's every wish--generally with results the very opposite to those desired!

Opinie o ebooku The Brass Bottle - Thomas Anstey Guthrie

Fragment ebooka The Brass Bottle - Thomas Anstey Guthrie

Chapter 2 - A CHEAP LOT

About Guthrie:

Thomas Anstey Guthrie (8 August 1856 - 10 March 1934), was an English novelist and journalist, who wrote his comic novels under the pseudonym F. Anstey. He was born in Kensington, London, to Augusta Amherst Austen, an organist and composer, and Thomas Anstey Guthrie. He was educated at King's College London and at Trinity Hall, Cambridge, and was called to the bar in 1880. But the popular success of his story Vice Versa (1882) with its topsy turvy substitution of a father for his schoolboy son, at once made his reputation as a humorist of an original type. He published in 1883 a serious novel, The Giant's Robe; but, in spite of its excellence, he discovered (and again in 1889 with The Pariah) that it was not as a serious novelist but as a humorist that the public insisted on regarding him. As such, his reputation was further confirmed by The Black Poodle (1884), The Tinted Venus (1885), A Fallen Idol (1886), and other works. Baboo Jabberjee B.A. (1897) , and A Bayard from Bengal (1902) are humorous yet truthful studies of the East Indian with a veneer of English civilization. Guthrie became an important member of the staff of Punch magazine, in which his voces populi and his humorous parodies of a reciter's stock-piece (Burglar Bill, &c.) represent his best work. In 1901, his successful farce The Man from Blankleys, based on a story that originally appeared in Punch, was first produced at the Prince of Wales Theatre, in London. He wrote Only Toys (1903) and Salted Almonds (1906). Many of Anstey's stories have been adapted into theatrical productions and motion pictures. The Tinted Venus was adapted by S. J. Perelman, Ogden Nash, and Kurt Weill into One Touch of Venus in 1943. Vice Versa has been filmed many times, usually transposed in setting and without any credit to the original book. Another of his novels, The Brass Bottle, has also been filmed more than once, including The Brass Bottle (1964).

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"This day six weeks—just six weeks ago!" Horace Ventimore said, half aloud, to himself, and pulled out his watch. "Half-past twelve—what was I doing at half-past twelve?"

As he sat at the window of his office in Great Cloister Street, Westminster, he made his thoughts travel back to a certain glorious morning in August which now seemed so remote and irrecoverable. At this precise time he was waiting on the balcony of the Hôtel de la Plage—the sole hostelry of St. Luc-en-Port, the tiny Normandy watering-place upon which, by some happy inspiration, he had lighted during a solitary cycling tour—waiting until She should appear.

He could see the whole scene: the tiny cove, with the violet shadow of the cliff sleeping on the green water; the swell of the waves lazily lapping against the diving-board from which he had plunged half an hour before; he remembered the long swim out to the buoy; the exhilarated anticipation with which he had dressed and climbed the steep path to the hotel terrace.

For was he not to pass the whole remainder of that blissful day in Sylvia Futvoye's society? Were they not to cycle together (there were, of course, others of the party—but they did not count), to cycle over to Veulettes, to picnic there under the cliff, and ride back—always together—in the sweet-scented dusk, over the slopes, between the poplars or the cornfields glowing golden against a sky of warm purple?

Now he saw himself going round to the gravelled courtyard in front of the hotel with a sudden dread of missing her. There was nothing there but the little low cart, with its canvas tilt which was to convey Professor Futvoye and his wife to the place of rendezvous.

There was Sylvia at last, distractingly fair and fresh in her cool pink blouse and cream-coloured skirt; how gracious and friendly and generally delightful she had been throughout that unforgettable day, which was supreme amongst others only a little less perfect, and all now fled for ever!

They had had drawbacks, it was true. Old Futvoye was perhaps the least bit of a bore at times, with his interminable disquisitions on Egyptian art and ancient Oriental character-writing, in which he seemed convinced that Horace must feel a perfervid interest, as, indeed, he thought it politic to affect. The Professor was a most learned archaologist, and positively bulged with information on his favourite subjects; but it is just possible that Horace might have been less curious concerning the distinction between Cuneiform and Aramaan or Kufic and Arabic inscriptions if his informant had happened to be the father of anybody else. However, such insincerities as these are but so many evidences of sincerity.

So with self-tormenting ingenuity Horace conjured up various pictures from that Norman holiday of his: the little half-timbered cottages with their faded blue shutters and the rushes growing out of their thatch roofs; the spires of village churches gleaming above the bronze-green beeches; the bold headlands, their ochre and yellow cliffs contrasting grimly with the soft ridges of the turf above them; the tethered black-and-white cattle grazing peacefully against a background of lapis lazuli and malachite sea, and in every scene the sensation of Sylvia's near presence, the sound of her voice in his ears. And now?… He looked up from the papers and tracing-cloth on his desk, and round the small panelled room which served him as an office, at the framed plans and photographs, the set squares and T squares on the walls, and felt a dull resentment against his surroundings. From his window he commanded a cheerful view of a tall, mouldering wall, once part of the Abbey boundaries, surmounted by chevaux-de-frise, above whose rust-attenuated spikes some plane trees stretched their yellowing branches.

"She would have come to care for me," Horace's thoughts ran on, disjointedly. "I could have sworn that that last day of all—and her people didn't seem to object to me. Her mother asked me cordially enough to call on them when they were back in town. When I did——"

When he had called, there had been a difference—not an unusual sequel to an acquaintanceship begun in a Continental watering-place. It was difficult to define, but unmistakable—a certain formality and constraint on Mrs. Futvoye's part, and even on Sylvia's, which seemed intended to warn him that it is not every friendship that survives the Channel passage. So he had gone away sore at heart, but fully recognising that any advances in future must come from their side. They might ask him to dinner, or at least to call again; but more than a month had passed, and they had made no sign. No, it was all over; he must consider himself dropped.

"After all," he told himself, with a short and anything but mirthful laugh, "it's natural enough. Mrs. Futvoye has probably been making inquiries about my professional prospects. It's better as it is. What earthly chance have I got of marrying unless I can get work of my own? It's all I can do to keep myself decently. I've no right to dream of asking any one—to say nothing of Sylvia—to marry me. I should only be rushing into temptation if I saw any more of her. She's not for a poor beggar like me, who was born unlucky. Well, whining won't do any good—let's have a look at Beevor's latest performance."

He spread out a large coloured plan, in a corner of which appeared the name of "William Beevor, Architect," and began to study it in a spirit of anything but appreciation.

"Beevor gets on," he said to himself. "Heaven knows that I don't grudge him his success. He's a good fellow—though he does build architectural atrocities, and seem to like 'em. Who am I to give myself airs? He's successful—I'm not. Yet if I only had his opportunities, what wouldn't I make of them!"

Let it be said here that this was not the ordinary self-delusion of an incompetent. Ventimore really had talent above the average, with ideals and ambitions which might under better conditions have attained recognition and fulfilment before this.

But he was not quite energetic enough, besides being too proud, to push himself into notice, and hitherto he had met with persistent ill-luck.

So Horace had no other occupation now but to give Beevor, whose offices and clerk he shared, such slight assistance as he might require, and it was by no means cheering to feel that every year of this enforced semi-idleness left him further handicapped in the race for wealth and fame, for he had already passed his twenty-eighth birthday.

If Miss Sylvia Futvoye had indeed felt attracted towards him at one time it was not altogether incomprehensible. Horace Ventimore was not a model of manly beauty—models of manly beauty are rare out of novels, and seldom interesting in them; but his clear-cut, clean-shaven face possessed a certain distinction, and if there were faint satirical lines about the mouth, they were redeemed by the expression of the grey-blue eyes, which were remarkably frank and pleasant. He was well made, and tall enough to escape all danger of being described as short; fair-haired and pale, without being unhealthily pallid, in complexion, and he gave the impression of being a man who took life as it came, and whose sense of humour would serve as a lining for most clouds that might darken his horizon.

There was a rap at the door which communicated with Beevor's office, and Beevor himself, a florid, thick-set man, with small side-whiskers, burst in.

"I say, Ventimore, you didn't run off with the plans for that house I'm building at Larchmere, did you? Because—ah, I see you're looking over them. Sorry to deprive you, but——"

"Thanks, old fellow, take them, by all means. I've seen all I wanted to see."

"Well, I'm just off to Larchmere now. Want to be there to check the quantities, and there's my other house at Fittlesdon. I must go on afterwards and set it out, so I shall probably be away some days. I'm taking Harrison down, too. You won't be wanting him, eh?"

Ventimore laughed. "I can manage to do nothing without a clerk to help me. Your necessity is greater than mine. Here are the plans."

"I'm rather pleased with 'em myself, you know," said Beevor; "that roof ought to look well, eh? Good idea of mine lightening the slate with that ornamental tile-work along the top. You saw I put in one of your windows with just a trifling addition. I was almost inclined to keep both gables alike, as you suggested, but it struck me a little variety—one red brick and the other 'parged'—would be more out-of-the-way."

"Oh, much," agreed Ventimore, knowing that to disagree was useless.

"Not, mind you," continued Beevor, "that I believe in going in for too much originality in domestic architecture. The average client no more wants an original house than he wants an original hat; he wants something he won't feel a fool in. I've often thought, old man, that perhaps the reason why you haven't got on——you don't mind my speaking candidly, do you?"

"Not a bit," said Ventimore, cheerfully. "Candour's the cement of friendship. Dab it on."

"Well, I was only going to say that you do yourself no good by all those confoundedly unconventional ideas of yours. If you had your chance to-morrow, it's my belief you'd throw it away by insisting on some fantastic fad or other."

"These speculations are a trifle premature, considering that there doesn't seem the remotest prospect of my ever getting a chance at all."

"I got mine before I'd set up six months," said Beevor. "The great thing, however," he went on, with a flavour of personal application, "is to know how to use it when it does come. Well, I must be off if I mean to catch that one o'clock from Waterloo. You'll see to anything that may come in for me while I'm away, won't you, and let me know? Oh, by the way, the quantity surveyor has just sent in the quantities for that schoolroom at Woodford—do you mind running through them and seeing they're right? And there's the specification for the new wing at Tusculum Lodge—you might draft that some time when you've nothing else to do. You'll find all the papers on my desk. Thanks awfully, old chap."

And Beevor hurried back to his own room, where for the next few minutes he could be heard bustling Harrison, the clerk, to make haste; then a hansom was whistled for, there were footsteps down the old stairs, the sounds of a departing vehicle on the uneven stones, and after that silence and solitude.

It was not in Nature to avoid feeling a little envious. Beevor had work to do in the world: even if it chiefly consisted in profaning sylvan retreats by smug or pretentious villas, it was still work which entitled him to consideration and respect in the eyes of all right-minded persons.

And nobody believed in Horace; as yet he had never known the satisfaction of seeing the work of his brain realised in stone and brick and mortar; no building stood anywhere to bear testimony to his existence and capability long after he himself should have passed away.

It was not a profitable train of thought, and, to escape from it, he went into Beevor's room and fetched the documents he had mentioned—at least they would keep him occupied until it was time to go to his club and lunch. He had no sooner settled down to his calculations, however, when he heard a shuffling step on the landing, followed by a knock at Beevor's office-door. "More work for Beevor," he thought; "what luck the fellow has! I'd better go in and explain that he's just left town on business."

But on entering the adjoining room he heard the knocking repeated—this time at his own door; and hastening back to put an end to this somewhat undignified form of hide-and-seek, he discovered that this visitor at least was legitimately his, and was, in fact, no other than Professor Anthony Futvoye himself.

The Professor was standing in the doorway peering short-sightedly through his convex glasses, his head protruded from his loosely-fitting great-coat with an irresistible suggestion of an inquiring tortoise. To Horace his appearance was more welcome than that of the wealthiest client—for why should Sylvia's father take the trouble to pay him this visit unless he still wished to continue the acquaintanceship? It might even be that he was the bearer of some message or invitation.

So, although to an impartial eye the Professor might not seem the kind of elderly gentleman whose society would produce any wild degree of exhilaration, Horace was unfeignedly delighted to see him.

"Extremely kind of you to come and see me like this, sir," he said warmly, after establishing him in the solitary armchair reserved for hypothetical clients.

"Not at all. I'm afraid your visit to Cottesmore Gardens some time ago was somewhat of a disappointment."

"A disappointment?" echoed Horace, at a loss to know what was coming next.

"I refer to the fact—which possibly, however, escaped your notice"—explained the Professor, scratching his scanty patch of grizzled whisker with a touch of irascibility, "that I myself was not at home on that occasion."

"Indeed, I was greatly disappointed," said Horace, "though of course I know how much you are engaged. It's all the more good of you to spare time to drop in for a chat just now."

"I've not come to chat, Mr. Ventimore. I never chat. I wanted to see you about a matter which I thought you might be so obliging as to—— But I observe you are busy—probably too busy to attend to such a small affair."

It was clear enough now; the Professor was going to build, and had decided—could it be at Sylvia's suggestion?—to entrust the work to him! But he contrived to subdue any self-betraying eagerness, and reply (as he could with perfect truth) that he had nothing on hand just then which he could not lay aside, and that if the Professor would let him know what he required, he would take it up at once.

"So much the better," said the Professor; "so much the better. Both my wife and daughter declared that it was making far too great a demand upon your good nature; but, as I told them, 'I am much mistaken,' I said, 'if Mr. Ventimore's practice is so extensive that he cannot leave it for one afternoon——'"

Evidently it was not a house. Could he be needed to escort them somewhere that afternoon? Even that was more than he had hoped for a few minutes since. He hastened to repeat that he was perfectly free that afternoon.

"In that case," said the Professor, beginning to fumble in all his pockets—was he searching for a note in Sylvia's handwriting?—"in that case, you will be conferring a real favour on me if you can make it convenient to attend a sale at Hammond's Auction Rooms in Covent Garden, and just bid for one or two articles on my behalf."

Whatever disappointment Ventimore felt, it may be said to his credit that he allowed no sign of it to appear. "Of course I'll go, with pleasure," he said, "if I can be of any use."

"I knew I shouldn't come to you in vain," said the Professor. "I remembered your wonderful good nature, sir, in accompanying my wife and daughter on all sorts of expeditions in the blazing hot weather we had at St. Luc—when you might have remained quietly at the hotel with me. Not that I should trouble you now, only I have to lunch at the Oriental Club, and I've an appointment afterwards to examine and report on a recently-discovered inscribed cylinder for the Museum, which will fully occupy the rest of the afternoon, so that it's physically impossible for me to go to Hammond's myself, and I strongly object to employing a broker when I can avoid it. Where did I put that catalogue?… Ah, here it is. This was sent to me by the executors of my old friend, General Collingham, who died the other day. I met him at Nakada when I was out excavating some years ago. He was something of a collector in his way, though he knew very little about it, and, of course, was taken in right and left. Most of his things are downright rubbish, but there are just a few lots that are worth securing, at a reasonable figure, by some one who knew what he was about."

"But, my dear Professor," remonstrated Horace, not relishing this responsibility, "I'm afraid I'm as likely as not to pick up some of the rubbish. I've no special knowledge of Oriental curios."

"At St. Luc," said the Professor, "you impressed me as having, for an amateur, an exceptionally accurate and comprehensive acquaintance with Egyptian and Arabian art from the earliest period." (If this were so, Horace could only feel with shame what a fearful humbug he must have been.) "However, I've no wish to lay too heavy a burden on you, and, as you will see from this catalogue, I have ticked off the lots in which I am chiefly interested, and made a note of the limit to which I am prepared to bid, so you'll have no difficulty."

"Very well," said Horace; "I'll go straight to Covent Garden, and slip out and get some lunch later on."

"Well, perhaps, if you don't mind. The lots I have marked seem to come on at rather frequent intervals, but don't let that consideration deter you from getting your lunch, and if you should miss anything by not being on the spot, why, it's of no consequence, though I don't say it mightn't be a pity. In any case, you won't forget to mark what each lot fetches, and perhaps you wouldn't mind dropping me a line when you return the catalogue—or stay, could you look in some time after dinner this evening, and let me know how you got on?—that would be better."

Horace thought it would be decidedly better, and undertook to call and render an account of his stewardship that evening. There remained the question of a deposit, should one or more of the lots be knocked down to him; and, as he was obliged to own that he had not so much as ten pounds about him at that particular moment, the Professor extracted a note for that amount from his case, and handed it to him with the air of a benevolent person relieving a deserving object. "Don't exceed my limits," he said, "for I can't afford more just now; and mind you give Hammond your own name, not mine. If the dealers get to know I'm after the things, they'll run you up. And now, I don't think I need detain you any longer, especially as time is running on. I'm sure I can trust you to do the best you can for me. Till this evening, then."

A few minutes later Horace was driving up to Covent Garden behind the best-looking horse he could pick out.

The Professor might have required from him rather more than was strictly justified by their acquaintanceship, and taken his acquiescence too much as a matter of course—but what of that? After all, he was Sylvia's parent.

"Even with my luck," he was thinking, "I ought to succeed in getting at least one or two of the lots he's marked; and if I can only please him, something may come of it."

And in this sanguine mood Horace entered Messrs. Hammond's well-known auction rooms.

Chapter 2 A CHEAP LOT

In spite of the fact that it was the luncheon hour when Ventimore reached Hammond's Auction Rooms, he found the big, skylighted gallery where the sale of the furniture and effects of the late General Collingham was proceeding crowded to a degree which showed that the deceased officer had some reputation as a connoisseur.

The narrow green baize tables below the auctioneer's rostrum were occupied by professional dealers, one or two of them women, who sat, paper and pencil in hand, with much the same air of apparent apathy and real vigilance that may be noticed in the Casino at Monte Carlo. Around them stood a decorous and businesslike crowd, mostly dealers, of various types. On a magisterial-looking bench sat the auctioneer, conducting the sale with a judicial impartiality and dignity which forbade him, even in his most laudatory comments, the faintest accent of enthusiasm.

The October sunshine, striking through the glazed roof, re-gilded the tarnished gas-stars, and suffused the dusty atmosphere with palest gold. But somehow the utter absence of excitement in the crowd, the calm, methodical tone of the auctioneer, and the occasional mournful cry of "Lot here, gentlemen!" from the porter when any article was too large to move, all served to depress Ventimore's usually mercurial spirits.

For all Horace knew, the collection as a whole might be of little value, but it very soon became clear that others besides Professor Futvoye had singled out such gems as there were, also that the Professor had considerably under-rated the prices they were likely to fetch.

Ventimore made his bids with all possible discretion, but time after time he found the competition for some perforated mosque lantern, engraved ewer, or ancient porcelain tile so great that his limit was soon reached, and his sole consolation was that the article eventually changed hands for sums which were very nearly double the Professor's estimate.

Several dealers and brokers, despairing of a bargain that day, left, murmuring profanities; most of those who remained ceased to take a serious interest in the proceedings, and consoled themselves with cheap witticisms at every favourable occasion.

The sale dragged slowly on, and, what with continual disappointment and want of food, Horace began to feel so weary that he was glad, as the crowd thinned, to get a seat at one of the green baize tables, by which time the skylights had already changed from livid grey to slate colour in the deepening dusk.

A couple of meek Burmese Buddhas had just been put up, and bore the indignity of being knocked down for nine-and-sixpence the pair with dreamy, inscrutable simpers; Horace only waited for the final lot marked by the Professor—an old Persian copper bowl, inlaid with silver and engraved round the rim with an inscription from Hafiz.

The limit to which he was authorised to go was two pounds ten; but, so desperately anxious was Ventimore not to return empty-handed, that he had made up his mind to bid an extra sovereign if necessary, and say nothing about it.

However, the bowl was put up, and the bidding soon rose to three pounds ten, four pounds, four pounds ten, five pounds, five guineas, for which last sum it was acquired by a bearded man on Horace's right, who immediately began to regard his purchase with a more indulgent eye.

Ventimore had done his best, and failed; there was no reason now why he should stay a moment longer—and yet he sat on, from sheer fatigue and disinclination to move.

"Now we come to Lot 254, gentlemen," he heard the auctioneer saying, mechanically; "a capital Egyptian mummy-case in fine con—— No, I beg pardon, I'm wrong. This is an article which by some mistake has been omitted from the catalogue, though it ought to have been in it. Everything on sale to-day, gentlemen, belonged to the late General Collingham. We'll call this No. 253a. Antique brass bottle. Very curious."

One of the porters carried the bottle in between the tables, and set it down before the dealers at the farther end with a tired nonchalance.

It was an old, squat, pot-bellied vessel, about two feet high, with a long thick neck, the mouth of which was closed by a sort of metal stopper or cap; there was no visible decoration on its sides, which were rough and pitted by some incrustation that had formed on them, and been partially scraped off. As a piece of bric-a-brac it certainly possessed few attractions, and there was a marked tendency to "guy" it among the more frivolous brethren.

"What do you call this, sir?" inquired one of the auctioneer, with the manner of a cheeky boy trying to get a rise out of his form-master. "Is it as 'unique' as the others?"

"You're as well able to judge as I am," was the guarded reply. "Any one can see for himself it's not modern rubbish."

"Make a pretty little ornament for the mantelpiece!" remarked a wag.

"Is the top made to unscrew, or what, sir?" asked a third. "Seems fixed on pretty tight."

"I can't say. Probably it has not been removed for some time."

"It's a goodish weight," said the chief humorist, after handling it. "What's inside of it, sir—sardines?"

"I don't represent it as having anything inside it," said the auctioneer. "If you want to know my opinion, I think there's money in it."

"'Ow much?"

"Don't misunderstand me, gentlemen. When I say I consider there's money in it, I'm not alluding to its contents. I've no reason to believe that it contains anything. I'm merely suggesting the thing itself may be worth more than it looks."

"Ah, it might be that without 'urting itself!"

"Well, well, don't let us waste time. Look upon it as a pure speculation, and make me an offer for it, some of you. Come."

"Tuppence-'ap'ny!" cried the comic man, affecting to brace himself for a mighty effort.

"Pray be serious, gentlemen. We want to get on, you know. Anything to make a start. Five shillings? It's not the value of the metal, but I'll take the bid. Six. Look at it well. It's not an article you come across every day of your lives."

The bottle was still being passed round with disrespectful raps and slaps, and it had now come to Ventimore's right-hand neighbour, who scrutinised it carefully, but made no bid.

"That's all right, you know," he whispered in Horace's ear. "That's good stuff, that is. If I was you, I'd 'ave that."

"Seven shillings—eight—nine bid for it over there in the corner," said the auctioneer.

"If you think it's so good, why don't you have it yourself?" Horace asked his neighbour.

"Me? Oh, well, it ain't exactly in my line, and getting this last lot pretty near cleaned me out. I've done for to-day, I 'ave. All the same, it is a curiosity; dunno as I've seen a brass vawse just that shape before, and it's genuine old, though all these fellers are too ignorant to know the value of it. So I don't mind giving you the tip."

Horace rose, the better to examine the top. As far as he could make out in the flickering light of one of the gas-stars, which the auctioneer had just ordered to be lit, there were half-erased scratches and triangular marks on the cap that might possibly be an inscription. If so, might there not be the means here of regaining the Professor's favour, which he felt that, as it was, he should probably forfeit, justly or not, by his ill-success?

He could hardly spend the Professor's money on it, since it was not in the catalogue, and he had no authority to bid for it, but he had a few shillings of his own to spare. Why not bid for it on his own account as long as he could afford to do so? If he were outbid, as usual, it would not particularly matter.

"Thirteen shillings," the auctioneer was saying, in his dispassionate tones. Horace caught his eye, and slightly raised his catalogue, while another man nodded at the same time. "Fourteen in two places." Horace raised his catalogue again. "I won't go beyond fifteen," he thought.

"Fifteen. It's against you, sir. Any advance on fifteen? Sixteen—this very quaint old Oriental bottle going for only sixteen shillings.

"After all," thought Horace, "I don't mind anything under a pound for it." And he bid seventeen shillings. "Eighteen," cried his rival, a short, cheery, cherub-faced little dealer, whose neighbours adjured him to "sit quiet like a good little boy and not waste his pocket-money."

"Nineteen!" said Horace. "Pound!" answered the cherubic man.

"A pound only bid for this grand brass vessel," said the auctioneer, indifferently. "All done at a pound?"

Horace thought another shilling or two would not ruin him, and nodded.

"A guinea. For the last time. You'll lose it, sir," said the auctioneer to the little man.

"Go on, Tommy. Don't you be beat. Spring another bob on it, Tommy," his friends advised him ironically; but Tommy shook his head, with the air of a man who knows when to draw the line. "One guinea—and that's not half its value! Gentleman on my left," said the auctioneer, more in sorrow than in anger—and the brass bottle became Ventimore's property.

He paid for it, and, since he could hardly walk home nursing a large metal bottle without attracting an inconvenient amount of attention, directed that it should be sent to his lodgings at Vincent Square.

But when he was out in the fresh air, walking westward to his club, he found himself wondering more and more what could have possessed him to throw away a guinea—when he had few enough for legitimate expenses—on an article of such exceedingly problematical value.