The Best Psychic Stories - Joseph Lewis French - ebook
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The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,—the men who wrote the Greek tragedies. Remorse will ever seem commonplace alongside the furies. Ever and always the shadow of the supernatural invites, pursues us. As the art of literature has progressed it has grown along with it. Today there is a whole new school of writers of Ghost Stories, and the domain of the invisible is being invaded by explorers in many paths. We do not believe so much more, perhaps, that is, we do not so openly express a belief, but art has finally and frankly claimed the supernatural for its own. One discerning authority even goes so far as to assert that the borders of its domain will be greatly enlarged in the wonderful new field of the screen.

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Table of contents

PREFACE

THE PSYCHIC IN LITERATURE

WHEN THE WORLD WAS YOUNG[1]

THE RETURN[2]

THE SECOND GENERATION[3]

JOSEPH: A STORY

THE CLAVECIN, BRUGES[4]

LIGEIA

THE SYLPH AND THE FATHER[5]

A GHOST[6]

THE EYES OF THE PANTHER[7]

PHOTOGRAPHING INVISIBLE BEINGS

THE SIN-EATER

GHOSTS IN SOLID FORM

THE PHANTOM ARMIES SEEN IN FRANCE[17]

THE PORTAL OF THE UNKNOWN

THE SUPERNORMAL: EXPERIENCES

NATURE-SPIRITS OR ELEMENTALS[18]

A WITCH'S DEN

REMARKABLE PSYCHIC EXPERIENCES OF FAMOUS PERSONS

PREFACE

The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,—the men who wrote the Greek tragedies. Remorse will ever seem commonplace alongside the furies. Ever and always the shadow of the supernatural invites, pursues us. As the art of literature has progressed it has grown along with it. Today there is a whole new school of writers of Ghost Stories, and the domain of the invisible is being invaded by explorers in many paths. We do not believe so much more, perhaps, that is, we do not so openly express a belief, but art has finally and frankly claimed the supernatural for its own. One discerning authority even goes so far as to assert that the borders of its domain will be greatly enlarged in the wonderful new field of the screen.There is no motive in a story, no image in poetry, that can give us quite the thrill of a supernatural idea. If we were formally charged with this we might resent the imputation, but the evidence has persisted from the beginning, lives on every hand, and multiplies daily. What we have been in the habit of calling the "machinery" of the old Greek drama—its supernatural effects—has come finally to be an art cultivated with care at the present hour, and has given us some wonderful new writers. In fact, few of the best masters for a generation now have been able to resist its persistent and abiding charm. Every writer of true imagination, almost without exception, including even certain realists, has given us at least one story, long or short, in which the central motive is purely psychical in the Greek sense of the word.The whole subject opens up a virgin field which has after all only begun to be tilled. Within the coming generation we may look for great artists to devote their whole powers to it, as Algernon Blackwood is doing to-day. A simple underlying reason is enough to account for it all—the new field imposes simply no limit on the imagination. In addition to all that science has taught us, there is illimitable store of myth and legend to aid, to draw from, to work in, to work over, as Lord Dunsany has shown us. It is the most significant movement in literature at the present hour, and whether it is supported by a special background of interest—as at present in spiritism—or not, the assertion is logical that it is creating a new body of fictional literature of permanent importance for the first time in the history of literature. The human comedy seems to have been exploited to its final limits; as the art of the novel, the art of the stage, but too sadly prove to-day. We have turned outward for new thrills to the supernatural and we are getting them.It only remains to be added that the present great interest in spiritualism and allied phenomena has made necessary the addition of certain material of a "literal" character which we believe will be found quite as interesting by the general reader as the purely literary portion of the book.

THE PSYCHIC IN LITERATURE

War, that relentless disturber of boundaries and of traditions in a spiritual as well as a material sense, has brought a tremendous revival of interest in the life after death and the possibility of communication between the living and the dead. As France became nearer to millions over here because our soldiers lived there for a few months, as French soil will forever be holy ground because our dead rest there, so the far country of the soul likewise seems nearer because of those young adventurers. The conflict which changed the map of Europe has in the minds of many effaced the boundaries between this world and the world beyond. Winifred Kirkland, in her book, The New Death, discusses the new concept of death, and the change in our standards that it is making. "We are used to speaking of this or that friend's philosophy of life; the time has now come when every one of us who is to live at peace with his own brain must possess also a philosophy of death." This New Death, she says, is so far mainly an immense yearning receptivity, an unprecedented humility of brain and of heart toward all implications of survival. She believes that it is an influence which is entering the lives of the people as a whole, not a movement of the intellectuals, nor the result of psychical research propaganda, but arising from the simple, elemental emotions of the soul, from human love and longing for reassurance of continued life."If a man die, shall he live again?" has been propounded ever since Job's agonized inquiry. Now numbers are asking in addition, "Can we have communication with the dead?" Science, long derisive, is sympathetic to the questioning, and while many believe and many doubt, the subject is one that interests more people than ever before. Professor James Hyslop, Secretary of the American Society for Psychical Research, believes that the war has had great influence in arousing new interest in psychical subjects and that tremendous spiritual discoveries may come from it.Literature, always a little ahead of life, or at least in advance of general thinking, has in the more recent years been acutely conscious of this new influence. Poetry, the drama, the novel, the short story, have given affirmative answer to the question of the soul's survival after death. No other element has so largely entered into the tissue of recent literature as has the supernatural, which now we meet in all forms in the writings of all lands. And no aspect of the ghostly art is more impressive or more widely used than the introduction of the spirit of the dead seeking to manifest itself to the living. No thoughtful person can fail to be interested in a theme which has so affected literature as has the ghostly, even though he may disbelieve what the Psychical Researchers hold to be established.Man's love for the supernatural, which is one of the most natural things about him, was never more marked than now. Man's imagination, ever vaster than his environment, overleaps the barriers of time and space and claims all worlds as eminent domain, so that literature, which he has the power to create, as he cannot create his material surroundings, possesses a dramatic intensity and an epic sweep unknown in actuality. Literature shows what humanity really is and longs to be. Man, feeling belittled by his petty round of uninspiring days, longs for a larger life. He yearns for traffic with immortal beings that can augment his wisdom, that can bring comfort to his soul dismayed and bewildered by life. He reaches out for a power beyond his puny strength. Aware how relentlessly time ticks away his little hour, he craves companionship with the eternal spirits. Ignorant of what lies before him in the life to which he speeds so fast, he would take counsel of those who know, would ask about the customs of the country where presently he will be a citizen. He feels so terribly alone that he cries out like a child in the dark for supermortal companionship.Literature, which is both a cause and an effect of man's interest in the supernatural as in anything else, reflects his longings and records his cries. And when we read the imaginings of the different generations, we find that the spirit of the dead is represented almost everywhere. Before poetry and fiction were recorded, there were singers and story-tellers by the fire to give to their listeners the thrill that comes from art. And what thrill is comparable to that which comes from contact with the supermortal? The earliest literature relates the appearance of the spirits of those who have died as coming back to comfort or to take vengeance on the living, but always as sentient, intelligent, and with an interest in the earth they have left. All through the centuries the wraith has survived in literature, has flitted pallidly across the pages of poetry, story and play, with a sad wistfulness, a forlorn dignity.A double relation exists between the literature and the records of the Psychical Research Society. Lacy Collison-Morley, in his Greek and Roman Ghost Stories, speaks of the similarity between ancient tales of spirits and records of recent instances. "There are in the Fourth Book of Gregory the Great's Dialogues a number of stories of the passing of souls which are curiously like some of those collected by the Psychical Research Society," he says. Possibly human personality is much the same in all lands and all times.Conversely, some of the best examples of ghostly literature have had their inspiration in the records of the society, Henry James's The Turn of the Screw being a notable example. Algernon Blackwood, that extraordinary adapter of psychic material to fiction, makes frequent mention of the Psychical Research Society, and uses many aspects of the psychical in his fiction. Innumerable stories, novels, plays and poems have been written to show the nearness of the dead to the living, and the thinness of the veil that separates the two worlds. There is deep pathos in the concept of the longing felt by the dead and living alike to speak with each other, to rend the dividing veil, which adds a poignancy to literature, even for readers incredulous of the possibility of such communication. There are many who are unconvinced of the reality of the messages in Raymond, for instance,—yet who could fail to be touched by the delicate art with which Barrie suggests the dead son's return in his play, The Well-Remembered Voice? While one may be repelled by what he feels is fraud and trickery in some of the psychic records, it is impossible not to be moved by such an impressive piece of symbolism as Granville Barker's Souls on Fifth, where the lonely, futile spirits of the dead are represented as hovering near the place they knew the best, seeking piteously to win some recognition from the living. The repulsive aspects of spirit manifestations have been treated many times and with power, as in Joseph Hergesheimer's The Meeker Ritual, to give one very recent example. The subject has interested the minds of many writers who have dealt with it satirically or sympathetically, or with a curious mixture of scoffing and respect, as did Browning in Sludge, the Medium. Even such pronounced realists as William Dean Howells and Hamlin Garland have written novels dealing with attempts at spirit communication.Any subject that has won so incontestable a place in our literature as this has, possesses a right to our thought, whatever be our attitude of acceptance or rejection of its claims to actuality. No person wishes to be ignorant of what the world is thinking with reference to a matter so important as the spirit. Hence this volume, The Best Psychic Stories, in presenting these studies in the occult, will have interest for a wide range of readers, and Mr. French, the editor, has shown critical discrimination and extensive knowledge of the subject. Many who are already interested in psychic phenomena will be glad to be informed concerning recent and startling manifestations recounted by special investigators. The sincerity of a man like W. T. Stead, well known and respected on both sides of the Atlantic, cannot be doubted, so that his article on Photographing Invisible Beings will have unusual weight. Hereward Carrington, author of various books on psychic subjects, and considered an authority in his field, gives in The Phantom Armies Seen in France a report of occult phenomena widely believed in during the war.Helena Blavatsky, author of A Witch's Den, will be remembered as the sensational medium who mystified experimenters in various lands a few years ago. While most of us can be content not to touch a ghost, we may find subject for surprise and wonder in Gambier Bolton's Ghosts in Solid Form, describing spirits that can be weighed and put to material tests, while Dr. Walter H. Prince, well known as a psychic investigator, relates remarkable experiments of famous persons, that challenge explanation on purely physical bases. These accounts show that modern scientific investigation of spiritual manifestations can be made as enthralling as fiction or drama. Hamlin Garland remarks in a recent article, The Spirit-World on Trial, "When the medium consented to enter the laboratory of the physicist, a new era in the study of psychic phenomena began."Even those who refuse credence to spirit manifestations in fact, but who appreciate the art with which they are shown in literature, should read with interest the stories given here. The genius of Edgar Allan Poe was never more impressive than in his studies of the supernatural, and Ligeia has a dramatic art unsurpassed even by Poe. The tense economy with which Ambrose Bierce could evoke a dreadful spirit is evident in The Eyes of the Panther, and the haunting symbolism of Fiona Macleod's The Sin-Eater is unforgetable. Lafcadio Hearn, author of A Ghost, held the belief that there was no great artist in any land, and certainly no Anglo-Saxon writer, who had not distinguished himself in his use of the supernatural. The subject of the soul's survival after death and its attempts to reveal itself to those still in the folding flesh is of interest to every rational person, whether as a matter of scientific concern or merely as an aspect of literary art. And the possibilities for further use of the psychic in literature are as alluring as they are illimitable.Dorothy ScarboroughNew York CityMarch 29, 1920

WHEN THE WORLD WAS YOUNG[1]

By Jack London

I

He was a very quiet, self-possessed sort of man, sitting a moment on top of the wall to sound the damp darkness for warnings of the dangers it might conceal. But the plummet of his hearing brought nothing to him save the moaning of wind through invisible trees and the rustling of leaves on swaying branches. A heavy fog drifted and drove before the wind, and though he could not see this fog, the wet of it blew upon his face, and the wall on which he sat was wet.

Without noise he had climbed to the top of the wall from the outside, and without noise he dropped to the ground on the inside. From his pocket he drew an electric night-stick, but he did not use it. Dark as the way was, he was not anxious for light. Carrying the night-stick in his hand, his finger on the button, he advanced through the darkness. The ground was velvety and springy to his feet, being carpeted with dead pine-needles and leaves and mold which evidently had been undisturbed for years. Leaves and branches brushed against his body, but so dark was it that he could not avoid them. Soon he walked with his hand stretched out gropingly before him, and more than once the hand fetched up against the solid trunks of massive trees. All about him he knew were these trees; he sensed the loom of them everywhere; and he experienced a strange feeling of microscopic smallness in the midst of great bulks leaning toward him to crush him. Beyond, he knew, was the house, and he expected to find some trail or winding path that would lead easily to it.

Once, he found himself trapped. On every side he groped against trees and branches, or blundered into thickets of underbrush, until there seemed no way out. Then he turned on his light, circumspectly, directing its rays to the ground at his feet. Slowly and carefully he moved it about him, the white brightness showing in sharp detail all the obstacles to his progress. He saw an opening between huge-trunked trees, and advanced through it, putting out the light and treading on dry footing as yet protected from the drip of the fog by the dense foliage overhead. His sense of direction was good, and he knew he was going toward the house.

And then the thing happened—the thing unthinkable and unexpected. His descending foot came down upon something that was soft and alive, and that arose with a snort under the weight of his body. He sprang clear, and crouched for another spring, anywhere, tense and expectant, keyed for the onslaught of the unknown. He waited a moment, wondering what manner of animal it was that had arisen from under his foot and that now made no sound nor movement and that must be crouching and waiting just as tensely and expectantly as he. The strain became unbearable. Holding the night-stick before him, he pressed the button, saw, and screamed aloud in terror. He was prepared for anything, from a frightened calf or fawn to a belligerent lion, but he was not prepared for what he saw. In that instant his tiny searchlight, sharp and white, had shown him what a thousand years would not enable him to forget—a man, huge and blond, yellow-haired and yellow-bearded, naked except for soft-tanned moccasins and what seemed a goat-skin about his middle. Arms and legs were bare, as were his shoulders and most of his chest. The skin was smooth and hairless, but browned by sun and wind, while under it heavy muscles were knotted like fat snakes.

Still, this alone, unexpected as it well was, was not what had made the man scream out. What had caused his terror was the unspeakable ferocity of the face, the wild-animal glare of the blue eyes scarcely dazzled by the light, the pine-needles matted and clinging in the beard and hair, and the whole formidable body crouched and in the act of springing at him. Practically in the instant he saw all this, and while his scream still rang, the thing leaped, he flung his night-stick full at it, and threw himself to the ground. He felt its feet and shins strike against his ribs, and he bounded up and away while the thing itself hurled onward in a heavy crashing fall into the underbrush.

As the noise of the fall ceased, the man stopped and on hands and knees waited. He could hear the thing moving about, searching for him, and he was afraid to advertise his location by attempting further flight. He knew that inevitably he would crackle the underbrush and be pursued. Once he drew out his revolver, then changed his mind. He had recovered his composure and hoped to get away without noise. Several times he heard the thing beating up the thickets for him, and there were moments when it, too, remained still and listened. This gave an idea to the man. One of his hands was resting on a chunk of dead wood. Carefully, first feeling about him in the darkness to know that the full swing of his arm was clear, he raised the chunk of wood and threw it. It was not a large piece, and it went far, landing noisily in a bush. He heard the thing bound into the bush, and at the same time himself crawled steadily away. And on hands and knees, slowly and cautiously, he crawled on, till his knees were wet on the soggy mold. When he listened he heard naught but the moaning wind and the drip-drip of the fog from the branches. Never abating his caution, he stood erect and went on to the stone wall, over which he climbed and dropped down to the road outside.

Feeling his way in a clump of bushes, he drew out a bicycle and prepared to mount. He was in the act of driving the gear around with his foot for the purpose of getting the opposite pedal in position, when he heard the thud of a heavy body that landed lightly and evidently on its feet. He did not wait for more, but ran, with hands on the handles of his bicycle, until he was able to vault astride the saddle, catch the pedals, and start a spurt. Behind he could hear the quick thud-thud of feet on the dust of the road, but he drew away from it and lost it.

Unfortunately, he had started away from the direction of town and was heading higher up into the hills. He knew that on this particular road there were no cross roads. The only way back was past that terror, and he could not steel himself to face it. At the end of half an hour, finding himself on an ever increasing grade, he dismounted. For still greater safety, leaving the wheel by the roadside, he climbed through a fence into what he decided was a hillside pasture, spread a newspaper on the ground, and sat down.

"Gosh!" he said aloud, mopping the sweat and fog from his face.

And "Gosh!" he said once again, while rolling a cigarette and as he pondered the problem of getting back.

But he made no attempt to go back. He was resolved not to face that road in the dark, and with head bowed on knees, he dozed, waiting for daylight.

How long afterward he did not know, he was awakened by the yapping bark of a young coyote. As he looked about and located it on the brow of the hill behind him, he noted the change that had come over the face of the night. The fog was gone; the stars and moon were out; even the wind had died down. It had transformed into a balmy California summer night. He tried to doze again, but the yap of the coyote disturbed him. Half asleep, he heard a wild and eery chant. Looking about him, he noticed that the coyote had ceased its noise and was running away along the crest of the hill, and behind it, in full pursuit, no longer chanting, ran the naked creature he had encountered in the garden. It was a young coyote, and it was being overtaken when the chase passed from view. The man trembled as with a chill as he started to his feet, clambered over the fence, and mounted his wheel. But it was his chance and he knew it. The terror was no longer between him and Mill Valley.

He sped at a breakneck rate down the hill, but in the turn at the bottom, in the deep shadows, he encountered a chuck-hole and pitched headlong over the handle bar.

"It's sure not my night," he muttered, as he examined the broken fork of the machine.

Shouldering the useless wheel, he trudged on. In time he came to the stone wall, and, half disbelieving his experience, he sought in the road for tracks, and found them—moccasin tracks, large ones, deep-bitten into the dust at the toes. It was while bending over them, examining, that again he heard the eery chant. He had seen the thing pursue the coyote, and he knew he had no chance on a straight run. He did not attempt it, contenting himself with hiding in the shadows on the off side of the road.

And again he saw the thing that was like a naked man, running swiftly and lightly and singing as it ran. Opposite him it paused, and his heart stood still. But instead of coming toward his hiding-place, it leaped into the air, caught the branch of a roadside tree, and swung swiftly upward, from limb to limb, like an ape. It swung across the wall, and a dozen feet above the top, into the branches of another tree, and dropped out of sight to the ground. The man waited a few wondering minutes, then started on.

II

Dave Slotter leaned belligerently against the desk that barred the way to the private office of James Ward, senior partner of the firm of Ward, Knowles & Co. Dave was angry. Every one in the outer office had looked him over suspiciously, and the man who faced him was excessively suspicious.

"You just tell Mr. Ward it's important," he urged.

"I tell you he is dictating and cannot be disturbed," was the answer. "Come to-morrow."

"To-morrow will be too late. You just trot along and tell Mr. Ward it's a matter of life and death."

The secretary hesitated and Dave seized the advantage.

"You just tell him I was across the bay in Mill Valley last night, and that I want to put him wise to something."

"What name?" was the query.

"Never mind the name. He don't know me."

When Dave was shown into the private office, he was still in the belligerent frame of mind, but when he saw a large fair man whirl in a revolving chair from dictating to a stenographer to face him, Dave's demeanor abruptly changed. He did not know why it changed, and he was secretly angry with himself.

"You are Mr. Ward?" Dave asked with a fatuousness that still further irritated him. He had never intended it at all.

"Yes," came the answer. "And who are you?"

"Harry Bancroft," Dave lied. "You don't know me, and my name don't matter."

"You sent in word that you were in Mill Valley last night?"

"You live there, don't you?" Dave countered, looking suspiciously at the stenographer.

"Yes. What do you mean to see me about? I am very busy."

"I'd like to see you alone, sir."

Mr. Ward gave him a quick, penetrating look, hesitated, then made up his mind.

"That will do for a few minutes, Miss Potter."

The girl arose, gathered her notes together, and passed out. Dave looked at Mr. James Ward wonderingly, until that gentleman broke his train of inchoate thought.

"Well?"

"I was over in Mill Valley last night," Dave began confusedly.

"I've heard that before. What do you want?"

And Dave proceeded in the face of a growing conviction that was unbelievable.

"I was at your house, or in the grounds, I mean."

"What were you doing there?"

"I came to break in," Dave answered in all frankness. "I heard you lived all alone with a Chinaman for cook, and it looked good to me. Only I didn't break in. Something happened that prevented. That's why I'm here. I come to warn you. I found a wild man loose in your grounds—a regular devil. He could pull a guy like me to pieces. He gave me the run of my life. He don't wear any clothes to speak of, he climbs trees like a monkey, and he runs like a deer. I saw him chasing a coyote, and the last I saw of it, by God, he was gaining on it."

Dave paused and looked for the effect that would follow his words. But no effect came. James Ward was quietly curious, and that was all.

"Very remarkable, very remarkable," he murmured. "A wild man, you say. Why have you come to tell me?"

"To warn you of your danger. I'm something of a hard proposition myself, but I don't believe in killing people ... that is, unnecessarily. I realized that you was in danger. I thought I'd warn you. Honest, that's the game. Of course, if you wanted to give me anything for my trouble, I'd take it. That was in my mind, too. But I don't care whether you give me anything or not. I've warned you anyway, and done my duty."

Mr. Ward meditated and drummed on the surface of his desk. Dave noticed that his hands were large, powerful, withal well-cared for despite their dark sunburn. Also, he noted what had already caught his eye before—a tiny strip of flesh-colored courtplaster on the forehead over one eye. And still the thought that forced itself into his mind was unbelievable.

Mr. Ward took a wallet from his inside coat pocket, drew out a greenback, and passed it to Dave, who noted as he pocketed it that it was for twenty dollars.

"Thank you," said Mr. Ward, indicating that the interview was at an end. "I shall have the matter investigated. A wild man running loose is dangerous."

But so quiet a man was Mr. Ward, that Dave's courage returned. Besides, a new theory had suggested itself. The wild man was evidently Mr. Ward's brother, a lunatic privately confined. Dave had heard of such things. Perhaps Mr. Ward wanted it kept quiet. That was why he had given him the twenty dollars.

"Say," Dave began, "now I come to think of it that wild man looked a lot like you—"

That was as far as Dave got, for at that moment he witnessed a transformation and found himself gazing into the same unspeakably ferocious blue eyes of the night before, at the same clutching talon-like hands, and at the same formidable bulk in the act of springing upon him. But this time Dave had no night-stick to throw, and he was caught by the biceps of both arms in a grip so terrific that it made him groan with pain. He saw the large white teeth exposed, for all the world as a dog's about to bite. Mr. Ward's beard brushed his face as the teeth went in for the grip of his throat. But the bite was not given. Instead, Dave felt the other's body stiffen as with an iron restraint, and then he was flung aside, without effort but with such force that only the wall stopped his momentum and dropped him gasping to the floor.

"What do you mean by coming here and trying to blackmail me?" Mr. Ward was snarling at him. "Here, give me back that money."

Dave passed the bill back without a word.

"I thought you came here with good intentions. I know you now. Let me see and hear no more of you, or I'll put you in prison where you belong. Do you understand?"

"Yes, sir," Dave gasped.

"Then go."

And Dave went, without further word, both his biceps aching intolerably from the bruise of that tremendous grip. As his hand rested on the door knob, he was stopped.

"You were lucky," Mr. Ward was saying, and Dave noted that his face and eyes were cruel and gloating and proud. "You were lucky. Had I wanted, I could have torn your muscles out of your arms and thrown them in the waste basket there."

"Yes, sir," said Dave; and absolute conviction vibrated in his voice.

He opened the door and passed out. The secretary looked at him interrogatively.

"Gosh!" was all Dave vouchsafed, and with this utterance passed out of the offices and the story.

III

James G. Ward was forty years of age, a successful business man, and very unhappy. For forty years he had vainly tried to solve a problem that was really himself and that with increasing years became more and more a woeful affliction. In himself he was two men, and, chronologically speaking, these men were several thousand years or so apart. He had studied the question of dual personality probably more profoundly than any half dozen of the leading specialists in that intricate and mysterious psychological field. In himself he was a different case from any that had been recorded. Even the most fanciful flights of the fiction-writers had not quite hit upon him. He was not a Dr. Jekyll and Mr. Hyde, nor was he like the unfortunate young man in Kipling's Greatest Story in the World. His two personalities were so mixed that they were practically aware of themselves and of each other all the time.

His one self was that of a man whose rearing and education were modern and who had lived through the latter part of the nineteenth century and well into the first decade of the twentieth. His other self he had located as a savage and a barbarian living under the primitive conditions of several thousand years before. But which self was he, and which was the other, he could never tell. For he was both selves, and both selves all the time. Very rarely indeed did it happen that one self did not know what the other was doing. Another thing was that he had no visions nor memories of the past in which that early self had lived. That early self lived in the present; but while it lived in the present, it was under the compulsion to live the way of life that must have been in that distant past.

In his childhood he had been a problem to his father and mother, and to the family doctors, though never had they come within a thousand miles of hitting upon the clue to his erratic conduct. Thus, they could not understand his excessive somnolence in the forenoon, nor his excessive activity at night. When they found him wandering along the hallways at night, or climbing over giddy roofs, or running in the hills, they decided he was a somnambulist. In reality he was wide-eyed awake and merely under the night-roaming compulsion of his early life. Questioned by an obtuse medico, he once told the truth and suffered the ignominy of having the revelation contemptuously labeled and dismissed as "dreams."

The point was, that as twilight and evening came on he became wakeful. The four walls of a room were an irk and a restraint. He heard a thousand voices whispering to him through the darkness. The night called to him, for he was, for that period of the twenty-four hours, essentially a night-prowler. But nobody understood, and never again did he attempt to explain. They classified him as a sleep-walker and took precautions accordingly—precautions that very often were futile. As his childhood advanced, he grew more cunning, so that the major portion of all his nights were spent in the open at realizing his other self. As a result, he slept in the forenoons. Morning studies and schools were impossible, and it was discovered that only in the afternoons, under private teachers, could he be taught anything. Thus was his modern self educated and developed.

But a problem, as a child, he ever remained. He was known as a little demon of insensate cruelty and viciousness. The family medicos privately adjudged him a mental monstrosity and a degenerate. Such few boy companions as he had, hailed him as a wonder, though they were all afraid of him. He could outclimb, outswim, outrun, outdevil any of them; while none dared fight with him. He was too terribly strong, too madly furious.

When nine years of age he ran away to the hills, where he flourished, night-prowling, for seven weeks before he was discovered and brought home. The marvel was how he had managed to subsist and keep in condition during that time. They did not know, and he never told them, of the rabbits he had killed, of the quail, young and old, he had captured and devoured, of the farmers' chicken-roosts he had raided, nor of the cave-lair he had made and carpeted with dry leaves and grasses and in which he had slept in warmth and comfort, through the forenoons of many days.

At college he was notorious for his sleepiness and stupidity during the morning lectures and for his brilliance in the afternoon. By collateral reading and by borrowing the notebook of his fellow students he managed to scrape through the detestable morning courses, while his afternoon courses were triumphs. In football he proved a giant and a terror, and, in almost every form of track athletics, save for strange Berserker rages that were sometimes displayed, he could be depended upon to win. But his fellows were afraid to box with him, and he signalized his last wrestling bout by sinking his teeth into the shoulder of his opponent.

After college, his father, in despair, sent him among the cow-punchers of a Wyoming ranch. Three months later the doughty cowmen confessed he was too much for them and telegraphed his father to come and take the wild man away. Also, when the father arrived to take him away, the cowmen allowed that they would vastly prefer chumming with howling cannibals, gibbering lunatics, cavorting gorillas, grizzly bears, and man-eating tigers than with this particular young college product with hair parted in the middle.

There was one exception to the lack of memory of the life of his early self, and that was language. By some quirk of atavism, a certain portion of that early self's language had come down to him as a racial memory. In moments of happiness, exaltation, or battle, he was prone to burst out in wild barbaric songs or chants. It was by this means that he located in time and space that strayed half of him who should have been dead and dust for thousands of years. He sang, once, and deliberately, several of the ancient chants in the presence of Professor Wertz, who gave courses in old Saxon and who was a philologist of repute and passion. At the first one, the professor pricked up his ears and demanded to know what mongrel tongue or hog-German it was. When the second chant was rendered, the professor was highly excited. James Ward then concluded the performance by giving a song that always irresistibly rushed to his lips when he was engaged in fierce struggling or fighting. Then it was that Professor Wertz proclaimed it no hog-German, but early German, or early Teuton, of a date that must far precede anything that had ever been discovered and handed down by the scholars. So early was it that it was beyond him; yet it was filled with haunting reminiscences of word-forms he knew and which his trained intuition told him were true and real. He demanded the source of the songs, and asked to borrow the previous book that contained them. Also, he demanded to know why young Ward had always posed as being profoundly ignorant of the German language. And Ward could neither explain his ignorance nor lend the book. Whereupon, after pleadings and entreaties that extended through weeks, Professor Wertz took a dislike to the young man, believed him a liar, and classified him as a man of monstrous selfishness for not giving him a glimpse of this wonderful screed that was older than the oldest any philologist had ever known or dreamed.

But little good did it do this much-mixed young man to know that half of him was late American and the other half early Teuton. Nevertheless, the late American in him was no weakling, and he (if he were a he and had a shred of existence outside of these two) compelled an adjustment or compromise between his one self that was a night-prowling savage that kept his other self sleepy of mornings, and that other self that was cultured and refined and that wanted to be normal and love and prosecute business like other people. The afternoons and early evenings he gave to the one, the nights to the other; the forenoons and parts of the nights were devoted to sleep for the twain. But in the mornings he slept in bed like a civilized man. In the night time he slept like a wild animal, as he had slept the night Dave Slotter stepped on him in the woods.

Persuading his father to advance the capital, he went into business, and keen and successful business he made of it, devoting his afternoons whole-souled to it, while his partner devoted the mornings. The early evenings he spent socially, but, as the hour grew to nine or ten, an irresistible restlessness overcame him and he disappeared from the haunts of men until the next afternoon. Friends and acquaintances thought that he spent much of his time in sport. And they were right, though they never would have dreamed of the nature of the sport, even if they had seen him running coyotes in night-chases over the hills of Mill Valley. Neither were the schooner captains believed when they reported seeing, on cold winter mornings, a man swimming in the tide-rips of Raccoon Straits or in the swift currents between Goat Island and Angel Island miles from shore.

In the bungalow at Mill Valley he lived alone, save for Lee Sing, the Chinese cook and factotum, who knew much about the strangeness of his master, who was paid well for saying nothing, and who never did say anything. After the satisfaction of his nights, a morning's sleep, and a breakfast of Lee Sing's, James Ward crossed the bay to San Francisco on a midday ferryboat and went to the club and on to his office, as normal and conventional a man of business as could be found in the city. But as the evening lengthened, the night called to him. There came a quickening of all his perceptions and a restlessness. His hearing was suddenly acute; the myriad night-noises told him a luring and familiar story; and, if alone, he would begin to pace up and down the narrow room like any caged animal from the wild.

Once, he ventured to fall in love. He never permitted himself that diversion again. He was afraid. And for many a day the young lady, scared at least out of a portion of her young ladyhood, bore on her arms and shoulders and wrists divers black-and-blue bruises—tokens of caresses which he had bestowed in all fond gentleness but too late at night. There was the mistake. Had he ventured love-making in the afternoon, all would have been well, for it would have been as the quiet gentleman that he would have made love—but at night it was the uncouth, wife-stealing savage of the dark German forests. Out of his wisdom, he decided that afternoon love-making could be prosecuted successfully; but out of the same wisdom he was convinced that marriage would prove a ghastly failure. He found it appalling to imagine being married and encountering his wife after dark.

So he had eschewed all love-making, regulated his dual life, cleaned up a million in business, fought shy of match-making mamas and bright- and eager-eyed young ladies of various ages, met Lilian Gersdale and made it a rigid observance never to see her later than eight o'clock in the evening, ran of nights after his coyotes, and slept in forest lairs—and through it all had kept his secret save for Lee Sing ... and now, Dave Slotter. It was the latter's discovery of both his selves that frightened him. In spite of the counter fright he had given the burglar, the latter might talk. And even if he did not, sooner or later he would be found out by some one else.

Thus it was that James Ward made a fresh and heroic effort to control the Teutonic barbarian that was half of him. So well did he make it a point to see Lilian in the afternoons and early evenings, that the time came when she accepted him for better or worse, and when he prayed privily and fervently that it was not for worse. During this period no prize-fighter ever trained more harshly and faithfully for a contest than he trained to subdue the wild savage in him. Among other things, he strove to exhaust himself during the day, so that sleep would render him deaf to the call of the night. He took a vacation from the office and went on long hunting trips, following the deer through the most inaccessible and rugged country he could find—and always in the daytime. Night found him indoors and tired. At home he installed a score of exercise machines, and where other men might go through a particular movement ten times, he went hundreds. Also, as a compromise, he built a sleeping porch on the second story. Here he at least breathed the blessed night air. Double screens prevented him from escaping into the woods, and each night Lee Sing locked him in and each morning let him out.

The time came, in the month of August, when he engaged additional servants to assist Lee Sing and dared a house party in his Mill Valley bungalow. Lilian, her mother and brother, and half a dozen mutual friends, were the guests. For two days and nights all went well. And on the third night, playing bridge till eleven o'clock, he had reason to be proud of himself. His restlessness he successfully hid, but as luck would have it, Lilian Gersdale was his opponent on his right. She was a frail delicate flower of a woman, and in his night-mood her very frailty incensed him. Not that he loved her less, but that he felt almost irresistibly impelled to reach out and paw and maul her. Especially was this true when she was engaged in playing a winning hand against him.

He had one of the deer-hounds brought in, and, when it seemed he must fly to pieces with the tension, a caressing hand laid on the animal brought him relief. These contacts with the hairy coat gave him instant easement and enabled him to play out the evening. Nor did any one guess the terrible struggle their host was making, the while he laughed so carelessly and played so keenly and deliberately.

When they separated for the night, he saw to it that he parted from Lilian in the presence of the others. Once on his sleeping porch, and safely locked in, he doubled and tripled and even quadrupled his exercises until, exhausted, he lay down on the couch to woo sleep and to ponder two problems that especially troubled him. One was this matter of exercise. It was a paradox. The more he exercised in this excessive fashion, the stronger he became. While it was true that he thus quite tired out his night-running Teutonic self, it seemed that he was merely setting back the fatal day when his strength would be too much for him and overpower him, and then it would be a strength more terrible than he had yet known. The other problem was that of his marriage and of the stratagems he must employ in order to avoid his wife after dark. And thus fruitlessly pondering he fell asleep.

Now, where the huge grizzly bear came from that night was long a mystery, while the people of the Springs Brothers' Circus, showing at Sausalito, searched long and vainly for "Big Ben, the Biggest Grizzly in Captivity." But Big Ben escaped, and, out of the mazes of half a thousand bungalows and country estates, selected the grounds of James J. Ward for visitation. The first Mr. Ward knew was when he found himself on his feet, quivering and tense, a surge of battle in his breast and on his lips the old war-chant. From without came a wild baying and bellowing of the hounds. And sharp as a knife-thrust through the pandemonium came the agony of a stricken dog—his dog, he knew.

Not stopping for slippers, pajama-clad, he burst through the door Lee Sing had so carefully locked, and sped down the stairs and out into the night. As his naked feet struck the graveled driveway, he stopped abruptly, reached under the steps to a hiding-place he knew well, and pulled forth a huge knotty club—his old companion on many a mad night adventure on the hills. The frantic hullabaloo of the dogs was coming nearer, and, swinging the club, he sprang straight into the thickets to meet it.

The aroused household assembled on the wide veranda. Somebody turned on the electric lights, but they could see nothing but one another's frightened faces. Beyond the brightly illuminated driveway the trees formed a wall of impenetrable blackness. Yet somewhere in that blackness a terrible struggle was going on. There was an infernal outcry of animals, a great snarling and growling, the sound of blows being struck, and a smashing and crashing of underbrush by heavy bodies.

The tide of battle swept out from among the trees and upon the driveway just beneath the onlookers. Then they saw. Mrs. Gersdale cried out and clung fainting to her son. Lilian, clutching the railing so spasmodically that a bruising hurt was left in her finger-ends for days, gazed horror-stricken at a yellow-haired, wild-eyed giant whom she recognized as the man who was to be her husband. He was swinging a great club, and fighting furiously and calmly with a shaggy monster that was bigger than any bear she had ever seen. One rip of the beast's claws had dragged away Ward's pajama-coat and streaked his flesh with blood.

While most of Lilian Gersdale's fright was for the man beloved, there was a large portion of it due to the man himself. Never had she dreamed so formidable and magnificent a savage lurked under the starched shirt and conventional garb of her betrothed. And never had she had any conception of how a man battled. Such a battle was certainly not modern; nor was she there beholding a modern man, though she did not know it. For this was not Mr. James J. Ward, the San Francisco business man, but one unnamed and unknown, a crude, rude savage creature who, by some freak of chance, lived again after thrice a thousand years.

The hounds, ever maintaining their mad uproar, circled about the fight, or dashed in and out, distracting the bear. When the animal turned to meet such flanking assaults, the man leaped in and the club came down. Angered afresh by every such blow, the bear would rush, and the man, leaping and skipping, avoiding the dogs, went backwards or circled to one side or the other. Whereupon the dogs, taking advantage of the opening, would again spring in and draw the animal's wrath to them.