Kategoria: Sensacja, thriller, horror Język: angielski Rok wydania: 1918

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Opis ebooka A Royal Prisoner - Marcel Allain, Pierre Souvestre

The daring exploits of Fantômas in his attempts to get possession of the King of Hesse-Weimar's famous diamond.

Opinie o ebooku A Royal Prisoner - Marcel Allain, Pierre Souvestre

Fragment ebooka A Royal Prisoner - Marcel Allain, Pierre Souvestre

Chapter 1 - A ROYAL JAG

About Allain:

Marcel Allain (1885-1970) was a French writer mostly remembered today for his co-creation with Pierre Souvestre of the fictional arch-villain and master criminal Fantômas. The son of a Parisian bourgeois family, Allain studied law before becoming a journalist. He then became the assistant of Souvestre, who was already a well-known figure in literary circles. In 1909, the two men published their first novel, Le Rour. Investigating Magistrate Germain Fuselier, later to become a recurring character in the Fantômas series, appears in the novel. Then, in February 1911, Allain and Souvestre embarked upon the Fantômas book series at the request of publisher Artheme Fayard, who wanted to create a new monthly pulp magazine. The success was immediate and lasting. After Souvestre’s death in February 1914, Allain continued the Fantômas saga alone, then launched several other series, such as Tigris, Fatala, Miss Téria and Férocias, but none garnered the same popularity as Fantômas. In 1926, Allain married Souvestre’s girl-friend, Henriette Kistler. In total, Allain wrote more than 400 novels in his prolific career.

Also available on Feedbooks Allain:
About Souvestre:

Pierre Souvestre (June 1, 1874-February 26, 1914) was a French lawyer, journalist, writer and organizer of motor races. He is mostly remembered today for his co-creation with Marcel Allain of the fictional arch-villain and master criminal Fantômas. He was born in Plomelin, a commune in Finistere, Bretagne. In 1909, already a well-known figure in literary circles, Souvestre collaborated with his assistant Allain on their first novel, Le Rour. Investigating Magistrate Germain Fuselier, later to become a recurring character in the Fantômas series, appears in the novel. Then, in February 1911, Allain and Souvestre embarked upon the Fantômas book series at the request of publisher Artheme Fayard, who wanted to create a new monthly pulp magazine. The success was immediate and lasting. Souvestre died of a congestion of the lungs. After his death, Allain continued the Fantômas saga alone.

Also available on Feedbooks Souvestre:
Copyright: This work was published before 1923 and is in the public domain in the USA only.
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Chapter 1 A ROYAL JAG

"After all, why not celebrate? It's the last day of the year and it won't come again for twelve months."

It was close upon midnight.

Jerome Fandor, reporter on the popular newspaper, La Capitale, was strolling along the boulevard; he had just come from a banquet, one of those official and deadly affairs at which the guests are obliged to listen to interminable speeches. He had drowsed through the evening and at the first opportunity had managed to slip away quickly.

The theatres were just out and the boulevard was crowded with people intent on making a night of it. Numberless automobiles containing the fashionable and rich of Paris blocked the streets. The restaurants were brilliantly illuminated, and as carriages discharged their occupants before the doors, one glimpsed the neat feet and ankles of daintily clad women as they crossed the sidewalk and disappeared inside, following their silk-hatted escorts, conscious of their own importance.

Many years of active service in Paris as chief reporter of La Capitale had brought Jerome Fandor in touch with a good third of those who constitute Parisian society, and rarely did he fail to exchange a nod, a smile, or half a dozen words of friendly greeting whenever he set foot out of doors.

But in spite of his popularity he led a lonely life—many acquaintances, but few close friends. The great exception was Juve, the celebrated detective.

In fact, Fandor's complex and adventurous life was very much bound up with that of the police officer, for they had worked together in solving the mystery of many tragic crimes.

On this particular evening, the reporter became gradually imbued with the general spirit of gaiety and abandon which surrounded him.

"Hang it," he muttered, "I might go and hunt up Juve and drag him off to supper, but I'm afraid I should get a cool reception if I did. He is probably sleeping the sleep of the just and would strongly object to being disturbed. Anyway, sooner or later, I'll probably run into some one I know."

On reaching Drouet Square, he espied an inviting-looking restaurant, brilliantly lit. He was about to make his way to a table when the head waiter stopped him.

"Your name, please!"

"What's that?" replied Fandor.

The waiter answered with ironical politeness:

"I take it for granted you have engaged a table. We haven't a single vacant place left."

Fandor had the same luck at several other restaurants and then began to suffer the pangs of hunger, having, on principle, scarcely touched the heavy dishes served at the banquet.

After wandering aimlessly about, he walked toward the Madeleine and turned off into the Rue Royale in the direction of the Faubourg Saint-Honoré.

As he was passing a discreet looking restaurant with many thick velvet curtains and an imposing array of private automobiles before it, he heard his name called.

He stopped short and turned to see a vision of feminine loveliness standing before him.

"Isabelle de Guerray!" he cried.

"And how are you, my dear boy? Come along in with me."

Fandor had known Isabelle de Guerray when she was a young school teacher just graduated from Sévres. Her career, beginning with a somewhat strange and unorthodox affair with a young man of good family who had killed himself for her, had progressed by rapid strides and her name was frequently cited in the minor newspapers as giving elegant "society" suppers, the guests being usually designated by their initials!

Fandor remarked that the fair Isabelle seemed to be putting on weight, especially round the shoulders and hips, but she still retained a great deal of dash and an ardent look in her eyes, very valuable assets in her profession.

"I have my table here, at Raxim's, you must come and join us," and she added with a sly smile, "Oh—quite platonically—I know you're unapproachable."

A deafening racket was going on in the narrow, oblong room. The habitués of the place all knew each other and the conversation was general. No restraint was observed, so that it was quite permissible to wander about, hat on head and cigar between lips, or take a lady upon one's knees.

Fandor followed Isabelle to a table overloaded with flowers and bottles of champagne. Here and there he recognized old friends from the Latin Quarter or Montmartre, among them Conchita Conchas, a Spanish dancer in vogue the previous winter. A tiny woman, who might have been a girl of fifteen from her figure, but whose face was marked with the lines of dissipation, ran into him and Fandor promptly put his arm round her waist.

"Hello, if it isn't little Souppe!"

"Paws down or I'll scratch," was the sharp reply.

The next moment he was shaking hands with Daisy Kissmi, an English girl who had become quite a feature of Raxim's.

Further on he noticed a pale, bald, and already pot-bellied young man, who was staring with lack-lustre eyes at his whiskey and soda. This premature ruin was listening distraitly to a waiter who murmured mysteriously into his ear.

At the end of the room, surrounded by pretty women, sat the old Duke de Pietra, descendant of a fine old Italian family, and near him Arnold, an actor from the music halls.

The patrons had no choice in regard to the supper, which was settled by the head waiter. Each received a bottle of champagne, Ostend oysters, and, later, large slices of pâté de foie gras, and as the bottles were emptied, intoxication became general, while even the waiters seemed to catch the spirit of abandon. When the Hungarian band had played their most seductive waltzes, the leader came forward to the middle of the room and announced a new piece of his own composition, called "The Singing Fountains." This met with instant applause and laughter.

As the night wore on the noise became positively deafening. A young Jew named Weil invented a new game. He seized two plates and began scraping them together. Many of the diners followed his example.

"Look here," exclaimed Conchita Conchas, leaning familiarly upon Fandor's shoulder, "why don't you give us tickets for to-morrow to hear these famous Fountains?"

Fandor started to explain that the young woman would be in bed and sound asleep when that event took place, but the Spanish girl, without waiting for the answer, had strolled away.

The journalist rose with the intention of making his escape, when a voice directly behind him made him pause.

"Excuse me, but you seem to know all about these 'Singing Fountains.' Will you kindly explain to me what they are? I am a stranger in the city."

Fandor turned and saw a man of about thirty, fair-haired, with a heavy moustache, seated alone at a small table. The stranger was well built and of distinguished appearance. The journalist suppressed a start of amazement.

"Why, it's not surprising that you have not heard of them, they are quite unimportant. On the Place de la Concorde there are two bronze monuments representing Naiads emerging from the fountains. You probably have seen them yourself?"

The stranger nodded, and poured out another glass of champagne.

"Well," continued Fandor, "recently passers-by have fancied they heard sounds coming from these figures. In fact, they declare that the Naiads have been singing. A delightfully poetic and thoroughly Parisian idea, isn't it?"

"Very Parisian indeed."

"The papers have taken it up, and one you probably know by name, La Capitale, has decided to investigate this strange phenomenon."

"What was Conchita asking you just now?"

"Oh, nothing, merely to give her a card for the ceremony."

The conversation continued and turned to other subjects. The stranger ordered more wine and insisted on Fandor joining him. He seemed to be particularly interested in the subject of women and the night life of Paris.

"If only I could persuade him to come with me," thought Fandor. "I'd show him a stunt or two, and what a scoop it would make … if it could be printed! He certainly is drunk, very drunk, and that may help me."


On the Place de la Concorde, deserted at this late hour, two men, arm in arm, were taking their devious way. They were Fandor and the stranger he had met at Raxim's.

The journalist, with the aid of an extra bottle, had persuaded his new friend to finish the night among the cafés of Montmartre. The sudden change from the overheated restaurant to the cold outside increased the effects of the alcohol and Fandor realized that he himself was far from sober. As his companion seemed to be obsessed with the idea of seeing the Fountains, the journalist piloted him to the Place de la Concorde.

"There you are," he exclaimed, "but you see they're closed. No more singing to-night. Now come and have a drink."

"Good idea, some more champagne."

Fandor hailed a taxi, and ordered the chauffeur to drive to the Place Pigalle. As he was shutting the door, he observed an old beggar, who evidently was afraid to ask for alms. Fandor threw him a coin as the taxi started.

It was three in the morning, and the Place Pigalle was crowded with carriages, porters and a constant ebb and flow of all sorts of people.

The journalist and his companion emerged some time later from one of the best known restaurants, both drunk, especially the stranger, who could scarcely keep his feet.

"Look here, we must go … go… "

"Go to bed," interrupted Fandor.

"No. I know where we can go… ."

"But we've been everywhere."

"We'll go to my rooms … to her rooms … to Susy d'Orsel … she's my girl … d'ye know, she's been expecting me for supper since midnight."

"More supper?"

"Of course … there's plenty of room left."

With some difficulty the stranger managed to give the address, 247 Rue de Monceau.

"All right," said Fandor to himself, "we'll have some fun; after all, what do I risk?"

While the taxi shook them violently from side to side, Fandor grew comparatively sober. He examined his companion more closely and was surprised to see how well he carried himself in spite of his condition.

"Well," he summed up, "he certainly has a jag, but it's a royal jag!"


"Now you've forgotten the fish knives and forks! Do you expect my lover to eat with his fingers like that old Chinaman I had for three months last year!"

Susy d'Orsel spoke with a distinct accent of the Faubourg, which contrasted strangely with her delicate and distinguished appearance.

Justine, her maid, stood staring in reply.

"But, Madame, we have lobsters… ."

"What's that got to do with it, they're fish, ain't they?"

The young woman left the table and went into the adjoining room, a small drawing-room, elegantly furnished in Louis XV style.

"Justine," she called.


"Here's another mistake. You mustn't get red orchids. Throw these out… . I want either mauve or yellow ones… . You know those are the official colors of His Majesty."

"Queer taste his … His Majesty has for yellow."

"What's that to do with you. Get a move on, lay the table."

"I left the pâté de foie gras in the pantry with ice round it."

"All right."

The young woman returned to the dining-room and gave a final glance at the preparations.

"He's a pretty good sort, my august lover." Justine started in surprise.

"August! Is that a new one?"

Susy d'Orsel could hardly repress a smile.

"Mind your own business. What time is it?"

"A quarter to twelve, Madame." And as the girl started to leave the room she ventured:

"I hope M. August won't forget me, to-morrow morning."

"Why, you little idiot, his name isn't August, it's Frederick-Christian! You have about as much sense as an oyster!"

The maid looked so crestfallen at this that Susy added, good-naturedly:

"That's all right, Justine, A Happy New Year anyway, and don't worry. And now get out; His Majesty wants nobody about but me this evening."

Susy d'Orsel, in spite of her physical charms, had found life hard during the earlier years of her career. She had become a mediocre actress merely for the sake of having some profession, and had frequented the night restaurants in quest of a wealthy lover. It was only after a long delay that fortune had smiled upon her, and she had arrived at the enviable position of being the mistress of a King.

Frederick-Christian II, since the death of his father three years previously, reigned over the destinies of the Kingdom of Hesse-Weimar. Young and thoroughly Parisian in his tastes, he felt terribly bored in his middle-class capital and sought every opportunity of going, incognito, to have a little fun in Paris. During each visit he never failed to call upon Susy d'Orsel, and by degrees, coming under the sway of her charms, he made her a sort of official mistress, an honor which greatly redounded to her glory and popularity.

He had installed her in a dainty little apartment in the Rue de Monceau. It was on the third floor and charmingly furnished. In fact, he was in the habit of declaring that his Queen Hedwige, despite all her wealth, was unable to make her apartment half so gracious and comfortable.

Thus it was that Susy d'Orsel waited patiently for the arrival of her royal lover, who had telephoned her he would be with her on the night of December the thirty-first.

The official residence of the King while in Paris was the Royal Palace Hotel, and although in strict incognito, he rarely spent the whole night out. But he intended to make the last night of the year an exception to this rule. As became a gallant gentleman, he had himself seen to the ordering of the supper, and a procession of waiters from the first restaurants of Paris had been busy all the afternoon preparing for the feast.

Suddenly a discreet ring at the bell startled Susy d'Orsel.

"That's queer, I didn't expect the King until one o'clock!" she exclaimed.

She opened the door and saw a young girl standing on the landing.

"Oh, it's you, Mademoiselle Pascal! What are you coming at this hour for?"

"Excuse me, Madame, for troubling you, but I've brought your lace negligée. It took me quite a time to finish, and I thought you'd probably like it as soon as possible."

"Oh, I thought it had already come. I'm very glad you brought it. There would have been a fine row if it hadn't been ready for me to wear this evening."

Susy d'Orsel took the dressmaker into her bedroom and turned on the electric lights. The gown was then unwrapped and displayed. It was of mousseline de soie, trimmed with English point.

Susy examined it with the eye of a connoisseur and then nodded her head.

"It's fine, my girl, you have the fingers of a fairy, but it must put your eyes out."

"It is very hard, Madame, especially working by artificial light, and in winter the days are so short and the work very heavy. That is why I came to you at this late hour."

Susy smiled.

"Late hour! Why the evening is just beginning for me."

"Our lives are very different, Madame."

"That's right, I begin when you stop, and if your work is hard, mine isn't always agreeable."

The two women laughed and then Susy took off her wrapper and put on the new negligée.

"My royal lover is coming this evening."

"Yes, I know," answered Marie Pascal. "Your table looks very pretty."

"You might make me a lace table cloth. We'll talk about it some other time, not this evening; besides, I can't be too extravagant."

The dressmaker took her leave a few moments later and made her way with care in the semi-obscurity down the three flights of stairs.

Marie Pascal was a young girl in the early twenties, fair-haired, blue-eyed and with a graceful figure. Modishly but neatly dressed, she had a reputation in the neighborhood as a model of discretion and virtue.

She worked ceaselessly and being clever with her fingers, she had succeeded in building up so good a trade in the rich and elegant Monceau quarter, that in the busy season she was obliged to hire one or two workwomen to help her.

As she was crossing the court to go to her own room, a voice called her from the porter's lodge.

"Marie Pascal, look here a moment."

A fat woman dressed in her best opened the door of her room which was lit by one flaring gas jet.

Marie Pascal, in spite of her natural kindliness, could scarcely repress a smile.

Madame Ceiron, the concierge, or, as she was popularly called, "Mother Citron," certainly presented a fantastic appearance.

She was large, shapeless, common, and good-natured. Behind her glasses, her eyes snapped with perpetual sharp humor. She had a mass of gray hair that curled round her wrinkled face, which, with a last remnant of coquetry, she made up outrageously. Her hands and feet were enormous, disproportionate to her figure, although she was well above middle height. She invariably wore mittens while doing the housework.

Mother Citron, however, did very little work; she left that to a subordinate who, for a modest wage, attended to her business and left her free to go out morning, noon and night. She now questioned Marie Pascal with considerable curiosity, and the young girl explained her late errand to deliver the gown to Susy d'Orsel.

"Come in and have a cup of coffee, Mam'zelle Pascal," urged the old woman, as she set out two cups and filled them from a coffee pot on the stove.

Marie Pascal at first refused, but Mother Citron was so insistent that she ended by accepting the invitation. Besides, she felt very grateful to Madame Ceiron for having recommended her to the proprietor of the house, the Marquis de Sérac, an old bachelor who lived on the first floor.

The Marquis had used his good offices to obtain for her an order for laces from the King of Hesse-Weimar. Mother Citron showed a kindly interest in this enterprise.

"Well, did you see the King?"

"I saw him and I didn't see him."

"Tell me all about it, my dear. Is the lover of our lady upstairs a good-looking man?"

"It's hard to say. So far as I could judge, he seemed to be very handsome. You see, it was like this. After waiting in the lobby of the Royal Palace Hotel for about an hour, I was shown into a large drawing-room; a sort of footman in knee breeches took my laces into the adjoining room where the King was walking up and down. I just caught a glimpse of him from time to time."

"What did he do then?"

"I don't know. He must have liked my laces for he gave me a large order. He didn't seem to pay much attention to them; he picked out three of the samples I sent in and what seemed queer, he also ordered some imitations of them."

The concierge smiled knowingly.

"I expect the imitations were for his lawful wife, and the real ones for his little friend. Men are all alike. Another cup of coffee?"

"Oh, no, thanks."

"Well, I won't insist; each one to his taste. The life Susy d'Orsel leads wouldn't suit you. And the amount of champagne she gets through!"

"All the same, there's something to be said for it. She has a first-rate position since she got the King … and I get first-rate tips! Take to-night, for instance; I'll bet they'll be carrying on till pretty near dawn. It upsets my habits, but I can't complain. I'll probably get a good New Year's present in the morning."

"Well, as it's very late for me, I'll go up to bed."

"Go ahead, my dear, don't let me keep you."

Marie Pascal had reached the stairs when she turned back.

"Oh, Madame Ceiron, when can I thank the Marquis de Sérac for his kindness in introducing me to Frederick-Christian?"

"No hurry, my child, the Marquis has gone to the country to spend the New Year's day with his relations and he won't be back before next week."

Marie Pascal climbed the stairs to her room on the sixth floor and the concierge returned to her quarters and settled herself in an armchair.