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A gothic short story about a girl, whose portrait was found in an old, ruined tower. An old lady narrates then the story of Rosina, an orphan, who was thrown out of the house when Sir Peter discovered, that she was in love with his son. When she cannot be found the following day, son Henry sets out on a search and soon hears from fishermen about a invisible girl ...
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Mary Wollstonecraft Shelley
Jazzybee Verlag Jürgen Beck
86450 Altenmünster, Loschberg 9
This slender narrative has no pretensions o the regularity of a story, or the development of situations and feelings; it is but a slight sketch, delivered nearly as it was narrated to me by one of the humblest of the actors concerned: nor will I spin out a circumstance interesting principally from its singularity and truth, but narrate, as concisely as I can, how I was surprised on visiting what seemed a ruined tower, crowning a bleak promontory overhanging the sea, that flows between Wales and Ireland, to find that though the exterior preserved all the savage rudeness that betokened many a war with the elements, the interior was fitted up somewhat in the guise of a summer-house, for it was too small to deserve any other name. It consisted but of the ground-floor, which served as an entrance, and one room above, which was reached by a staircase made out of the thickness of the wall. This chamber was floored and carpeted, decorated with elegant furniture; and, above all, to attract the attention and excite curiosity, there hung over the chimney-piece -- for to preserve the apartment from damp a fire-place had been built evidently since it had assumed a guise so dissimilar to the object of its construction -- a picture simply painted in water-colours, which seemed more than any part of the adornments of the room to be at war with the rudeness of the building, the solitude in which it was placed, and the desolation of the surrounding scenery. This drawing represented a lovely girl in the very pride and bloom of youth; her dress was simple, in the fashion of the day -- (remember, reader, I write at the beginning of the eighteenth century), her countenance was embellished by a look of mingled innocence and intelligence, to which was added the imprint of serenity of soul and natural cheerfulness. She was reading one of those folio romances which have so long been the delight of the enthusiastic and young; her mandoline was at her feet -- her parroquet perched on a huge mirror near her; the arrangement of furniture and hangings gave token of a luxurious dwelling, and her attire also evidently that of home and privacy, yet bore with it an appearance of ease and girlish ornament, as if she wished to please. Beneath this picture was inscribed in golden letters, "The Invisible Girl."
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