"Master Zacharius”, or “The Clockmaker Who Lost His Soul" is an 1854 short story by Jules VERNE. The story, an intensely Romantic fantasy echoing the works of E. T. A. Hoffmann, is a Faustian tragedy about an inventor whose overpowering pride leads to his downfall.
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A Winter Night.
The Pride of Science.
A Strange Visit.
The Church of Saint Pierre.
The Hour of Death.
The city of Geneva lies at the west end of the lake of the same name. The Rhone, which passes through the town at the outlet of the lake, divides it into two sections, and is itself divided in the centre of the city by an island placed in mid-stream. A topographical feature like this is often found in the great depôts of commerce and industry. No doubt the first inhabitants were influenced by the easy means of transport which the swift currents of the rivers offered them — those “roads which walk along of their own accord,” as Pascal puts it. In the case of the Rhone, it would be the road that ran along.
Before new and regular buildings were constructed on this island, which was enclosed like a Dutch galley in the middle of the river, the curious mass of houses, piled one on the other, presented a delightfully confused coup-d’oeil. The small area of the island had compelled some of the buildings to be perched, as it were, on the piles, which were entangled in the rough currents of the river. The huge beams, blackened by time, and worn by the water, seemed like the claws of an enormous crab, and presented a fantastic appearance. The little yellow streams, which were like cobwebs stretched amid this ancient foundation, quivered in the darkness, as if they had been the leaves of some old oak forest, while the river engulfed in this forest of piles, foamed and roared most mournfully.
One of the houses of the island was striking for its curiously aged appearance. It was the dwelling of the old clockmaker, Master Zacharius, whose household consisted of his daughter Gerande, Aubert Thun, his apprentice, and his old servant Scholastique.
There was no man in Geneva to compare in interest with this Zacharius. His age was past finding out. Not the oldest inhabitant of the town could tell for how long his thin, pointed head had shaken above his shoulders, nor the day when, for the first time, he had-walked through the streets, with his long white locks floating in the wind. The man did not live; he vibrated like the pendulum of his clocks. His spare and cadaverous figure was always clothed in dark colours. Like the pictures of Leonardo di Vinci, he was sketched in black.
Gerande had the pleasantest room in the whole house, whence, through a narrow window, she had the inspiriting view of the snowy peaks of Jura; but the bedroom and workshop of the old man were a kind of cavern close on to the water, the floor of which rested on the piles.
From time immemorial Master Zacharius had never come out except at meal times, and when he went to regulate the different clocks of the town. He passed the rest of his time at his bench, which was covered with numerous clockwork instruments, most of which he had invented himself. For he was a clever man; his works were valued in all France and Germany. The best workers in Geneva readily recognized his superiority, and showed that he was an honour to the town, by saying, “To him belongs the glory of having invented the escapement.” In fact, the birth of true clock-work dates from the invention which the talents of Zacharius had discovered not many years before.
After he had worked hard for a long time, Zacharius would slowly put his tools away, cover up the delicate pieces that he had been adjusting with glasses, and stop the active wheel of his lathe; then he would raise a trap-door constructed in the floor of his workshop, and, stooping down, used to inhale for hours together the thick vapours of the Rhone, as it dashed along under his eyes.
One winter’s night the old servant Scholastique served the supper, which, according to old custom, she and the young mechanic shared with their master. Master Zacharius did not eat, though the food carefully prepared for him was offered him in a handsome blue and white dish. He scarcely answered the sweet words of Gerande, who evidently noticed her father’s silence, and even the clatter of Scholastique herself no more struck his ear than the roar of the river, to which he paid no attention.
After the silent meal, the old clockmaker left the table without embracing his daughter, or saying his usual “Good-night” to all. He left by the narrow door leading to his den, and the staircase groaned under his heavy footsteps as he went down.
Gerande, Aubert, and Scholastique sat for some minutes without speaking. On this evening the weather was dull; the clouds dragged heavily on the Alps, and threatened rain; the severe climate of Switzerland made one feel sad, while the south wind swept round the house, and whistled ominously.
“My dear young lady,” said Scholastique, at last, “do you know that our master has been out of sorts for several days? Holy Virgin! I know he has had no appetite, because his words stick in his inside, and it would take a very clever devil to drag even one out of him.”
“My father has some secret cause of trouble, that I cannot even guess,” replied Gerande, as a sad anxiety spread over her face.
“Mademoiselle, don’t let such sadness fill your heart. You know the strange habits of Master Zacharius. Who can read his secret thoughts in his face? No doubt some fatigue has overcome him, but tomorrow he will have forgotten it, and be very sorry to have given his daughter pain.”
It was Aubert who spoke thus, looking into Gerande’s lovely eyes. Aubert was the first apprentice whom Master Zacharius had ever admitted to the intimacy of his labours, for he appreciated his intelligence, discretion, and goodness of heart; and this young man had attached himself to Gerande with the earnest devotion natural to a noble nature.
Gerande was eighteen years of age. Her oval face recalled that of the artless Madonnas whom veneration still displays at the street corners of the antique towns of Brittany. Her eyes betrayed an infinite simplicity. One would love her as the sweetest realization of a poet’s dream. Her apparel was of modest colours, and the white linen which was folded about her shoulders had the tint and perfume peculiar to the linen of the church. She led a mystical existence in Geneva, which had not as yet been delivered over to the dryness of Calvinism.
While, night and morning, she read her Latin prayers in her iron-clasped missal, Gerande had also discovered a hidden sentiment in Aubert Thun’s heart, and comprehended what a profound devotion the young workman had for her. Indeed, the whole world in his eyes was condensed into this old clockmaker’s house, and he passed all his time near the young girl, when he left her father’s workshop, after his work was over.
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