The Princess and Curdie - George Macdonald - ebook
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Princess Irene and her father go to Gwyntystorm, while Curdie stays at home with his mother and father. As the years go by, Curdie begins to hunt for pleasure. He also slowly begins to doubt Irene's story of her great-great grandmother. One day, he shoots down a white pigeon. Curdie then remembers Irene's tale of her grandmother's pigeons, assumes the one he has shot down was one of them, and becomes aware of his folly. A light appears at the roof of the castle, and Curdie follows it. There, Curdie meets the old Princess, who appears small and withered, contrary to Irene's descriptions.

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George MacDonald

The Princess and Curdie

LONDON ∙ NEW YORK ∙ TORONTO ∙ SAO PAULO ∙ MOSCOW

PARIS ∙ MADRID ∙ BERLIN ∙ ROME ∙ MEXICO CITY ∙ MUMBAI ∙ SEOUL ∙ DOHA

TOKYO ∙ SYDNEY ∙ CAPE TOWN ∙ AUCKLAND ∙ BEIJING

New Edition

Published by Sovereign Classic

sales@sovereignclassic.net

www.sovereignclassic.net

This Edition

First published in 2014

Copyright © 2014 Sovereign

Design and Artwork © 2014 www.urban-pic.co.uk

Images and Illustrations © 2014 Stocklibrary.org

All Rights Reserved.

ISBN: 9781910343272 (ebk)

Contents

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

CHAPTER 34

CHAPTER 35

CHAPTER 1

THE MOUNTAIN

Curdie was the son of Peter the miner. He lived with his father and mother in a cottage built on a mountain, and he worked with his father inside the mountain.

A mountain is a strange and awful thing. In old times, without knowing so much of their strangeness and awfulness as we do, people were yet more afraid of mountains. But then somehow they had not come to see how beautiful they are as well as awful, and they hated them—and what people hate they must fear. Now that we have learned to look at them with admiration, perhaps we do not feel quite awe enough of them. To me they are beautiful terrors.

I will try to tell you what they are. They are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot, melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is.

Now think: out of that cauldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh born.

Think, too, of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice.

All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaselessly, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones arc rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can’t tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool.

Then there are caverns full of water, numbingly cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain’s heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the Mountainside in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountaintops and the snow, the solid ice, and the molten stream.

Well, when the heart of the earth has thus come rushing up among her children, bringing with it gifts of all that she possesses, then straightway into it rush her children to see what they can find there. With pickaxe and spade and crowbar, with boring chisel and blasting powder, they force their way back: is it to search for what toys they may have left in their long-forgotten nurseries? Hence the mountains that lift their heads into the clear air, and are dotted over with the dwellings of men, are tunnelled and bored in the darkness of their bosoms by the dwellers in the houses which they hold up to the sun and air.

Curdie and his father were of these: their business was to bring to light hidden things; they sought silver in the rock and found it, and carried it out. Of the many other precious things in their mountain they knew little or nothing. Silver ore was what they were sent to find, and in darkness and danger they found it. But oh, how sweet was the air on the mountain face when they came out at sunset to go home to wife and mother! They did breathe deep then!

The mines belonged to the king of the country, and the miners were his servants, working under his overseers and officers. He was a real king—that is, one who ruled for the good of his people and not to please himself, and he wanted the silver not to buy rich things for himself, but to help him to govern the country, and pay the ones that defended it from certain troublesome neighbours, and the judges whom he set to portion out righteousness among the people, that so they might learn it themselves, and come to do without judges at all. Nothing that could be got from the heart of the earth could have been put to better purposes than the silver the king’s miners got for him. There were people in the country who, when it came into their hands, degraded it by locking it up in a chest, and then it grew diseased and was called mammon, and bred all sorts of quarrels; but when first it left the king’s hands it never made any but friends, and the air of the world kept it clean.

About a year before this story began, a series of very remarkable events had just ended. I will narrate as much of them as will serve to show the tops of the roots of my tree.

Upon the mountain, on one of its many claws, stood a grand old house, half farmhouse, half castle, belonging to the king; and there his only child, the Princess Irene, had been brought up till she was nearly nine years old, and would doubtless have continued much longer, but for the strange events to which I have referred.

At that time the hollow places of the mountain were inhabited by creatures called goblins, who for various reasons and in various ways made themselves troublesome to all, but to the little princess dangerous. Mainly by the watchful devotion and energy of Curdie, however, their designs had been utterly defeated, and made to recoil upon themselves to their own destruction, so that now there were very few of them left alive, and the miners did not believe there was a single goblin remaining in the whole inside of the mountain.

The king had been so pleased with the boy—then approaching thirteen years of age—that when he carried away his daughter he asked him to accompany them; but he was still better pleased with him when he found that he preferred staying with his father and mother. He was a right good king and knew that the love of a boy who would not leave his father and mother to be made a great man was worth ten thousand offers to die for his sake, and would prove so when the right time came. As for his father and mother, they would have given him up without a grumble, for they were just as good as the king, and he and they understood each other perfectly; but in this matter, not seeing that he could do anything for the king which one of his numerous attendants could not do as well, Curdie felt that it was for him to decide. So the king took a kind farewell of them all and rode away, with his daughter on his horse before him.

A gloom fell upon the mountain and the miners when she was gone, and Curdie did not whistle for a whole week. As for his verses, there was no occasion to make any now. He had made them only to drive away the goblins, and they were all gone—a good riddance—only the princess was gone too! He would rather have had things as they were, except for the princess’s sake. But whoever is diligent will soon be cheerful, and though the miners missed the household of the castle, they yet managed to get on without them. Peter and his wife, however, were troubled with the fancy that they had stood in the way of their boy’s good fortune. It would have been such a fine thing for him and them, too, they thought, if he had ridden with the good king’s train. How beautiful he looked, they said, when he rode the king’s own horse through the river that the goblins had sent out of the hill! He might soon have been a captain, they did believe! The good, kind people did not reflect that the road to the next duty is the only straight one, or that, for their fancied good, we should never wish our children or friends to do what we would not do ourselves if we were in their position. We must accept righteous sacrifices as well as make them.

CHAPTER 2

THE WHITE PIGEON

When in the winter they had had their supper and sat about the fire, or when in the summer they lay on the border of the rock-margined stream that ran through their little meadow close by the door of their cottage, issuing from the far-up whiteness often folded in clouds, Curdie’s mother would not seldom lead the conversation to one peculiar personage said and believed to have been much concerned in the late issue of events.

That personage was the great-great-grandmother of the princess, of whom the princess had often talked, but whom neither Curdie nor his mother had ever seen. Curdie could indeed remember, although already it looked more like a dream than he could account for if it had really taken place, how the princess had once led him up many stairs to what she called a beautiful room in the top of the tower, where she went through all the—what should he call it?—the behaviour of presenting him to her grandmother, talking now to her and now to him, while all the time he saw nothing but a bare garret, a heap of musty straw, a sunbeam, and a withered apple. Lady, he would have declared before the king himself, young or old, there was none, except the princess herself, who was certainly vexed that he could not see what she at least believed she saw.

As for his mother, she had once seen, long before Curdie was born, a certain mysterious light of the same description as one Irene spoke of, calling it her grandmother’s moon; and Curdie himself had seen this same light, shining from above the castle, just as the king and princess were taking their leave. Since that time neither had seen or heard anything that could be supposed connected with her. Strangely enough, however, nobody had seen her go away. If she was such an old lady, she could hardly be supposed to have set out alone and on foot when all the house was asleep. Still, away she must have gone, for, of course, if she was so powerful, she would always be about the princess to take care of her.

But as Curdie grew older, he doubted more and more whether Irene had not been talking of some dream she had taken for reality: he had heard it said that children could not always distinguish betwixt dreams and actual events. At the same time there was his mother’s testimony: what was he to do with that? His mother, through whom he had learned everything, could hardly be imagined by her own dutiful son to have mistaken a dream for a fact of the waking world.

So he rather shrank from thinking about it, and the less he thought about it, the less he was inclined to believe it when he did think about it, and therefore, of course, the less inclined to talk about it to his father and mother; for although his father was one of those men who for one word they say think twenty thoughts, Curdie was well assured that he would rather doubt his own eyes than his wife’s testimony.

There were no others to whom he could have talked about it. The miners were a mingled company—some good, some not so good, some rather bad—none of them so bad or so good as they might have been; Curdie liked most of them, and was a favourite with all; but they knew very little about the upper world, and what might or might not take place there. They knew silver from copper ore; they understood the underground ways of things, and they could look very wise with their lanterns in their hands searching after this or that sign of ore, or for some mark to guide their way in the hollows of the earth; but as to great-great-grandmothers, they would have mocked Curdie all the rest of his life for the absurdity of not being absolutely certain that the solemn belief of his father and mother was nothing but ridiculous nonsense. Why, to them the very word ‘great-great-grandmother’ would have been a week’s laughter! I am not sure that they were able quite to believe there were such persons as great-great-grandmothers; they had never seen one. They were not companions to give the best of help toward progress, and as Curdie grew, he grew at this time faster in body than in mind—with the usual consequence, that he was getting rather stupid—one of the chief signs of which was that he believed less and less in things he had never seen. At the same time I do not think he was ever so stupid as to imagine that this was a sign of superior faculty and strength of mind. Still, he was becoming more and more a miner, and less and less a man of the upper world where the wind blew. On his way to and from the mine he took less and less notice of bees and butterflies, moths and dragonflies, the flowers and the brooks and the clouds. He was gradually changing into a commonplace man.

There is this difference between the growth of some human beings and that of others: in the one case it is a continuous dying, in the other a continuous resurrection. One of the latter sort comes at length to know at once whether a thing is true the moment it comes before him; one of the former class grows more and more afraid of being taken in, so afraid of it that he takes himself in altogether, and comes at length to believe in nothing but his dinner: to be sure of a thing with him is to have it between his teeth.

Curdie was not in a very good way, then, at that time. His father and mother had, it is true, no fault to find with him and yet—and yet—neither of them was ready to sing when the thought of him came up. There must be something wrong when a mother catches herself sighing over the time when her boy was in petticoats, or a father looks sad when he thinks how he used to carry him on his shoulder. The boy should enclose and keep, as his life, the old child at the heart of him, and never let it go. He must still, to be a right man, be his mother’s darling, and more, his father’s pride, and more. The child is not meant to die, but to be forever fresh born.

Curdie had made himself a bow and some arrows, and was teaching himself to shoot with them. One evening in the early summer, as he was walking home from the mine with them in his hand, a light flashed across his eyes. He looked, and there was a snow-white pigeon settling on a rock in front of him, in the red light of the level sun. There it fell at once to work with one of its wings, in which a feather or two had got some sprays twisted, causing a certain roughness unpleasant to the fastidious creature of the air.

It was indeed a lovely being, and Curdie thought how happy it must be flitting through the air with a flash—a live bolt of light. For a moment he became so one with the bird that he seemed to feel both its bill and its feathers, as the one adjusted the other to fly again, and his heart swelled with the pleasure of its involuntary sympathy. Another moment and it would have been aloft in the waves of rosy light—it was just bending its little legs to spring: that moment it fell on the path broken-winged and bleeding from Curdie’s cruel arrow.

With a gush of pride at his skill, and pleasure at his success, he ran to pick up his prey. I must say for him he picked it up gently—perhaps it was the beginning of his repentance. But when he had the white thing in his hands its whiteness stained with another red than that of the sunset flood in which it had been revelling—ah God! who knows the joy of a bird, the ecstasy of a creature that has neither storehouse nor barn!—when he held it, I say, in his victorious hands, the winged thing looked up in his face—and with such eyes!—asking what was the matter, and where the red sun had gone, and the clouds, and the wind of its flight. Then they closed, but to open again presently, with the same questions in them.

And as they closed and opened, their look was fixed on his. It did not once flutter or try to get away; it only throbbed and bled and looked at him. Curdie’s heart began to grow very large in his bosom. What could it mean? It was nothing but a pigeon, and why should he not kill a pigeon? But the fact was that not till this very moment had he ever known what a pigeon was. A good many discoveries of a similar kind have to be made by most of us. Once more it opened its eyes—then closed them again, and its throbbing ceased. Curdie gave a sob: its last look reminded him of the princess—he did not know why. He remembered how hard he had laboured to set her beyond danger, and yet what dangers she had had to encounter for his sake: they had been saviours to each other—and what had he done now? He had stopped saving, and had begun killing! What had he been sent into the world for? Surely not to be a death to its joy and loveliness. He had done the thing that was contrary to gladness; he was a destroyer! He was not the Curdie he had been meant to be!

Then the underground waters gushed from the boy’s heart. And with the tears came the remembrance that a white pigeon, just before the princess went away with her father, came from somewhere—yes, from the grandmother’s lamp, and flew round the king and Irene and himself, and then flew away: this might be that very pigeon! Horrible to think! And if it wasn’t, yet it was a white pigeon, the same as this. And if she kept a great Many pigeons—and white ones, as Irene had told him, then whose pigeon could he have killed but the grand old princess’s?

Suddenly everything round about him seemed against him. The red sunset stung him; the rocks frowned at him; the sweet wind that had been laving his face as he walked up the hill dropped—as if he wasn’t fit to be kissed any more. Was the whole world going to cast him out? Would he have to stand there forever, not knowing what to do, with the dead pigeon in his hand? Things looked bad indeed. Was the whole world going to make a work about a pigeon—a white pigeon? The sun went down. Great clouds gathered over the west, and shortened the twilight. The wind gave a howl, and then lay down again. The clouds gathered thicker. Then came a rumbling. He thought it was thunder. It was a rock that fell inside the mountain. A goat ran past him down the hill, followed by a dog sent to fetch him home. He thought they were goblin creatures, and trembled. He used to despise them. And still he held the dead pigeon tenderly in his hand.

It grew darker and darker. An evil something began to move in his heart. ‘What a fool I am!’ he said to himself. Then he grew angry, and was just going to throw the bird from him and whistle, when a brightness shone all round him. He lifted his eyes, and saw a great globe of light—like silver at the hottest heat: he had once seen silver run from the furnace. It shone from somewhere above the roofs of the castle: it must be the great old princess’s moon! How could she be there? Of course she was not there! He had asked the whole household, and nobody knew anything about her or her globe either. It couldn’t be! And yet what did that signify, when there was the white globe shining, and here was the dead white bird in his hand? That moment the pigeon gave a little flutter. ‘It’s not dead!’ cried Curdie, almost with a shriek. The same instant he was running full speed toward the castle, never letting his heels down, lest he should shake the poor, wounded bird.

CHAPTER 3

THE MISTRESS OF THE SILVER MOON

When Curdie reached the castle, and ran into the little garden in front of it, there stood the door wide open. This was as he had hoped, for what could he have said if he had had to knock at it? Those whose business it is to open doors, so often mistake and shut them! But the woman now in charge often puzzled herself greatly to account for the strange fact that however often she shut the door, which, like the rest, she took a great deal of unnecessary trouble to do, she was certain, the next time she went to it, to find it open. I speak now of the great front door, of course: the back door she as persistently kept wide: if people could only go in by that, she said, she would then know what sort they were, and what they wanted. But she would neither have known what sort Curdie was, nor what he wanted, and would assuredly have denied him admittance, for she knew nothing of who was in the tower. So the front door was left open for him, and in he walked.

But where to go next he could not tell. It was not quite dark: a dull, shineless twilight filled the place. All he knew was that he must go up, and that proved enough for the present, for there he saw the great staircase rising before him. When he reached the top of it, he knew there must be more stairs yet, for he could not be near the top of the tower. Indeed by the situation of the stairs, he must be a good way from the tower itself. But those who work well in the depths more easily understand the heights, for indeed in their true nature they are one and the same; miners are in mountains; and Curdie, from knowing the ways of the king’s mines, and being able to calculate his whereabouts in them, was now able to find his way about the king’s house. He knew its outside perfectly, and now his business was to get his notion of the inside right with the outside.

So he shut his eyes and made a picture of the outside of it in his mind. Then he came in at the door of the picture, and yet kept the picture before him all the time—for you can do that kind of thing in your mind—and took every turn of the stair over again, always watching to remember, every time he turned his face, how the tower lay, and then when he came to himself at the top where he stood, he knew exactly where it was, and walked at once in the right direction.

On his way, however, he came to another stair, and up that he went, of course, watching still at every turn how the tower must lie. At the top of this stair was yet another—they were the stairs up which the princess ran when first, without knowing it, she was on her way to find her great-great-grandmother. At the top of the second stair he could go no farther, and must therefore set out again to find the tower, which, as it rose far above the rest of the house, must have the last of its stairs inside itself.

Having watched every turn to the very last, he still knew quite well in what direction he must go to find it, so he left the stair and went down a passage that led, if not exactly toward it, yet nearer it. This passage was rather dark, for it was very long, with only one window at the end, and although there were doors on both sides of it, they were all shut. At the distant window glimmered the chill east, with a few feeble stars in it, and its like was dreary and old, growing brown, and looking as if it were thinking about the day that was just gone. Presently he turned into another passage, which also had a window at the end of it; and in at that window shone all that was left of the sunset, just a few ashes, with here and there a little touch of warmth: it was nearly as sad as the east, only there was one difference—it was very plainly thinking of tomorrow.

But at present Curdie had nothing to do with today or tomorrow; his business was with the bird, and the tower where dwelt the grand old princess to whom it belonged. So he kept on his way, still eastward, and came to yet another passage, which brought him to a door. He was afraid to open it without first knocking. He knocked, but heard no answer. He was answered nevertheless; for the door gently opened, and there was a narrow stair—and so steep that, big lad as he was, he, too, like the Princess Irene before him, found his hands needful for the climbing. And it was a long climb, but he reached the top at last—a little landing, with a door in front and one on each side. Which should he knock at?

As he hesitated, he heard the noise of a spinning wheel. He knew it at once, because his mother’s spinning wheel had been his governess long ago, and still taught him things. It was the spinning wheel that first taught him to make verses, and to sing, and to think whether all was right inside him; or at least it had helped him in all these things. Hence it was no wonder he should know a spinning wheel when he heard it sing—even although as the bird of paradise to other birds was the song of that wheel to the song of his mother’s.

He stood listening, so entranced that he forgot to knock, and the wheel went on and on, spinning in his brain songs and tales and rhymes, till he was almost asleep as well as dreaming, for sleep does not always come first. But suddenly came the thought of the poor bird, which had been lying motionless in his hand all the time, and that woke him up, and at once he knocked.

‘Come in, Curdie,’ said a voice.

Curdie shook. It was getting rather awful. The heart that had never much heeded an army of goblins trembled at the soft word of invitation. But then there was the red-spotted white thing in his hand! He dared not hesitate, though. Gently he opened the door through which the sound came, and what did he see? Nothing at first—except indeed a great sloping shaft of moonlight that came in at a high window, and rested on the floor. He stood and stared at it, forgetting to shut the door.

‘Why don’t you come in, Curdie?’ said the voice. ‘Did you never see moonlight before?’

‘Never without a moon,’ answered Curdie, in a trembling tone, but gathering courage.

‘Certainly not,’ returned the voice, which was thin and quavering: ‘I never saw moonlight without a moon.’

‘But there’s no moon outside,’ said Curdie.

‘Ah! but you’re inside now,’ said the voice.

The answer did not satisfy Curdie; but the voice went on.

‘There are more moons than you know of, Curdie. Where there is one sun there are many moons—and of many sorts. Come in and look out of my window, and you will soon satisfy yourself that there is a moon looking in at it.’

The gentleness of the voice made Curdie remember his manners. He shut the door, and drew a step or two nearer to the moonlight.

All the time the sound of the spinning had been going on and on, and Curdie now caught sight of the wheel. Oh, it was such a thin, delicate thing—reminding him of a spider’s web in a hedge. It stood in the middle of the moonlight, and it seemed as if the moonlight had nearly melted it away. A step nearer, he saw, with a start, two little hands at work with it. And then at last, in the shadow on the other side of the moonlight which came like silver between, he saw the form to which the hands belonged: a small withered creature, so old that no age would have seemed too great to write under her picture, seated on a stool beyond the spinning wheel, which looked very large beside her, but, as I said, very thin, like a long-legged spider holding up its own web, which was the round wheel itself She sat crumpled together, a filmy thing that it seemed a puff would blow away, more like the body of a fly the big spider had sucked empty and left hanging in his web, than anything else I can think of.