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The Rose and the RingByWilliam Makepeace Thackeray
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The Rose and the Ring
William Makepeace Thackeray
I. SHOWS HOW THE ROYAL FAMILY SATE DOWN TO BREAKFAST
III. TELLS WHO THE FAIRY BLACKSTICK WAS, AND WHO WERE EVER SO MANY GRAND PERSONAGES BESIDES
IV. HOW BLACKSTICK WAS NOT ASKED TO THE PRINCESS ANGELICA’S CHRISTENING
V. HOW PRINCESS ANGELICA TOOK A LITTLE MAID
VI. HOW PRINCE GIGLIO BEHAVED HIMSELF
VII. HOW GIGLIO AND ANGELICA HAD A QUARREL
VIII. HOW GRUFFANUFF PICKED THE FAIRY RING UP, AND PRINCE BULBO CAME TO COURT
IX. HOW BETSINDA GOT THE WARMING PAN
X. HOW KING VALOROSO WAS IN A DREADFUL PASSION
XI. WHAT GRUFFANUFF DID TO GIGLIO AND BETSINDA
XII. HOW BETSINDA FLED, AND WHAT BECAME OF HER
XIII. HOW QUEEN ROSALBA CAME TO THE CASTLE OF THE BOLD COUNT HOGGINARMO
XIV. WHAT BECAME OF GIGLIO
XV. WE RETURN TO ROSALBA
XVI. HOW HEDZOFF RODE BACK AGAIN TO KING GIGLIO
XVII. HOW A TREMENDOUS BATTLE TOOK PLACE, AND WHO WON IT
XVIII. HOW THEY ALL JOURNEYED BACK TO THE CAPITAL
XIX. AND NOW WE COME TO THE LAST SCENE IN THE PANTOMIME
It happened that the undersigned spent the last Christmas season in a foreign city where there were many English children.
In that city, if you wanted to give a child’s party, you could not even get a magic-lantern or buy Twelfth-Night characters—those funny painted pictures of the King, the Queen, the Lover, the Lady, the Dandy, the Captain, and so on—with which our young ones are wont to recreate themselves at this festive time.
My friend Miss Bunch, who was governess of a large family that lived in the Piano Nobile of the house inhabited by myself and my young charges (it was the Palazzo Poniatowski at Rome, and Messrs. Spillmann, two of the best pastrycooks in Christendom, have their shop on the ground floor): Miss Bunch, I say, begged me to draw a set of Twelfth-Night characters for the amusement of our young people.
She is a lady of great fancy and droll imagination, and having looked at the characters, she and I composed a history about them, which was recited to the little folks at night, and served as our FIRESIDE PANTOMIME.
Our juvenile audience was amused by the adventures of Giglio and Bulbo, Rosalba and Angelica. I am bound to say the fate of the Hall Porter created a considerable sensation; and the wrath of Countess Gruffanuff was received with extreme pleasure.
If these children are pleased, thought I, why should not others be amused also? In a few days Dr. Birch’s young friends will be expected to reassemble at Rodwell Regis, where they will learn everything that is useful, and under the eyes of careful ushers continue the business of their little lives.
But, in the meanwhile, and for a brief holiday, let us laugh and be as pleasant as we can. And you elder folk—a little joking, and dancing, and fooling will do even you no harm. The author wishes you a merry Christmas, and welcomes you to the Fireside Pantomime.
W. M. THACKERAY. December 1854.
This is Valoroso XXIV., King of Paflagonia, seated with his Queen and only child at their royal breakfast-table, and receiving the letter which announces to His Majesty a proposed visit from Prince Bulbo, heir of Padella, reigning King of Crim Tartary. Remark the delight upon the monarch’s royal features. He is so absorbed in the perusal of the King of Crim Tartary’s letter, that he allows his eggs to get cold, and leaves his august muffins untasted.
‘What! That wicked, brave, delightful Prince Bulbo!’ cries Princess Angelica; ‘so handsome, so accomplished, so witty—the conqueror of Rimbombamento, where he slew ten thousand giants!’
‘Who told you of him, my dear?’ asks His Majesty.
‘A little bird,’ says Angelica.
‘Poor Giglio!’ says mamma, pouring out the tea.
‘Bother Giglio!’ cries Angelica, tossing up her head, which rustled with a thousand curl-papers.
‘I wish,’ growls the King—‘I wish Giglio was. . .’
‘Was better? Yes, dear, he is better,’ says the Queen. ‘Angelica’s little maid, Betsinda, told me so when she came to my room this morning with my early tea.’
‘You are always drinking tea,’ said the monarch, with a scowl.
‘It is better than drinking port or brandy and water;’ replies Her Majesty.
‘Well, well, my dear, I only said you were fond of drinking tea,’ said the King of Paflagonia, with an effort as if to command his temper. ‘Angelica! I hope you have plenty of new dresses; your milliners’ bills are long enough. My dear Queen, you must see and have some parties. I prefer dinners, but of course you will be for balls. Your everlasting blue velvet quite tires me: and, my love, I should like you to have a new necklace. Order one. Not more than a hundred or a hundred and fifty thousand pounds.’
‘And Giglio, dear?’ says the Queen.
‘Giglio may go to the—’
‘Oh, sir,’ screams Her Majesty. ‘Your own nephew! Our late King’s only son.’
‘Giglio may go to the tailor’s, and order the bills to be sent in to Glumboso to pay. Confound him! I mean bless his dear heart. He need want for nothing; give him a couple of guineas for pocket-money, my dear; and you may as well order yourself bracelets while you are about the necklace, Mrs. V.’
Her Majesty, or Mrs. V., as the monarch facetiously called her (for even royalty will have its sport, and this august family were very much attached), embraced her husband, and, twining her arm round her daughter’s waist, they quitted the breakfast-room in order to make all things ready for the princely stranger.
When they were gone, the smile that had lighted up the eyes of the Husband and Father fled—the pride of the King fled—the Man was alone. Had I the pen of a G. P. R. James, I would describe Valoroso’s torments in the choicest language; in which I would also depict his flashing eye, his distended nostril—his dressing-gown, pocket-handkerchief, and boots. But I need not say I have not the pen of that novelist; suffice it to say, Valoroso was alone.
He rushed to the cupboard, seizing from the table one of the many egg-cups with which his princely board was served for the matin meal, drew out a bottle of right Nantz or Cognac, filled and emptied the cup several times, and laid it down with a hoarse ‘Ha, ha, ha! Now Valoroso is a man again!’
‘But oh!’ he went on (still sipping, I am sorry to say), ‘ere I was a king, I needed not this intoxicating draught; once I detested the hot brandy wine, and quaffed no other fount but nature’s rill. It dashes not more quickly o’er the rocks than I did, as, with blunderbuss in hand, I brushed away the early morning dew, and shot the partridge, snipe, or antlered deer! Ah! Well may England’s dramatist remark, “Uneasy lies the head that wears a crown!” Why did I steal my nephew’s, my young Giglio’s—? Steal! Said I? No, no, no, not steal, not steal. Let me withdraw that odious expression. I took, and on my manly head I set, the royal crown of Paflagonia; I took, and with my royal arm I wield, the sceptral rod of Paflagonia; I took, and in my outstretched hand I hold, the royal orb of Paflagonia! Could a poor boy, a snivelling, drivelling boy—was in his nurse’s arms but yesterday, and cried for sugarplums and puled for pap—bear up the awful weight of crown, orb, sceptre? Gird on the sword my royal fathers wore, and meet in fight the tough Crimean foe?’
And then the monarch went on to argue in his own mind (though we need not say that blank verse is not argument) that what he had got it was his duty to keep, and that, if at one time he had entertained ideas of a certain restitution, which shall be nameless, the prospect by a Certain Marriage of uniting two crowns and two nations which had been engaged in bloody and expensive wars, as the Paflagonians and the Crimeans had been, put the idea of Giglio’s restoration to the throne out of the question: nay, were his own brother, King Savio, alive, he would certainly will the crown from his own son in order to bring about such a desirable union.
Thus easily do we deceive ourselves! Thus do we fancy what we wish is right! The King took courage, read the papers, finished his muffins and eggs, and rang the bell for his Prime Minister. The Queen, after thinking whether she should go up and see Giglio, who had been sick, thought ‘Not now. Business first; pleasure afterwards. I will go and see dear Giglio this afternoon; and now I will drive to the jeweller’s, to look for the necklace and bracelets.’ The Princess went up into her own room, and made Betsinda, her maid, bring out all her dresses; and as for Giglio, they forgot him as much as I forget what I had for dinner last Tuesday twelve-month.
Paflagonia, ten or twenty thousand years ago, appears to have been one of those kingdoms where the laws of succession were not settled; for when King Savio died, leaving his brother Regent of the kingdom, and guardian of Savio’s orphan infant, this unfaithful regent took no sort of regard of the late monarch’s will; had himself proclaimed sovereign of Paflagonia under the title of King Valoroso XXIV., had a most splendid coronation, and ordered all the nobles of the kingdom to pay him homage. So long as Valoroso gave them plenty of balls at Court, plenty of money and lucrative places, the Paflagonian nobility did not care who was king; and as for the people, in those early times, they were equally indifferent. The Prince Giglio, by reason of his tender age at his royal father’s death, did not feel the loss of his crown and empire. As long as he had plenty of toys and sweetmeats, a holiday five times a week and a horse and gun to go out shooting when he grew a little older, and, above all, the company of his darling cousin, the King’s only child, poor Giglio was perfectly contented; nor did he envy his uncle the royal robes and sceptre, the great hot uncomfortable throne of state, and the enormous cumbersome crown in which that monarch appeared from morning till night. King Valoroso’s portrait has been left to us; and I think you will agree with me that he must have been sometimes rather tired of his velvet, and his diamonds, and his ermine, and his grandeur. I shouldn’t like to sit in that stifling robe with such a thing as that on my head.
No doubt, the Queen must have been lovely in her youth; for though she grew rather stout in after life, yet her features, as shown in her portrait, are certainly pleasing. If she was fond of flattery, scandal, cards, and fine clothes, let us deal gently with her infirmities, which, after all, may be no greater than our own. She was kind to her nephew; and if she had any scruples of conscience about her husband’s taking the young Prince’s crown, consoled herself by thinking that the King, though a usurper, was a most respectable man, and that at his death Prince Giglio would be restored to his throne, and share it with his cousin, whom he loved so fondly.
The Prime Minister was Glumboso, an old statesman, who most cheerfully swore fidelity to King Valoroso, and in whose hands the monarch left all the affairs of his kingdom. All Valoroso wanted was plenty of money, plenty of hunting, plenty of flattery, and as little trouble as possible. As long as he had his sport, this monarch cared little how his people paid for it: he engaged in some wars, and of course the Paflagonian newspapers announced that he had gained prodigious victories: he had statues erected to himself in every city of the empire; and of course his pictures placed everywhere, and in all the print-shops: he was Valoroso the Magnanimous, Valoroso the Victorious, Valoroso the Great, and so forth;—for even in these early times courtiers and people knew how to flatter.
This royal pair had one only child, the Princess Angelica, who, you may be sure, was a paragon in the courtiers’ eyes, in her parents’, and in her own. It was said she had the longest hair, the largest eyes, the slimmest waist, the smallest foot, and the most lovely complexion of any young lady in the Paflagonian dominions. Her accomplishments were announced to be even superior to her beauty; and governesses used to shame their idle pupils by telling them what Princess Angelica could do. She could play the most difficult pieces of music at sight. She could answer any one of Mangnall’s Questions. She knew every date in the history of Paflagonia, and every other country. She knew French, English, Italian, German, Spanish, Hebrew, Greek, Latin, Cappadocian, Samothracian, Aegean, and Crim Tartar. In a word, she was a most accomplished young creature; and her governess and lady-in-waiting was the severe Countess Gruffanuff.
Would you not fancy, from this picture, that Gruffanuff must have been a person of highest birth? She looks so haughty that I should have thought her a princess at the very least, with a pedigree reaching as far back as the Deluge. But this lady was no better born than many other ladies who give themselves airs; and all sensible people laughed at her absurd pretensions. The fact is, she had been maid-servant to the Queen when Her Majesty was only Princess, and her husband had been head footman; but after his death or diappearance, of which you shall hear presently, this Mrs. Gruffanuff, by flattering, toadying, and wheedling her royal mistress, became a favourite with the Queen (who was rather a weak woman), and Her Majesty gave her a title, and made her nursery governess to the Princess.
And now I must tell you about the Princess’s learning and accomplishments, for which she had such a wonderful character. Clever Angelica certainly was, but as Idle as Possible. Play at sight, indeed! She could play one or two pieces, and pretend that she had never seen them before; she could answer half a dozen Mangnall’s Questions; but then you must take care to ask the Right ones. As for her languages, she had masters in plenty, but I doubt whether she knew more than a few phrases in each, for all her presence; and as for her embroidery and her drawing, she showed beautiful specimens, it is true, but who did them?
This obliges me to tell the truth, and to do so I must go back ever so far, and tell you about the FAIRY BLACKSTICK.
Between the kingdoms of Paflagonia and Crim Tartary, there lived a mysterious personage, who was known in those countries as the Fairy Blackstick, from the ebony wand or crutch which she carried; on which she rode to the moon sometimes, or upon other excursions of business or pleasure, and with which she performed her wonders.
When she was young, and had been first taught the art of conjuring by the necromancer, her father, she was always practicing her skill, whizzing about from one kingdom to another upon her black stick, and conferring her fairy favours upon this Prince or that. She had scores of royal godchildren; turned numberless wicked people into beasts, birds, millstones, clocks, pumps, boot jacks, umbrellas, or other absurd shapes; and, in a word, was one of the most active and officious of the whole College of fairies.
But after two or three thousand years of this sport, I suppose Blackstick grew tired of it. Or perhaps she thought, ‘What good am I doing by sending this Princess to sleep for a hundred years? By fixing a black pudding on to that booby’s nose? By causing diamonds and pearls to drop from one little girl’s mouth, and vipers and toads from another’s? I begin to think I do as much harm as good by my performances. I might as well shut my incantations up, and allow things to take their natural course.
‘There were my two young goddaughters, King Savio’s wife, and Duke Padella’s wife, I gave them each a present, which was to render them charming in the eyes of their husbands, and secure the affection of those gentlemen as long as they lived. What good did my Rose and my Ring do these two women? None on earth. From having all their whims indulged by their husbands, they became capricious, lazy, ill-humoured, absurdly vain, and leered and languished, and fancied themselves irresistibly beautiful, when they were really quite old and hideous, the ridiculous creatures! They used actually to patronise me when I went to pay them a visit—Me, the Fairy Blackstick, who knows all the wisdom of the necromancers, and could have turned them into baboons, and all their diamonds into strings of onions, by a single wave of my rod!’ So she locked up her books in her cupboard, declined further magical performances, and scarcely used her wand at all except as a cane to walk about with.
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