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The treasury starts out with the infamous Peter Rabbit, who trespasses in Mr McGregor's garden and gets his pants caught in the fence on the way out. For years, children have felt a stab of sympathy as Peter, punished by his mama, watches his brothers and sisters enjoy dinner without him. Children are also delighted by Two Bad Mice, naughty mice who wreak havoc in poor Jane's room. Other classic Potter characters make their appearance in the treasury as well, including Benjamin Bunny, Mr Jeremy Fisher, Jemima PuddleDuck, and Mrs TittlemouseContains: The tale of Peter Rabbit -- The tailor of Gloucester -- The tale of Squirrel Nutkin -- The tale of Benjamin Bunny -- The tale two bad mice -- The tale of Mrs. Tiggy-Winkle -- The pie and the patty-pan -- The tale of Mr. Jeremy Fisher -- The story of a fierce bad rabbit -- The story of Miss Moppet -- The tale of Tom Kitten -- The tale of Jemima Puddle-Duck -- The roly-poly pudding -- The tale of the Flopsy bunnies -- The tale of Mrs. Tittlemouse -- The tale of Timmy Tiptoes -- The tale of Mr. Tod -- The tale of Pigling Bland -- Ginger and Pickles.Helen Beatrix Potter (28 July 1866 – 22 December 1943) was an English writer, illustrator, natural scientist, and conservationist best known for her children's books featuring animals, such as those in The Tale of Peter Rabbit.Born into a privileged household, Potter was educated by governesses and grew up isolated from other children. She had numerous pets and spent holidays in Scotland and the Lake District, developing a love of landscape, flora, and fauna, all of which she closely observed and painted.Potter had frogs and newts, and even a pet bat. The basis of her many projects and stories were the small animals that she smuggled into the house or observed during family holidays in Scotland and the Lake District. She was encouraged to publish her story, The Tale of Peter Rabbit (1902), but she struggled to find a publisher until it was accepted when she was 36, by Frederick Warne & Co. The small book and her following works were extremely well received and she gained an independent income from the sales. Potter eventually wrote 23 books. These were published in a small format, easy for a child to hold and read. In her thirties, Potter published the highly successful children's book, The Tale of Peter Rabbit. Potter began writing and illustrating children's books full-time. Potter wrote about 30 books; the best known being her 24 children's tales.
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The Great Big Treasury of Beatrix Potter
BY BEATRIX POTTER
THE TALE OF PETER RABBIT
THE TAILOR OF GLOUCESTER
THE TALE OF SQUIRREL NUTKIN
THE TALE OF BENJAMIN BUNNY
THE TALE OF TWO BAD MICE
THE TALE OF MRS. TIGGY-WINKLE
THE PIE AND THE PATTY-PAN
THE TALE OF MR. JEREMY FISHER
THE STORY OF A FIERCE BAD RABBIT
THE STORY OF MISS MOPPET
THE TALE OF TOM KITTEN
THE TALE OF JEMIMA PUDDLE-DUCK
THE ROLY-POLY PUDDING
THE TALE OF THE FLOPSY BUNNIES
THE TALE OF MRS. TITTLEMOUSE
THE TALE OF TIMMY TIPTOES
THE TALE OF MR. TOD
THE TALE OF PIGLING BLAND
GINGER AND PICKLES
Note: this edition is without illustrations, purposely to make study of story structure simpler. The original grammar and spellings have been retained with respect to the author's intent.
Once upon a time there were four little Rabbits, and their names were— Flopsy, Mopsy, Cotton-tail, and Peter.
They lived with their Mother in a sand-bank, underneath the root of a very big fir-tree.
"Now, my dears," said old Mrs. Rabbit one morning, "you may go into the fields or down the lane, but don't go into Mr. McGregor's garden: your Father had an accident there; he was put in a pie by Mrs. McGregor."
"Now run along, and don't get into mischief. I am going out."
Then old Mrs. Rabbit took a basket and her umbrella, and went through the wood to the baker's. She bought a loaf of brown bread and five currant buns.
Flopsy, Mopsy, and Cotton-tail, who were good little bunnies, went down the lane to gather blackberries;
But Peter, who was very naughty, ran straight away to Mr. McGregor's garden, and squeezed under the gate!
First he ate some lettuces and some French beans; and then he ate some radishes;
And then, feeling rather sick, he went to look for some parsley.
But round the end of a cucumber frame, whom should he meet but Mr. McGregor!
Mr. McGregor was on his hands and knees planting out young cabbages, but he jumped up and ran after Peter, waving a rake and calling out, "Stop thief."
Peter was most dreadfully frightened; he rushed all over the garden, for he had forgotten the way back to the gate.
He lost one of his shoes among the cabbages, and the other shoe amongst the potatoes.
After losing them, he ran on four legs and went faster, so that I think he might have got away altogether if he had not unfortunately run into a gooseberry net, and got caught by the large buttons on his jacket. It was a blue jacket with brass buttons, quite new.
Peter gave himself up for lost, and shed big tears; but his sobs were overheard by some friendly sparrows, who flew to him in great excitement, and implored him to exert himself.
Mr. McGregor came up with a sieve, which he intended to pop upon the top of Peter; but Peter wriggled out just in time, leaving his jacket behind him.
And rushed into the toolshed, and jumped into a can. It would have been a beautiful thing to hide in, if it had not had so much water in it.
Mr. McGregor was quite sure that Peter was somewhere in the toolshed, perhaps hidden underneath a flower- pot. He began to turn them over carefully, looking under each.
Presently Peter sneezed— "Kertyschoo!" Mr. McGregor was after him in no time,
And tried to put his foot upon Peter, who jumped out of a window, upsetting three plants. The window was too small for Mr. McGregor, and he was tired of running after Peter. He went back to his work.
Peter sat down to rest; he was out of breath and trembling with fright, and he had not the least idea which way to go. Also he was very damp with sitting in that can.
After a time he began to wander about, going lippity—lippity—not very fast, and looking all around.
He found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath.
An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry.
Then he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor filled his water-cans. A white cat was staring at some goldfish; she sat very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he has heard about cats from his cousin, little Benjamin Bunny.
He went back towards the toolshed, but suddenly, quite close to him, he heard the noise of a hoe— scr-r-ritch, scratch, scratch, scritch. Peter scuttered underneath the bushes. But presently, as nothing happened, he came out, and climbed upon a wheelbarrow, and peeped over. The first thing he saw was Mr. McGregor hoeing onions. His back was turned towards Peter, and beyond him was the gate!
Peter got down very quietly off the wheelbarrow, and started running as fast as he could go, along a straight walk behind some black-currant bushes.
Mr. McGregor caught sight of him at the corner, but Peter did not care. He slipped underneath the gate, and was safe at last in the wood outside the garden.
Mr. McGregor hung up the little jacket and the shoes for a scare-crow to frighten the blackbirds.
Peter never stopped running or looked behind him till he got home to the big fir-tree.
He was so tired that he flopped down upon the nice soft sand on the floor of the rabbit-hole, and shut his eyes. His mother was busy cooking; she wondered what he had done with his clothes. It was the second little jacket and pair of shoes that Peter had lost in a fortnight!
I am sorry to say that Peter was not very well during the evening.
His mother put him to bed, and made some camomile tea; and she gave a dose of it to Peter!
"One table-spoonful to be taken at bed-time."
But Flopsy, Mopsy, and Cotton-tail had bread and milk and blackberries for supper.
"I'll be at charges for a looking-glass; And entertain a score or two of tailors." [Richard III]
My Dear Freda:
Because you are fond of fairytales, and have been ill, I have made you a story all for yourself—a new one that nobody has read before.
And the queerest thing about it is—that I heard it in Gloucestershire, and that it is true—at least about the tailor, the waistcoat, and the "No more twist!" Christmas
In the time of swords and peri wigs and full-skirted coats with flowered lappets—when gentlemen wore ruffles, and gold-laced waistcoats of paduasoy and taffeta—there lived a tailor in Gloucester.
He sat in the window of a little shop in Westgate Street, cross-legged on a table from morning till dark.
All day long while the light lasted he sewed and snippetted, piecing out his satin, and pompadour, and lutestring; stuffs had strange names, and were very expensive in the days of the Tailor of Gloucester.
But although he sewed fine silk for his neighbours, he himself was very, very poor. He cut his coats without waste; according to his embroidered cloth, they were very small ends and snippets that lay about upon the table—"Too narrow breadths for nought—except waistcoats for mice," said the tailor.
One bitter cold day near Christmastime the tailor began to make a coat (a coat of cherry- coloured corded silk embroidered with pansies and roses) and a cream- coloured satin waistcoat for the Mayor of Gloucester.
The tailor worked and worked, and he talked to himself: "No breadth at all, and cut on the cross; it is no breadth at all; tippets for mice and ribbons for mobs! for mice!" said the Tailor of Gloucester.
When the snow-flakes came down against the small leaded window- panes and shut out the light, the tailor had done his day's work; all the silk and satin lay cut out upon the table.
There were twelve pieces for the coat and four pieces for the waistcoat; and there were pocket-flaps and cuffs and buttons, all in order. For the lining of the coat there was fine yellow taffeta, and for the button- holes of the waistcoat there was cherry-coloured twist. And everything was ready to sew together in the morning, all measured and sufficient—except that there was wanting just one single skein of cherry-coloured twisted silk.
The tailor came out of his shop at dark. No one lived there at nights but little brown mice, and THEY ran in and out without any keys!
For behind the wooden wainscots of all the old houses in Gloucester, there are little mouse staircases and secret trap-doors; and the mice run from house to house through those long, narrow passages.
But the tailor came out of his shop and shuffled home through the snow. And although it was not a big house, the tailor was so poor he only rented the kitchen.
He lived alone with his cat; it was called Simpkin.
"Miaw?" said the cat when the tailor opened the door, "miaw?"
The tailor replied: "Simpkin, we shall make our fortune, but I am worn to a ravelling. Take this groat (which is our last fourpence), and, Simpkin, take a china pipkin, but a penn'orth of bread, a penn'orth of milk, and a penn'orth of sausages. And oh, Simpkin, with the last penny of our fourpence but me one penn'orth of cherry-coloured silk. But do not lose the last penny of the fourpence, Simpkin, or I am undone and worn to a thread-paper, for I have NO MORE TWIST."
Then Simpkin again said "Miaw!" and took the groat and the pipkin, and went out into the dark.
The tailor was very tired and beginning to be ill. He sat down by the hearth and talked to himself about that wonderful coat.
"I shall make my fortune—to be cut bias—the Mayor of Gloucester is to be married on Christmas Day in the morning, and he hath ordered a coat and an embroidered waistcoat—"
Then the tailor started; for suddenly, interrupting him, from the dresser at the other side of the kitchen came a number of little noises—
Tip tap, tip tap, tip tap tip!
"Now what can that be?" said the Tailor of Gloucester, jumping up from his chair. The tailor crossed the kitchen, and stood quite still beside the dresser, listening, and peering through his spectacles.
"This is very peculiar," said the Tailor of Gloucester, and he lifted up the tea-cup which was upside down.
Out stepped a little live lady mouse, and made a courtesy to the tailor! Then she hopped away down off the dresser, and under the wainscot.
The tailor sat down again by the fire, warming his poor cold hands. But all at once, from the dresser, there came other little noises—
Tip tap, tip tap, tip tap tip!
"This is passing extraordinary!" said the Tailor of Gloucester, and turned over another tea-cup, which was upside down.
Out stepped a little gentleman mouse, and made a bow to the tailor!
And out from under tea-cups and from under bowls and basins, stepped other and more little mice, who hopped away down off the dresser and under the wainscot.
The tailor sat down, close over the fire, lamenting: "One-and-twenty buttonholes of cherry-coloured silk! To be finished by noon of Saturday: and this is Tuesday evening. Was it right to let loose those mice, undoubtedly the property of Simpkin? Alack, I am undone, for I have no more twist!"
The little mice came out again and listened to the tailor; they took notice of the pattern of that wonderful coat. They whispered to one another about the taffeta lining and about little mouse tippets.
And then suddenly they all ran away together down the passage behind the wainscot, squeaking and calling to one another as they ran from house to house.
Not one mouse was left in the tailor's kitchen when Simpkin came back. He set down the pipkin of milk upon the dresser, and looked suspiciously at the tea-cups. He wanted his supper of little fat mouse!
"Simpkin," said the tailor, "where is my TWIST?"
But Simpkin hid a little parcel privately in the tea-pot, and spit and growled at the tailor; and if Simpkin had been able to talk, he would have asked: "Where is my MOUSE?"
"Alack, I am undone!" said the Tailor of Gloucester, and went sadly to bed.
All that night long Simpkin hunted and searched through the kitchen, peeping into cupboards and under the wainscot, and into the tea-pot where he had hidden that twist; but still he found never a mouse!
The poor old tailor was very ill with a fever, tossing and turning in his four-post bed; and still in his dreams he mumbled: "No more twist! no more twist!"
What should become of the cherry- coloured coat? Who should come to sew it, when the window was barred, and the door was fast locked?
Out-of-doors the market folks went trudging through the snow to buy their geese and turkeys, and to bake their Christmas pies; but there would be no dinner for Simpkin and the poor old tailor of Gloucester.
The tailor lay ill for three days and nights; and then it was Christmas Eve, and very late at night. And still Simpkin wanted his mice, and mewed as he stood beside the four-post bed.
But it is in the old story that all the beasts can talk in the night between Christmas Eve and Christmas Day in the morning (though there are very few folk that can hear them, or know what it is that they say).
When the Cathedral clock struck twelve there was an answer—like an echo of the chimes—and Simpkin heard it, and came out of the tailor's door, and wandered about in the snow.
From all the roofs and gables and old wooden houses in Gloucester came a thousand merry voices singing the old Christmas rhymes—all the old songs that ever I heard of, and some that I don't know, like Whittington's bells.
Under the wooden eaves the starlings and sparrows sang of Christmas pies; the jackdaws woke up in the Cathedral tower; and although it was the middle of the night the throstles and robins sang; and air was quite full of little twittering tunes.
But it was all rather provoking to poor hungry Simpkin.
From the tailor's ship in Westgate came a glow of light; and when Simpkin crept up to peep in at the window it was full of candles. There was a snippeting of scissors, and snappeting of thread; and little mouse voices sang loudly and gaily:
"Four-and-twenty tailors Went to catch a snail, The best man amongst them Durst not touch her tail; She put out her horns Like a little kyloe cow. Run, tailors, run! Or she'll have you all e'en now!"
Then without a pause the little mouse voices went on again:
"Sieve my lady's oatmeal, Grind my lady's flour, Put it in a chestnut, Let it stand an hour—"
"Mew! Mew!" interrupted Simpkin, and he scratched at the door. But the key was under the tailor's pillow; he could not get in.
The little mice only laughed, and tried another tune—
"Three little mice sat down to spin, Pussy passed by and she peeped in. What are you at, my fine little men? Making coats for gentlemen. Shall I come in and cut off yours threads? Oh, no, Miss Pussy, You'd bite off our heads!"
"Mew! scratch! scratch!" scuffled Simpkin on the window-sill; while the little mice inside sprang to their feet, and all began to shout all at once in little twittering voices: "No more twist! No more twist!" And they barred up the window-shutters and shut out Simpkin.
Simpkin came away from the shop and went home considering in his mind. He found the poor old tailor without fever, sleeping peacefully.
Then Simpkin went on tip-toe and took a little parcel of silk out of the tea-pot; and looked at it in the moonlight; and he felt quite ashamed of his badness compared with those good little mice!
When the tailor awoke in the morning, the first thing which he saw, upon the patchwork quilt, was a skein of cherry-coloured twisted silk, and beside his bed stood the repentant Simpkin!
The sun was shining on the snow when the tailor got up and dressed, and came out into the street with Simpkin running before him.
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