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Gilbert Keith Chesterton, KC (29 May 1874 – 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox". Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.
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The Napoleon of Notting Hill
G. K. Chesterton
TO HILAIRE BELLOC
For every tiny town or place
God made the stars especially;
Babies look up with owlish face
And see them tangled in a tree:
You saw a moon from Sussex Downs,
A Sussex moon, untravelled still,
I saw a moon that was the town's,
The largest lamp on Campden Hill.
Yea; Heaven is everywhere at home
The big blue cap that always fits,
And so it is (be calm; they come
To goal at last, my wandering wits),
So is it with the heroic thing;
This shall not end for the world's end,
And though the sullen engines swing,
Be you not much afraid, my friend.
This did not end by Nelson's urn
Where an immortal England sits—
Nor where your tall young men in turn
Drank death like wine at Austerlitz.
And when the pedants bade us mark
What cold mechanic happenings
Must come; our souls said in the dark,
"Belike; but there are likelier things."
Likelier across these flats afar
These sulky levels smooth and free
The drums shall crash a waltz of war
And Death shall dance with Liberty;
Likelier the barricades shall blare
Slaughter below and smoke above,
And death and hate and hell declare
That men have found a thing to love.
Far from your sunny uplands set
I saw the dream; the streets I trod
The lit straight streets shot out and met
The starry streets that point to God.
This legend of an epic hour
A child I dreamed, and dream it still,
Under the great grey water-tower
That strikes the stars on Campden Hill.
G. K. C.
I. Introductory Remarks on the Art of Prophecy 13
II. The Man in Green 21
III. The Hill of Humour 49
I. The Charter of the Cities 65
II. The Council of the Provosts 82
III. Enter a Lunatic 102
I. The Mental Condition of Adam Wayne 125
II. The Remarkable Mr. Turnbull 147
III. The Experiment of Mr. Buck 163
I. The Battle of the Lamps 189
II. The Correspondent of the "Court Journal" 208
III. The Great Army of South Kensington 224
I. The Empire of Notting Hill 259
II. The Last Battle 279
III. Two Voices 291
In the Dark Entrance there appeared a Flaming Figure Frontispiece
To face page
City Men out on All Fours in a Field covered with Veal Cutlets 16
"I'm the King of the Castle" 70
"I bring Homage to my King" 104
Map of the Seat of War 190
King Auberon descended from the Omnibus with Dignity 220
"A Fine Evening, Sir," said the Chemist 264
"Wayne, it was all a Joke!" 296
THE NAPOLEON OF NOTTING HILL
Chapter I—Introductory Remarks on the Art of Prophecy
The human race, to which so many of my readers belong, has been playing at children's games from the beginning, and will probably do it till the end, which is a nuisance for the few people who grow up. And one of the games to which it is most attached is called "Keep to-morrow dark," and which is also named (by the rustics in Shropshire, I have no doubt) "Cheat the Prophet." The players listen very carefully and respectfully to all that the clever men have to say about what is to happen in the next generation. The players then wait until all the clever men are dead, and bury them nicely. They then go and do something else. That is all. For a race of simple tastes, however, it is great fun.
For human beings, being children, have the childish wilfulness and the childish secrecy. And they never have from the beginning of the[Pg 14] world done what the wise men have seen to be inevitable. They stoned the false prophets, it is said; but they could have stoned true prophets with a greater and juster enjoyment. Individually, men may present a more or less rational appearance, eating, sleeping, and scheming. But humanity as a whole is changeful, mystical, fickle, delightful. Men are men, but Man is a woman.
But in the beginning of the twentieth century the game of Cheat the Prophet was made far more difficult than it had ever been before. The reason was, that there were so many prophets and so many prophecies, that it was difficult to elude all their ingenuities. When a man did something free and frantic and entirely his own, a horrible thought struck him afterwards; it might have been predicted. Whenever a duke climbed a lamp-post, when a dean got drunk, he could not be really happy, he could not be certain that he was not fulfilling some prophecy. In the beginning of the twentieth century you could not see the ground for clever men. They were so common that a stupid man was quite exceptional, and when they found him, they followed him in crowds down the street and treasured him up and gave him some high post in the State. And all these clever[Pg 15] men were at work giving accounts of what would happen in the next age, all quite clear, all quite keen-sighted and ruthless, and all quite different. And it seemed that the good old game of hoodwinking your ancestors could not really be managed this time, because the ancestors neglected meat and sleep and practical politics, so that they might meditate day and night on what their descendants would be likely to do.
But the way the prophets of the twentieth century went to work was this. They took something or other that was certainly going on in their time, and then said that it would go on more and more until something extraordinary happened. And very often they added that in some odd place that extraordinary thing had happened, and that it showed the signs of the times.
Thus, for instance, there were Mr. H. G. Wells and others, who thought that science would take charge of the future; and just as the motor-car was quicker than the coach, so some lovely thing would be quicker than the motor-car; and so on for ever. And there arose from their ashes Dr. Quilp, who said that a man could be sent on his machine so fast round the world that he could keep up a long, chatty[Pg 16] conversation in some old-world village by saying a word of a sentence each time he came round. And it was said that the experiment had been tried on an apoplectic old major, who was sent round the world so fast that there seemed to be (to the inhabitants of some other star) a continuous band round the earth of white whiskers, red complexion and tweeds—a thing like the ring of Saturn.
Then there was the opposite school. There was Mr. Edward Carpenter, who thought we should in a very short time return to Nature, and live simply and slowly as the animals do. And Edward Carpenter was followed by James Pickie, D.D. (of Pocohontas College), who said that men were immensely improved by grazing, or taking their food slowly and continuously, after the manner of cows. And he said that he had, with the most encouraging results, turned city men out on all fours in a field covered with veal cutlets. Then Tolstoy and the Humanitarians said that the world was growing more merciful, and therefore no one would ever desire to kill. And Mr. Mick not only became a vegetarian, but at length declared vegetarianism doomed ("shedding," as he called it finely, "the green blood of the silent animals"), and predicted that men in a better age would live on[Pg 17] nothing but salt. And then came the pamphlet from Oregon (where the thing was tried), the pamphlet called "Why should Salt suffer?" and there was more trouble.
CITY MEN OUT ON ALL FOURS IN A FIELD COVERED WITH
VEAL CUTLETS. CITY MEN OUT ON ALL FOURS IN A FIELD COVERED WITH VEAL CUTLETS.
And on the other hand, some people were predicting that the lines of kinship would become narrower and sterner. There was Mr. Cecil Rhodes, who thought that the one thing of the future was the British Empire, and that there would be a gulf between those who were of the Empire and those who were not, between the Chinaman in Hong Kong and the Chinaman outside, between the Spaniard on the Rock of Gibraltar and the Spaniard off it, similar to the gulf between man and the lower animals. And in the same way his impetuous friend, Dr. Zoppi ("the Paul of Anglo-Saxonism"), carried it yet further, and held that, as a result of this view, cannibalism should be held to mean eating a member of the Empire, not eating one of the subject peoples, who should, he said, be killed without needless pain. His horror at the idea of eating a man in British Guiana showed how they misunderstood his stoicism who thought him devoid of feeling. He was, however, in a hard position; as it was said that he had attempted the experiment, and, living in London, had to subsist entirely on Italian organ-grinders.[Pg 18] And his end was terrible, for just when he had begun, Sir Paul Swiller read his great paper at the Royal Society, proving that the savages were not only quite right in eating their enemies, but right on moral and hygienic grounds, since it was true that the qualities of the enemy, when eaten, passed into the eater. The notion that the nature of an Italian organ-man was irrevocably growing and burgeoning inside him was almost more than the kindly old professor could bear.
There was Mr. Benjamin Kidd, who said that the growing note of our race would be the care for and knowledge of the future. His idea was developed more powerfully by William Borker, who wrote that passage which every schoolboy knows by heart, about men in future ages weeping by the graves of their descendants, and tourists being shown over the scene of the historic battle which was to take place some centuries afterwards.
And Mr. Stead, too, was prominent, who thought that England would in the twentieth century be united to America; and his young lieutenant, Graham Podge, who included the states of France, Germany, and Russia in the American Union, the State of Russia being abbreviated to Ra.
There was Mr. Sidney Webb, also, who said[Pg 19] that the future would see a continuously increasing order and neatness in the life of the people, and his poor friend Fipps, who went mad and ran about the country with an axe, hacking branches off the trees whenever there were not the same number on both sides.
All these clever men were prophesying with every variety of ingenuity what would happen soon, and they all did it in the same way, by taking something they saw "going strong," as the saying is, and carrying it as far as ever their imagination could stretch. This, they said, was the true and simple way of anticipating the future. "Just as," said Dr. Pellkins, in a fine passage,—"just as when we see a pig in a litter larger than the other pigs, we know that by an unalterable law of the Inscrutable it will some day be larger than an elephant,—just as we know, when we see weeds and dandelions growing more and more thickly in a garden, that they must, in spite of all our efforts, grow taller than the chimney-pots and swallow the house from sight, so we know and reverently acknowledge, that when any power in human politics has shown for any period of time any considerable activity, it will go on until it reaches to the sky."
And it did certainly appear that the prophets had put the people (engaged in the old game[Pg 20] of Cheat the Prophet) in a quite unprecedented difficulty. It seemed really hard to do anything without fulfilling some of their prophecies.
But there was, nevertheless, in the eyes of labourers in the streets, of peasants in the fields, of sailors and children, and especially women, a strange look that kept the wise men in a perfect fever of doubt. They could not fathom the motionless mirth in their eyes. They still had something up their sleeve; they were still playing the game of Cheat the Prophet.
Then the wise men grew like wild things, and swayed hither and thither, crying, "What can it be? What can it be? What will London be like a century hence? Is there anything we have not thought of? Houses upside down—more hygienic, perhaps? Men walking on hands—make feet flexible, don't you know? Moon ... motor-cars ... no heads...." And so they swayed and wondered until they died and were buried nicely.
Then the people went and did what they liked. Let me no longer conceal the painful truth. The people had cheated the prophets of the twentieth century. When the curtain goes up on this story, eighty years after the present date, London is almost exactly like what it is now.
Chapter II—The Man in Green
Very few words are needed to explain why London, a hundred years hence, will be very like it is now, or rather, since I must slip into a prophetic past, why London, when my story opens, was very like it was in those enviable days when I was still alive.
The reason can be stated in one sentence. The people had absolutely lost faith in revolutions. All revolutions are doctrinal—such as the French one, or the one that introduced Christianity. For it stands to common sense that you cannot upset all existing things, customs, and compromises, unless you believe in something outside them, something positive and divine. Now, England, during this century, lost all belief in this. It believed in a thing called Evolution. And it said, "All theoretic changes have ended in blood and ennui. If we change, we must change slowly and safely, as the animals do. Nature's revolutions are the only successful ones. There has been no conservative reaction in favour of tails."
And some things did change. Things that were not much thought of dropped out of[Pg 22] sight. Things that had not often happened did not happen at all. Thus, for instance, the actual physical force ruling the country, the soldiers and police, grew smaller and smaller, and at last vanished almost to a point. The people combined could have swept the few policemen away in ten minutes: they did not, because they did not believe it would do them the least good. They had lost faith in revolutions.
Democracy was dead; for no one minded the governing class governing. England was now practically a despotism, but not an hereditary one. Some one in the official class was made King. No one cared how: no one cared who. He was merely an universal secretary.
In this manner it happened that everything in London was very quiet. That vague and somewhat depressed reliance upon things happening as they have always happened, which is with all Londoners a mood, had become an assumed condition. There was really no reason for any man doing anything but the thing he had done the day before.
There was therefore no reason whatever why the three young men who had always walked up to their Government office together should[Pg 23] not walk up to it together on this particular wintry and cloudy morning. Everything in that age had become mechanical, and Government clerks especially. All those clerks assembled regularly at their posts. Three of those clerks always walked into town together. All the neighbourhood knew them: two of them were tall and one short. And on this particular morning the short clerk was only a few seconds late to join the other two as they passed his gate: he could have overtaken them in three strides; he could have called after them easily. But he did not.
For some reason that will never be understood until all souls are judged (if they are ever judged; the idea was at this time classed with fetish worship) he did not join his two companions, but walked steadily behind them. The day was dull, their dress was dull, everything was dull; but in some odd impulse he walked through street after street, through district after district, looking at the backs of the two men, who would have swung round at the sound of his voice. Now, there is a law written in the darkest of the Books of Life, and it is this: If you look at a thing nine hundred and ninety-nine times, you are perfectly safe; if you look at it the thousandth time, you are[Pg 24] in frightful danger of seeing it for the first time.
So the short Government official looked at the coat-tails of the tall Government officials, and through street after street, and round corner after corner, saw only coat-tails, coat-tails, and again coat-tails—when, he did not in the least know why, something happened to his eyes.
Two black dragons were walking backwards in front of him. Two black dragons were looking at him with evil eyes. The dragons were walking backwards it was true, but they kept their eyes fixed on him none the less. The eyes which he saw were, in truth, only the two buttons at the back of a frock-coat: perhaps some traditional memory of their meaningless character gave this half-witted prominence to their gaze. The slit between the tails was the nose-line of the monster: whenever the tails flapped in the winter wind the dragons licked their lips. It was only a momentary fancy, but the small clerk found it imbedded in his soul ever afterwards. He never could again think of men in frock-coats except as dragons walking backwards. He explained afterwards, quite tactfully and nicely, to his two official friends, that (while feeling an inexpressible regard for each of them) he could not seriously regard the[Pg 25] face of either of them as anything but a kind of tail. It was, he admitted, a handsome tail—a tail elevated in the air. But if, he said, any true friend of theirs wished to see their faces, to look into the eyes of their soul, that friend must be allowed to walk reverently round behind them, so as to see them from the rear. There he would see the two black dragons with the blind eyes.
But when first the two black dragons sprang out of the fog upon the small clerk, they had merely the effect of all miracles—they changed the universe. He discovered the fact that all romantics know—that adventures happen on dull days, and not on sunny ones. When the chord of monotony is stretched most tight, then it breaks with a sound like song. He had scarcely noticed the weather before, but with the four dead eyes glaring at him he looked round and realised the strange dead day.
The morning was wintry and dim, not misty, but darkened with that shadow of cloud or snow which steeps everything in a green or copper twilight. The light there is on such a day seems not so much to come from the clear heavens as to be a phosphorescence clinging to the shapes themselves. The load of heaven and the clouds is like a load of waters, and the men move like[Pg 26] fishes, feeling that they are on the floor of a sea. Everything in a London street completes the fantasy; the carriages and cabs themselves resemble deep-sea creatures with eyes of flame. He had been startled at first to meet two dragons. Now he found he was among deep-sea dragons possessing the deep sea.
The two young men in front were like the small young man himself, well-dressed. The lines of their frock-coats and silk hats had that luxuriant severity which makes the modern fop, hideous as he is, a favourite exercise of the modern draughtsman; that element which Mr. Max Beerbohm has admirably expressed in speaking of "certain congruities of dark cloth and the rigid perfection of linen."
They walked with the gait of an affected snail, and they spoke at the longest intervals, dropping a sentence at about every sixth lamp-post.
They crawled on past the lamp-posts; their mien was so immovable that a fanciful description might almost say, that the lamp-posts crawled past the men, as in a dream. Then the small man suddenly ran after them and said—
"I want to get my hair cut. I say, do you know a little shop anywhere where they cut[Pg 27] your hair properly? I keep on having my hair cut, but it keeps on growing again."
One of the tall men looked at him with the air of a pained naturalist.
"Why, here is a little place," cried the small man, with a sort of imbecile cheerfulness, as the bright bulging window of a fashionable toilet-saloon glowed abruptly out of the foggy twilight. "Do you know, I often find hair-dressers when I walk about London. I'll lunch with you at Cicconani's. You know, I'm awfully fond of hair-dressers' shops. They're miles better than those nasty butchers'." And he disappeared into the doorway.
The man called James continued to gaze after him, a monocle screwed into his eye.
"What the devil do you make of that fellow?" he asked his companion, a pale young man with a high nose.
The pale young man reflected conscientiously for some minutes, and then said—
"Had a knock on his head when he was a kid, I should think."
"No, I don't think it's that," replied the Honourable James Barker. "I've sometimes fancied he was a sort of artist, Lambert."
"Bosh!" cried Mr. Lambert, briefly.
"I admit I can't make him out," resumed[Pg 28] Barker, abstractedly; "he never opens his mouth without saying something so indescribably half-witted that to call him a fool seems the very feeblest attempt at characterisation. But there's another thing about him that's rather funny. Do you know that he has the one collection of Japanese lacquer in Europe? Have you ever seen his books? All Greek poets and mediæval French and that sort of thing. Have you ever been in his rooms? It's like being inside an amethyst. And he moves about in all that and talks like—like a turnip."
"Well, damn all books. Your blue books as well," said the ingenuous Mr. Lambert, with a friendly simplicity. "You ought to understand such things. What do you make of him?"
"He's beyond me," returned Barker. "But if you asked me for my opinion, I should say he was a man with a taste for nonsense, as they call it—artistic fooling, and all that kind of thing. And I seriously believe that he has talked nonsense so much that he has half bewildered his own mind and doesn't know the difference between sanity and insanity. He has gone round the mental world, so to speak, and found the place where the East and[Pg 29] the West are one, and extreme idiocy is as good as sense. But I can't explain these psychological games."
"You can't explain them to me," replied Mr. Wilfrid Lambert, with candour.
As they passed up the long streets towards their restaurant the copper twilight cleared slowly to a pale yellow, and by the time they reached it they stood discernible in a tolerable winter daylight. The Honourable James Barker, one of the most powerful officials in the English Government (by this time a rigidly official one), was a lean and elegant young man, with a blank handsome face and bleak blue eyes. He had a great amount of intellectual capacity, of that peculiar kind which raises a man from throne to throne and lets him die loaded with honours without having either amused or enlightened the mind of a single man. Wilfrid Lambert, the youth with the nose which appeared to impoverish the rest of his face, had also contributed little to the enlargement of the human spirit, but he had the honourable excuse of being a fool.
Lambert would have been called a silly man; Barker, with all his cleverness, might have been called a stupid man. But mere silliness and stupidity sank into insignificance[Pg 30] in the presence of the awful and mysterious treasures of foolishness apparently stored up in the small figure that stood waiting for them outside Cicconani's. The little man, whose name was Auberon Quin, had an appearance compounded of a baby and an owl. His round head, round eyes, seemed to have been designed by nature playfully with a pair of compasses. His flat dark hair and preposterously long frock-coat gave him something of the look of a child's "Noah." When he entered a room of strangers, they mistook him for a small boy, and wanted to take him on their knees, until he spoke, when they perceived that a boy would have been more intelligent.
"I have been waiting quite a long time," said Quin, mildly. "It's awfully funny I should see you coming up the street at last."
"Why?" asked Lambert, staring. "You told us to come here yourself."
"My mother used to tell people to come to places," said the sage.
They were about to turn into the restaurant with a resigned air, when their eyes were caught by something in the street. The weather, though cold and blank, was now quite clear, and across the dull brown of the wood pavement and between the dull grey terraces was moving[Pg 31] something not to be seen for miles round—not to be seen perhaps at that time in England—a man dressed in bright colours. A small crowd hung on the man's heels.
He was a tall stately man, clad in a military uniform of brilliant green, splashed with great silver facings. From the shoulder swung a short green furred cloak, somewhat like that of a Hussar, the lining of which gleamed every now and then with a kind of tawny crimson. His breast glittered with medals; round his neck was the red ribbon and star of some foreign order; and a long straight sword, with a blazing hilt, trailed and clattered along the pavement. At this time the pacific and utilitarian development of Europe had relegated all such customs to the Museums. The only remaining force, the small but well-organised police, were attired in a sombre and hygienic manner. But even those who remembered the last Life Guards and Lancers who disappeared in 1912 must have known at a glance that this was not, and never had been, an English uniform; and this conviction would have been heightened by the yellow aquiline face, like Dante carved in bronze, which rose, crowned with white hair, out of the green military collar, a keen and distinguished, but not an English face.
The magnificence with which the green-clad gentleman walked down the centre of the road would be something difficult to express in human language. For it was an ingrained simplicity and arrogance, something in the mere carriage of the head and body, which made ordinary moderns in the street stare after him; but it had comparatively little to do with actual conscious gestures or expression. In the matter of these merely temporary movements, the man appeared to be rather worried and inquisitive, but he was inquisitive with the inquisitiveness of a despot and worried as with the responsibilities of a god. The men who lounged and wondered behind him followed partly with an astonishment at his brilliant uniform, that is to say, partly because of that instinct which makes us all follow one who looks like a madman, but far more because of that instinct which makes all men follow (and worship) any one who chooses to behave like a king. He had to so sublime an extent that great quality of royalty—an almost imbecile unconsciousness of everybody, that people went after him as they do after kings—to see what would be the first thing or person he would take notice of. And all the time, as we have said, in spite of his quiet splendour, there was an air about him as[Pg 33] if he were looking for somebody; an expression of inquiry.
Suddenly that expression of inquiry vanished, none could tell why, and was replaced by an expression of contentment. Amid the rapt attention of the mob of idlers, the magnificent green gentleman deflected himself from his direct course down the centre of the road and walked to one side of it. He came to a halt opposite to a large poster of Colman's Mustard erected on a wooden hoarding. His spectators almost held their breath.
He took from a small pocket in his uniform a little penknife; with this he made a slash at the stretched paper. Completing the rest of the operation with his fingers, he tore off a strip or rag of paper, yellow in colour and wholly irregular in outline. Then for the first time the great being addressed his adoring onlookers—
"Can any one," he said, with a pleasing foreign accent, "lend me a pin?"
Mr. Lambert, who happened to be nearest, and who carried innumerable pins for the purpose of attaching innumerable buttonholes, lent him one, which was received with extravagant but dignified bows, and hyperboles of thanks.
The gentleman in green, then, with every appearance of being gratified, and even puffed[Pg 34] up, pinned the piece of yellow paper to the green silk and silver-lace adornments of his breast. Then he turned his eyes round again, searching and unsatisfied.
"Anything else I can do, sir?" asked Lambert, with the absurd politeness of the Englishman when once embarrassed.
"Red," said the stranger, vaguely, "red."
"I beg your pardon?"
"I beg yours also, Señor," said the stranger, bowing. "I was wondering whether any of you had any red about you."
"Any red about us?—well really—no, I don't think I have—I used to carry a red bandanna once, but—"
"Barker," asked Auberon Quin, suddenly, "where's your red cockatoo? Where's your red cockatoo?"
"What do you mean?" asked Barker, desperately. "What cockatoo? You've never seen me with any cockatoo!"
"I know," said Auberon, vaguely mollified. "Where's it been all the time?"
Barker swung round, not without resentment.
"I am sorry, sir," he said, shortly but civilly, "none of us seem to have anything red to lend you. But why, if one may ask—"
"I thank you, Señor, it is nothing. I can, since there is nothing else, fulfil my own requirements."
And standing for a second of thought with the penknife in his hand, he stabbed his left palm. The blood fell with so full a stream that it struck the stones without dripping. The foreigner pulled out his handkerchief and tore a piece from it with his teeth. The rag was immediately soaked in scarlet.
"Since you are so generous, Señor," he said, "another pin, perhaps."
Lambert held one out, with eyes protruding like a frog's.
The red linen was pinned beside the yellow paper, and the foreigner took off his hat.
"I have to thank you all, gentlemen," he said; and wrapping the remainder of the handkerchief round his bleeding hand, he resumed his walk with an overwhelming stateliness.
While all the rest paused, in some disorder, little Mr. Auberon Quin ran after the stranger and stopped him, with hat in hand. Considerably to everybody's astonishment, he addressed him in the purest Spanish—
"Señor," he said in that language, "pardon a hospitality, perhaps indiscreet, towards one who appears to be a distinguished, but a solitary[Pg 36] guest in London. Will you do me and my friends, with whom you have held some conversation, the honour of lunching with us at the adjoining restaurant?"
The man in the green uniform had turned a fiery colour of pleasure at the mere sound of his own language, and he accepted the invitation with that profusion of bows which so often shows, in the case of the Southern races, the falsehood of the notion that ceremony has nothing to do with feeling.
"Señor," he said, "your language is my own; but all my love for my people shall not lead me to deny to yours the possession of so chivalrous an entertainer. Let me say that the tongue is Spanish but the heart English." And he passed with the rest into Cicconani's.
"Now, perhaps," said Barker, over the fish and sherry, intensely polite, but burning with curiosity, "perhaps it would be rude of me to ask why you did that?"
"Did what, Señor?" asked the guest, who spoke English quite well, though in a manner indefinably American.
"Well," said the Englishman, in some confusion, "I mean tore a strip off a hoarding and ... er ... cut yourself ... and...."
"To tell you that, Señor," answered the[Pg 37] other, with a certain sad pride, "involves merely telling you who I am. I am Juan del Fuego, President of Nicaragua."
The manner with which the President of Nicaragua leant back and drank his sherry showed that to him this explanation covered all the facts observed and a great deal more. Barker's brow, however, was still a little clouded.
"And the yellow paper," he began, with anxious friendliness, "and the red rag...."
"The yellow paper and the red rag," said Fuego, with indescribable grandeur, "are the colours of Nicaragua."
"But Nicaragua ..." began Barker, with great hesitation, "Nicaragua is no longer a...."
"Nicaragua has been conquered like Athens. Nicaragua has been annexed like Jerusalem," cried the old man, with amazing fire. "The Yankee and the German and the brute powers of modernity have trampled it with the hoofs of oxen. But Nicaragua is not dead. Nicaragua is an idea."
Auberon Quin suggested timidly, "A brilliant idea."
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