Wydawca: Enrico Conti Kategoria: Sensacja, thriller, horror Język: angielski Rok wydania: 2017

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Opis ebooka The Case of Mr Lucraft - Walter Besant

Sir Walter Besant (14 August 1836 – 9 June 1901), was a novelist and historian. William Henry Besant was his brother, and another brother, Frank, was the husband of Annie Besant.

Opinie o ebooku The Case of Mr Lucraft - Walter Besant

Fragment ebooka The Case of Mr Lucraft - Walter Besant

The Case of Mr Lucraft

by

Walter Besant

To the best of our knowledge, the text of this

work is in the “Public Domain”.

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I HAVE more than once told the story of the only remarkable thing which ever happened to me in the course of a longish life, but as no one ever believed me, I left off telling it. I wish, therefore, to leave behind me a truthful record, in which everything shall be set down, as near as I can remember it, just as it happened. I am sure I need not add a single fact. The more I consider the story, the more I realise to myself my wonderful escape and the frightful consequences which a providential accident averted from my head, the more reason I feel to be grateful and humble.

I have read of nothing similar to my own case. I have consulted books on apparitions, witchcraft, and the power of the devil as manifested in authentic history, but I have found absolutely nothing that can in any way compare with my own case. If there be any successor to my Mr. Ebenezer Grumbelow, possessed of his unholy powers, endowed with his fiendish resolve and his diabolical iniquity of selfishness, this plain and simple narrative may serve as a warning to young men situated as I was in the year 1823. Except as a moral example, indeed, I see no use in telling the story at all.

I have never been a rich man, but I was once very Poor, and it is of this period that I have to write.

As for my parentage, it was quite obscure. My mother died when I was still a boy; and my father, who was not a man to be proud of as a father, had long before run away from her and disappeared. He was a sailor by profession, and I have heard it rumoured that sailors of his time possessed a wife in every port, besides a few who lived, like my mother, inland; so that they could vary the surroundings when they wished. The wives were all properly married in church too, and honest women, every one of them. What became of my father I never knew, nor did I ever inquire.

I went through a pretty fair number of adventures before I settled down to my first serious profession. I was travelling companion and drudge to an itinerant tinker, who treated me as kindly as could be expected when he was sober. When he was drunk he used to throw the pots and pans at my head. Then I became a cabin-boy, but only for a single voyage, on board a collier. The ship belonged to a philanthropist, who was too much occupied with the wrongs of the West Indian niggers to think about the rights of his own sailors; so his ships, insured far above their real value, were sent to sea to sink or swim as it might please Providence. I suppose no cabin-boy ever had so many kicks and cuffs in a single voyage as I had. However, my ship carried me safely from South Shields to the port of London. There I ran away, and I heard afterwards that on her return voyage the Spanking Sally foundered with all hands. In the minds of those who knew the captain and his crew personally, there were doubtless, as in mine, grave fears as to their ultimate destination. After that I became steward in an Atlantic sailing packet for a couple of years; then clerk to a bogus auctioneer in New York; cashier to a store; all sorts of things, but nothing long. Then I came back to England, and not knowing what to do with myself, joined a strolling company of actors in the general utility line. It was not exactly promotion, but I liked the life; I liked the work; I liked the applause; I liked wandering about from town to town; I even liked, being young and a fool, the precarious nature of the salary. Heaven knows mine was small enough; but we were a cheery company, and one or two members subsequently rose to distinction. If we had known any history, which we did not, we might have remembered that Moliére himself was once a stroller through France. Some people think it philosophical to reflect, when they are hard up, how many great men have been hard up too. It would have brought no comfort to me. Practically I felt little inconvenience from poverty, save in the matter of boots. We went share and share alike, most of us, and there was always plenty to eat even for my naturally gigantic appetite. Juliet always used to reckon me as equal to four.

Juliet was the manager’s daughter — Julie Kerrans, acting as Miss Juliet Alvanley. She was eighteen and I was twenty-three, an inflammable and romantic time of life. We were thrown a good deal together too, not only off the stage but on it. I was put into parts to play up to her. I was Romeo when she played her namesake, a part sustained by her mother till even she herself was bound to own that she was too fat to play it any longer; she was Lady Teazle and I was Charles Surface; she was Rosalind and I Orlando; she was Miranda and I Ferdinand; she was Angelina and I Sir Harry Wildair. We were a pair, and looked well in love scenes. Looking back dispassionately on our performances, I suppose they must have been as bad as stage-acting could well be. At least, we had no training, and nothing but a few fixed rules to guide us; these, of course, quite stagey and conventional. Juliet had been on the stage all her life, and did not want in assurance; I, however, was nervous and uncertain. Then we were badly mounted and badly dressed; we were ambitious, we ranted, and we tore a passion to rags. But we had one or two good points — we were young and lively. Juliet had the most charming of faces and the most delicious of figures — mind you, in the year 1823, girls had a chance of showing their figures without putting on a page’s costume. Then she had a soft, sweet voice, and pretty little coquettish ways, which came natural to her, and broke through the clumsy stage artificialities. She drew full houses; wherever we performed, all the men, especially all the young officers, used to come after her. They wrote her notes, they lay in wait for her, they sent her flowers; but what with old Kerrans and myself, to say nothing of the other members of the company, they might as wen have tried to get at a Peri in Paradise. I drew pretty well too. I was — a man of seventy and more may say so without being accused of vanity — I was a good-looking young fellow; you would hardly believe what quantities of letters and billets-doux came to me. I had dozens, but Juliet found and tore them up. There they were; the note on rose-coloured note-paper with violet ink, beginning with “Handsomest and noblest of men”, and ending with “Your fair unknown, Araminta”. There was the letter from the middle-aged widow with a taste for the drama and an income; and there was the vilely spelled note from the foolish little milliner who had fallen in love with the Romeo of a barn. Perhaps ladies are more sensible now. At all events, their letters were thrown away upon me, because I was in love already, head over ears, and with Juliet.

Juliet handed over her notes to her father, who found out their writers, and made them take boxes and bespeak plays. So that an Juliet’s lovers got was the privilege of paying more than other people, for the girl was as good as she was pretty — a rarer combination of qualities on the stage fifty years ago than now. She was tall and, in those days, slender. Later on she took after her mother; but who would have thought that so graceful a girl would ever arrive at fourteen stone? Her eyes and hair were black — eyes that never lost their lustre; and hair which, though it turned grey in later years, was then like a silken net, when it was let down, to catch the hearts of lovers. Of course she knew that she was pretty; what pretty woman does not? and of course, too, she did not know and would not understand the power of her own beauty; what pretty woman does? And because it was the very worst thing she could do for herself, she fell in love with me.

Her father knew it and meant to stop it from the beginning: but he was not a man to do things in a hurry, and so we went on in a fool’s paradise, enjoying the stolen kisses, and talking of the sweet time to come when we should be married. One night — I was Romeo — I was so carried away with passion that I acted for once naturally and unconventionally. There was a full house; the performance was so much out of the common that the people were astonished and forgot to applaud. Juliet caught the infection of my passion, and for once we acted well, because we acted from the heart. Never but that once, I believe, has Romeo and Juliet been performed by a pair who felt every word they said. It was only in a long, low room, a sort of corn exchange or town hall, in a little country town, but the memory of that night is sacred to me.

You know the words:—

See, how she leans her cheek upon her hand!

O, that I were a glove upon that hand,

That I might touch that cheek!

And these:—

“O, for a falconer’s voice.

To lure this tassel-gentle back again!

Bondage is hoarse and may not speak aloud.

Else would I tear the cave where Echo lies.

And make her airy tongue more hoarse than mine

With repetition of my Romeo!”

Splendidly we gave them.

Why, even now, old as I am, the recollection of these lines and the thought of that night warm my heart still and fire my feeble pulses. I have taught them to my grandchild. She takes after my poor Juliet, and would succeed on the stage, if only her father would let her. But he is strait-laced. Ah! he should have seen the temptations which beset a girl on the stage in my time., We are Puritans now, almost —

And a good thing, too. It is time for me to own it.

Well — old Kerrans was in the front, looking after the money, as usual, and always with one eye on the stage, to see how his daughter was getting on. He was puzzled, I think, to make out the meaning of the unaccustomed fire, but he came to the conclusion that if Juliet was going to remain Miss Juliet, instead of becoming Mrs. Mortimer Vavasseur (my stage name), he had better interfere at once.

So after the play, and over the domestic supper-table, he had it out with his daughter. Juliet swore that nothing should induce her to marry another man.

“Bless the girl!” said her father; “I don’t want you to marry anybody at all.”

Juliet declared that she never, never would forget me.

“I don’t want you to forget him,” Mr. Kerrans replied. “Remember him as much as you like.”

Juliet announced her intention of retiring from the stage and going into a convent. There were no convents in England in 1823, so that the threat was not so serious as it would be now.

Her father promised her that when the company passed by any respectable convent on the road, he would certainly knock at the door and inquire about the accommodation and the terms.

“Lor!” he said, caressing his weeping daughter, “do you think I want to be cruel to you, my pretty? Not a bit. Let young Lucraft go and prove himself a man, and he shall have you. But, you see, it wouldn’t do to add to the expenses of the company just now, with business so bad and all, would it, my dear? Why, you might be confined in a twelvemonth, and laid by for half the year ever after, with a troop of young children. Where should we be then?”

The next day was Saturday. As usual, I went into the treasury to draw my money, and found the old fellow with rather a red face, and a hesitation in his manner.

He told me the whole story, just as I have told it to you. And then he gave me my dismissal.