This is the annotated edition including a detailed biographical primer on the life and works of the author. Here is another volume of Washington Irving's delightful Miscellanies, drawn " from the enchanted fountains of old Spanish chronicles." "Few events in history," prefaces the author, "have been so signal and striking in their main circumstances, and so overwhelming and enduring in their consequences, as that of the conquest of Spain by the Saracens." From the records of this mighty event has Washington Irving woven his volume of fixing legends; "not claiming for them the authenticity of sober history, yet giving nothing that has not historical foundation." Tinctured with saintly miracle, savoring of the cloister, and rich in romantic fictions that betray their Arabian authors,— from such apocryphal sources, Spanish historians have taken their rise, "as pure rivers may be traced up to the fens and mantled pools of a morass." It is true that discriminating authors have only culled such particulars as, from their probability and congruity, might be safely recorded as historical facts; yet, most of these are tinged from their romantic source.
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Legends Of The Conquest Of Spain
Washington Irving – A Biographical Primer
Legends Of The Conquest Of Spain
The Legend Of Don Roderick.
Illustrations Of The Foregoing Legend.
The Cave Of Hercules.
Legend Of The Subjugation Of Spain.
Legend Of Count Julian And His Family
Legends Of The Conquest Of Spain, W. Irving
Jazzybee Verlag Jürgen Beck
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Washington Irving (1783-1859), American man of letters, was born at New York on the 3rd of April 1783. Both his parents were immigrants from Great Britain, his father, originally an officer in the merchant service, but at the time of Irving's birth a considerable merchant, having come from the Orkneys, and his mother from Falmouth. Irving was intended for the legal profession, but his studies were interrupted by an illness necessitating a voyage to Europe, in the course of which he proceeded as far as Rome, and made the acquaintance of Washington Allston. He was called to the bar upon his return, but made little effort to practice, preferring to amuse himself with literary ventures. The first of these of any importance, a satirical miscellany entitled Salmagundi, or the Whim-Whams andOpinions of Launcelot Langstaff and others, written in conjunction with his brother William and J. K. Paulding, gave ample proof of his talents as a humorist. These were still more conspicuously displayed in his next attempt, A History of New York from theBeginning of the World to the End of the Dutch Dynasty, by “Diedrich Knickerbocker” (2 vols., New York, 1809). The satire of Salmagundi had been principally local, and the original design of “Knickerbocker's” History was only to burlesque a pretentious disquisition on the history of the city in a guidebook by Dr Samuel Mitchell. The idea expanded as Irving proceeded, and he ended by not merely satirizing the pedantry of local antiquaries, but by creating a distinct literary type out of the solid Dutch burgher whose phlegm had long been an object of ridicule to the mercurial Americans. Though far from the most finished of Irving's productions, “Knickerbocker” manifests the most original power, and is the most genuinely national in its quaintness and drollery. The very tardiness and prolixity of the story are skillfully made to heighten the humorous effect.
Upon the death of his father, Irving had become a sleeping partner in his brother's commercial house, a branch of which was established at Liverpool. This, combined with the restoration of peace, induced him to visit England in 1815, when he found the stability of the firm seriously compromised. After some years of ineffectual struggle it became bankrupt. This misfortune compelled Irving to resume his pen as a means of subsistence. His reputation had preceded him to England, and the curiosity naturally excited by the then unwonted apparition of a successful American author procured him admission into the highest literary circles, where his popularity was ensured by his amiable temper and polished manners. As an American, moreover, he stood aloof from the political and literary disputes which then divided England. Campbell, Jeffrey, Moore, Scott, were counted among his friends, and the last-named zealously recommended him to the publisher Murray, who, after at first refusing, consented (1820) to bring out The Sketch Book ofGeoffrey Crayon, Gent. (7 pts., New York, 1819-1820). The most interesting part of this work is the description of an English Christmas, which displays a delicate humor not unworthy of the writer's evident model Addison. Some stories and sketches on American themes contribute to give it variety; of these Rip van Winkle is the most remarkable. It speedily obtained the greatest success on both sides of the Atlantic. Bracebridge Hall, or the Humourists (2 vols., New York), a work purely English in subject, followed in 1822, and showed to what account the American observer had turned his experience of English country life. The humor is, nevertheless, much more English than American. Tales of a Traveller (4 pts.) appeared in 1824 at Philadelphia, and Irving, now in comfortable circumstances, determined to enlarge his sphere of observation by a journey on the continent. After a long course of travel he settled down at Madrid in the house of the American consul Rich. His intention at the time was to translate the Coleccionde los Viajes y Descubrimientos (Madrid, 1825-1837) of Martin Fernandez de Navarrete; finding, however, that this was rather a collection of valuable materials than a systematic biography, he determined to compose a biography of his own by its assistance, supplemented by independent researches in the Spanish archives. His History of the Life and Voyages ofChristopher Columbus (London, 4 vols.) appeared in 1828, and obtained a merited success. The Voyages and Discoveries ofthe Companions of Columbus (Philadelphia, 1831) followed; and a prolonged residence in the south of Spain gave Irving materials for two highly picturesque books, A Chronicle of theConquest of Granada from the MSS. of [an imaginary] FrayAntonio Agapida (2 vols., Philadelphia, 1829), and The Alhambra:a series of tales and sketches of the Moors and Spaniards (2 vols., Philadelphia, 1832). Previous to their appearance he had been appointed secretary to the embassy at London, an office as purely complimentary to his literary ability as the legal degree which he about the same time received from the university of Oxford.
Returning to the United States in 1832, after seventeen years' absence, he found his name a household word, and himself universally honored as the first American who had won for his country recognition on equal terms in the literary republic. After the rush of fêtes and public compliments had subsided, he undertook a tour in the western prairies, and returning to the neighborhood of New York built for himself a delightful retreat on the Hudson, to which he gave the name of “Sunnyside.” His acquaintance with the New York millionaire John Jacob Astor prompted his next important work — Astoria (2 vols., Philadelphia, 1836), a history of the fur-trading settlement founded by Astor in Oregon, deduced with singular literary ability from dry commercial records, and, without labored attempts at word-painting, evincing a remarkable faculty for bringing scenes and incidents vividly before the eye. TheAdventures of Captain Bonneville (London and Philadelphia, 1837), based upon the unpublished memoirs of a veteran explorer, was another work of the same class. In 1842 Irving was appointed ambassador to Spain. He spent four years in the country, without this time turning his residence to literary account; and it was not until two years after his return that Forster's life of Goldsmith, by reminding him of a slight essay of his own which he now thought too imperfect by comparison to be included among his collected writings, stimulated him to the production of his Life of Oliver Goldsmith, with Selections fromhis Writings (2 vols., New York, 1849). Without pretensions to original research, the book displays an admirable talent for employing existing material to the best effect. The same may be said of The Lives of Mahomet and his Successors (New York, 2 vols., 1840-1850). Here as elsewhere Irving correctly discriminated the biographer's province from the historian's, and leaving the philosophical investigation of cause and effect to writers of Gibbon's caliber, applied himself to represent the picturesque features of the age as embodied in the actions and utterances of its most characteristic representatives. His last days were devoted to his Life of George Washington (5 vols., 1855-1859, New York and London), undertaken in an enthusiastic spirit, but which the author found exhausting and his readers tame. His genius required a more poetical theme, and indeed the biographer of Washington must be at least a potential soldier and statesman. Irving just lived to complete this work, dying of heart disease at Sunnyside, on the 28th of November 1859.
Although one of the chief ornaments of American literature, Irving is not characteristically American. But he is one of the few authors of his period who really manifest traces of a vein of national peculiarity which might under other circumstances have been productive. “Knickerbocker's” History of NewYork, although the air of mock solemnity which constitutes the staple of its humor is peculiar to no literature, manifests nevertheless a power of reproducing a distinct national type. Had circumstances taken Irving to the West, and placed him amid a society teeming with quaint and genial eccentricity, he might possibly have been the first Western humorist, and his humor might have gained in depth and richness. In England, on the other hand, everything encouraged his natural fastidiousness; he became a refined writer, but by no means a robust one. His biographies bear the stamp of genuine artistic intelligence, equally remote from compilation and disquisition. In execution they are almost faultless; the narrative is easy, the style pellucid, and the writer's judgment nearly always in accordance with the general verdict of history. Without ostentation or affectation, he was exquisite in all things, a mirror of loyalty, courtesy and good taste in all his literary connexions, and exemplary in all the relations of domestic life. He never married, remaining true to the memory of an early attachment blighted by death.
The principal edition of Irving' s works is the “Geoffrey Crayon,” published at New York in 1880 in 26 vols. His Life and Letters was published by his nephew Pierre M. Irving (London, 1862-1864, 4 vols.; German abridgment by Adolf Laun, Berlin, 1870, 2 vols.) There is a good deal of miscellaneous information in a compilation entitled Irvingiana (New York, 1860); and W. C. Bryant's memorial oration, though somewhat too uniformly laudatory, may be consulted with advantage. It was republished in Studies of Irvine (1880) along with C. Dudley Warner's introduction to the “Geoffrey Crayon” edition, and Mr. G. P. Putnam's personal reminiscences of Irving, which originally appeared in the Atlantic Monthly. See also Washington Irving (1881), by C. D. Warner, in the “American Men of Letters” series; H. R. Haweis, American Humourists (London, 1883).
Few events in history have been so signal and striking in their main circumstances, and so overwhelming and enduring in their consequences, as that of the conquest of Spain by the Saracens; yet there are few where the motives, and characters, and actions of the agents have been enveloped in more doubt and contradiction. As in the memorable story of the Fall of Troy, we have to make out, as well as we can, the veritable details through the mists of poetic fiction; yet poetry has so combined itself with, and lent its magic coloring to, every fact, that, to strip it away, would be to reduce the story to a meager skeleton and rob it of all its charms. The storm of Moslem invasion that swept so suddenly over the peninsula, silenced for a time the faint voice of the muse, and drove the sons of learning from their cells. The pen was thrown aside to grasp the sword and spear, and men were too much taken up with battling against the evils which beset them on every side, to find time or inclination to record them.
When the nation had recovered in some degree from the effects of this astounding blow, or rather, had become accustomed to the tremendous reverse which it produced, and sage men sought to inquire and write the particulars, it was too late to ascertain them in their exact verity. The gloom and melancholy that had overshadowed the land, had given birth to a thousand superstitious fancies; the woes and terrors of the past, were clothed with supernatural miracles and portents, and the actors in the fearful drama, had already assumed the dubious characteristics of romance. Or if a writer from among the conquerors undertook to touch upon the theme, it was embellished with all the wild extravagancies of an oriental imagination; which afterwards stole into the graver works of the monkish historians.
Hence, the earliest chronicles which treat of the downfall of Spain, are apt to be tinctured with those saintly miracles which savor of the pious labors of the cloister, or those fanciful fictions that betray their Arabian authors. Yet, from these apocryphal sources, the most legitimate and accredited Spanish histories have taken their rise, as pure rivers may be traced up to the fens and mantled pools of a morass. It is true, the authors, with cautious discrimination, have discarded those particulars too startling for belief, and have culled only such as, from their probability and congruity, might be safely recorded as historical facts; yet, scarce one of these but has been connected in the original with some romantic fiction, and, even in its divorced state, bears traces of its former alliance.
To discard, however, every thing wild and marvelous in this portion of Spanish history, is to discard some of its most beautiful, instructive, and national features; it is to judge of Spain by the standard of probability suited to tamer and more prosaic countries. Spain is virtually a land of poetry and romance, where every-day life partakes of adventure, and where the least agitation or excitement carries every thing up into extravagant enterprise and daring exploit. The Spaniards, in all ages, have been of swelling and braggart spirit, soaring in thought, pompous in word, and valiant, though vainglorious, in deed. Their heroic aims have transcended the cooler conceptions of their neighbours, and their reckless daring has borne them on to achievements which prudent enterprise could never have accomplished. Since the time, too, of the conquest and occupation of their country by the Arabs, a strong infusion of oriental magnificence has entered into the national character, and rendered the Spaniard distinct from every other nation of Europe.
In the following pages, therefore, the author has ventured to dip more deeply into the enchanted fountains of old Spanish chronicle, than has usually been done by those who, in modern times, have treated of the eventful period of the conquest; but in so doing, he trusts he will illustrate more fully the character of the people and the times. He has thought proper to throw these records into the form of legends, not claiming for them the authenticity of sober history, yet giving nothing that has not historical foundation. All the facts herein contained, however extravagant some of them may be deemed, will be found in the works of sage and reverend chroniclers of yore, growing side by side with long acknowledged truths, and might be supported by learned and imposing references in the margin.
Spain, or Iberia, as it was called in ancient days, has been a country harassed from the earliest times, by the invader. The Celts, the Greeks, the Phoenicians, the Carthaginians, by turns, or simultaneously, infringed its territories; drove the native Iberians from their rightful homes, and established colonies and founded cities in the land. It subsequently fell into the all grasping power of Rome, remaining for some time a subjugated province; and when that gigantic empire crumbled into pieces, the Suevi, the Alani, and the Vandals, those barbarians of the north, overran and ravaged this devoted country, and portioned out the soil among them. Their sway was not of long duration. In the fifth century the Goths, who were then the allies of Rome, undertook the reconquest of Iberia, and succeeded, after a desperate struggle of three years duration. They drove before them the barbarous hordes, their predecessors, intermarried, and incorporated themselves with the original inhabitants, and founded a powerful and splendid empire, comprising the Iberian peninsula, the ancient Narbonnaise, afterwards called Gallia Gotica, or Gothic Gaul, and a part of the African coast called Tingitania. A new nation was, in a manner, produced by this mixture of the Goths and Iberians. Sprang from a union of warrior races, reared and nurtured amidst the din of arms, the Gothic Spaniards, if they may so be termed, were a warlike, unquiet, yet high minded and heroic people. Their simple and abstemious habits, their contempt for toil and suffering, and their love of daring enterprise fitted them for a soldier's life. So addicted were they to war that, when they had no external foes to contend with, they fought with one another; and, when engaged in battle, says an old chronicler, the very thunders and lightnings of heaven could not separate them.
For two centuries and a half the Gothic power remained unshaken, and the scepter was wielded by twenty-five successive kings. The crown was elective, in a council of palatines, composed of the bishops and nobles, who, while they swore allegiance to the newly made sovereign, bound him by a reciprocal oath to be faithful to his trust. Their choice was made from among the people, subject only to one condition that the king should be of pure Gothic blood. But though the crown was elective in principle, it gradually became hereditary from usage, and the power of the sovereign grew to be almost absolute. The king was commander in chief of the armies; the whole patronage of the kingdom was in his hands; he summoned and dissolved the national councils; he made and revoked laws according to his pleasure; and, having ecclesiastical supremacy, he exercised a sway even over the consciences of his subjects.
The Goths, at the time of their inroad, were stout adherents to the Arian doctrines; but after a time they embraced the Catholic faith, which was maintained by the native Spaniards free from many of the gross superstitions of the church at Rome, and this unity of faith contributed more than any thing else to blend and harmonize the two races into one. The bishops and other clergy were exemplary in their lives, and aided to promote the influence of the laws and maintain the authority of the state. The fruits of regular and secure government were manifest in the advancement of agriculture, commerce and the peaceful arts; and in the increase of wealth, of luxury, and refinement; but there was a gradual decline of the simple, hardy, and war-like habits that had distinguished the nation in its semi barbarous days.
Such was the state of Spain when, in the year of Redemption 701, Witiza was elected to the Gothic throne. The beginning of his reign gave promise of happy days to Spain. He redressed grievances, moderated the tributes of his subjects, and conducted himself with mingled mildness and energy in the administration of the laws. In a little while, however, he threw off the mask, and showed himself in his true nature, cruel and luxurious.
Two of his relatives, sons of a preceding king, awakened his jealousy for the security of his throne. One of them, named Favila, duke of Cantabria, he put to death, and would have inflicted the same fate upon his son Pelayo, but that the youth was beyond his reach, being preserved by Providence for the future salvation of Spain. The other object of his suspicion was Theodofredo, who lived retired from court. The violence of Witiza reached him even in his retirement. His eyes were put out, and he was immured within a castle at Cordova. Roderick, the youthful son of Theodofredo, escaped to Italy, where he received protection from the Romans.
Witiza now considering himself secure upon the throne, gave the reins to his licentious passions, and soon, by his tyranny and sensuality, acquired the appellation of Witiza the Wicked. Despising the old Gothic continence, and yielding to the example of the sect of Mahomet, which suited his lascivious temperament, he indulged in a plurality of wives and concubines, encouraging his subjects to do the same. Nay, he even sought to gain the sanction of the church to his excesses, promulgating a law by which the clergy were released from their vows of celibacy, and permitted to marry and to entertain paramours.
The sovereign Pontiff Constantino threatened to depose and excommunicate him, unless he abrogated this licentious law; but Witiza set him at defiance, threatening, like his Gothic predecessor Alaric, to assail the eternal city with his troops, and make spoil of her accumulated treasures. "We will adorn our damsels," said he, "with the jewels of Rome, and replenish our coffers from the mint of St. Peter."
Some of the clergy opposed themselves to the innovating spirit of the monarch, and endeavored from the pulpits to rally the people to the pure doctrines of their faith; but they were deposed from their sacred office, and banished as seditious mischief makers. The church of Toledo continued refractory; the archbishop Sindaredo, it is true, was disposed to accommodate himself to the corruptions of the times, but the prebendaries battled intrepidly against the new laws of the monarch, and stood manfully in defence of their vows of chastity. " Since the church of Toledo will not yield itself to our will," said Witiza, "it shall have two husbands." So saying, he appointed his own brother Oppas, at that time archbishop of Seville, to take a seat with Sindaredo in the episcopal chair of Toledo, and made him primate of Spain. He was a priest after his own heart, and seconded him in all his profligate abuses.
It was in vain the denunciations of the church were fulminated from the chair of St. Peter; Witiza threw off all allegiance to the Roman Pontiff, threatening with pain of death those who should obey the papal mandates. "We will suffer no foreign ecclesiastic, with triple crown," said he, "to domineer over our dominions."
The Jews had been banished from the country during the preceding reign, but Witiza permitted them to return, and even bestowed upon their synagogues privileges of which he had despoiled the churches. The children of Israel, when scattered throughout the earth by the fall of Jerusalem, had carried with them into other lands the gainful arcana of traffic, and were especially noted as opulent money changers and curious dealers in gold and silver and precious stones; on this occasion, therefore, they were enabled, it is said, to repay the monarch for his protection by bags of money, and caskets of sparkling gems, the rich product of their oriental commerce.
The kingdom at this time enjoyed external peace, but there were symptoms of internal discontent. Witiza took the alarm; he remembered the ancient turbulence of the nation, and its proneness to internal feuds. Issuing secret orders, therefore, in all directions, he dismantled most of the cities, and demolished the castles and fortresses that might serve as rallying points for the factious. He disarmed the people also, and converted the weapons of war into the implements of peace. It seemed, in fact, as if the millennium were dawning upon the land, for the sword was beaten into a ploughshare, and the spear into a pruning-hook.
While thus the ancient martial fire of the nation was extinguished, its morals likewise were corrupted. The altars were abandoned, the churches closed, wide disorder and sensuality prevailed throughout the land, so that, according to the old chroniclers, within the compass of a few short years, " Witiza the Wicked taught all Spain to sin."
Woe to the ruler who founds his hope of sway on the weakness or corruption of the people. The very measures taken by Witiza to perpetuate his power ensured his downfall. While the whole nation, under his licentious rule, was sinking into vice and effeminacy, and the arm of war was unstrung, the youthful Roderick, son of Theodofredo, was training up for action in the stern but wholesome school of adversity. He instructed himself in the use of arms; became adroit and vigorous by varied exercises; learned to despise all danger, and inured himself to hunger and watchfulness and the rigor of the seasons.
His merits and misfortunes procured him many friends among the Romans; and when, being arrived at a fitting age, he undertook to revenge the wrongs of his father and his kindred, a host of brave and hardy soldiers flocked to his standard. With these he made his sudden appearance in Spain. The friends of his house and the disaffected of all classes hastened to join him, and he advanced rapidly and without opposition, through an unarmed and enervated land.
Witiza saw too late the evil he had brought upon himself. He made a hasty levy, and took the field with a scantily equipped and undisciplined host, but was easily routed and made prisoner, and the whole kingdom submitted to Don Roderick.
The ancient city of Toledo, the royal residence of the Gothic kings, was the scene of high festivity and solemn ceremonial on the coronation of the victor. Whether he was elected to the throne according to the Gothic usage, or seized it by the right of conquest, is a matter of dispute among historians, but all agree that the nation submitted cheerfully to his sway, and looked forward to prosperity and happiness under their newly elevated monarch. His appearance and character seemed to justify the anticipation. He was in the splendor of youth, and of a majestic presence. His soul was bold and daring, and elevated by lofty desires. He had a sagacity that penetrated the thoughts of men, and a magnificent spirit that won all hearts. Such is the picture which ancient writers give of Don Roderick, when, with all the stern and simple virtues unimpaired, which he had acquired in adversity and exile, and flushed with the triumph of a pious revenge, he ascended the Gothic throne.
Prosperity, however, is the real touchstone of the human heart; no sooner did Roderick find himself in possession of the crown, than the love of power, and the jealousy of rule were awakened in his breast. His first measure was against Witiza, who was brought in chains into his presence. Roderick beheld the captive monarch with an unpitying eye, remembering only his wrongs and gruelties to his father. "Let the evils he has inflicted on others be visited upon his own head," said he; "As he did unto Theodofredo, even so be it done unto him." So the eyes of Witiza were put out, and he was thrown into the same dungeon at Cordova in which Theodofredo had languished. There he passed the brief remnant of his days in perpetual darkness, a prey to wretchedness and remorse.
Roderick now cast an uneasy and suspicious eye upon Evan and Siseburto, the two sons of Witiza. Fearful lest they should foment some secret rebellion, he banished them the kingdom. They took refuge in the Spanish dominions in Africa, where they were received and harbored by Requila, governor of Tangier, out of gratitude for favors which he had received from their late father. There they remained, to brood over their fallen fortunes, and to aid in working out the future woes of Spain.
Their uncle Oppas, bishop of Seville, who had been made co-partner, by Witiza, in the arch-episcopal chair at Toledo, would have likewise fallen under the suspicion of the king; but he was a man of consummate art, and vast exterior sanctity, and won upon the good graces of the monarch. He was suffered, therefore, to retain his sacred office at Seville; but the see of Toledo was given in charge to the venerable Urbino; and the law of Witiza was revoked that dispensed the clergy from their vows of celibacy.
The jealousy of Roderick for the security of his crown was soon again aroused, and his measures were prompt and severe. Having been informed that the governors of certain castles and fortresses in Castile and Andalusia had conspired against him, he caused them to be put to death and their strong holds to be demolished. He now went on to imitate the pernicious policy of his predecessor, throwing down walls and towers, disarming the people, and thus incapacitating them from rebellion. A few cities were permitted to retain their fortifications, but these were entrusted to alcaydes in whom he had especial confidence; the greater part of the kingdom was left defenseless; the nobles, who had been roused to temporary manhood during the recent stir of war, sunk back into the inglorious state of inaction which had disgraced them during the reign of Witiza, passing their time in feasting and dancing to the sound of loose and wanton minstrelsy. It was scarcely possible to recognize in these idle wassailers and soft voluptuaries the descendants of the stern and frugal warriors of the frozen north; who had braved flood and mountain, and heat and cold, and had battled their way to empire across half a world in arms.
They surrounded their youthful monarch, it is true, with a blaze of military pomp. Nothing could surpass the splendor of their arms, which were embossed and enameled, and enriched with gold and jewels and curious devices; nothing could be more gallant and glorious than their array; it was all plume and banner and silken pageantry, the gorgeous trappings for tilt and tourney and courtly revel; but the iron soul of war was wanting.
How rare it is to learn wisdom from the misfortunes of others. With the fate of Witiza full before his eyes, Don Roderick indulged in the same pernicious errors, and was doomed, in like manner, to prepare the way for his own perdition.
As yet the heart of Roderick, occupied by the struggles of his early life, by warlike enterprises and by the inquietudes of newly gotten power, had been insensible to the charms of women; but in the present voluptuous calm, the amorous propensities of his nature assumed their sway. There arc divers accounts of the youthful beauty who first found favour in his eyes, and was elevated by him to the throne. We follow in our legend the details of an Arabian Chronicler, authenticated by a Spanish poet. Let those who dispute our facts, produce better authority for their contradiction.
Among the few fortified places that had not been dismantled by Don Roderick, was the ancient city of Denia, situated on the Mediterranean coast, and defended on a rock built castle that overlooked the sea.
The Alcayde of the castle, with many of the people of Denia, was one day on his knees in the chapel, imploring the Virgin to allay a tempest which was strewing the coast with wrecks, when a sentinel brought word that a Moorish cruiser was standing for the land. The Alcayde gave orders to ring the alarm bells, light signal fires on the hill tops, and rouse the country, for the coast was subject to cruel maraudings from the Barbary cruisers.
In a little while the horsemen of the neighborhood were seen pricking along the beach, armed with such weapons as they could find, and the Alcayde and his scanty garrison descended from the hill. In the mean time the Moorish bark came rolling and pitching towards the land. As it drew near, the rich carving and gilding with which it was decorated, its silken bandaroles and banks of crimson oars, showed it to be no warlike vessel, but a sumptuous galiot destined for state and ceremony. It bore the marks of the tempest; the masts were broken, the oars shattered, and fragments of snowy sails and silken awnings were fluttering in the blast.
As the galiot grounded upon the sand, the impatient rabble rushed into the surf to capture and make spoil; but were awed into admiration and respect by the appearance of the illustrious company on board. There were Moors of both sexes sumptuously arrayed, and adorned with precious jewels, bearing the demeanor of persons of lofty rank. Among them shone conspicuous a youthful beauty, magnificently attired, to whom all seemed to pay reverence.
Several of the Moors surrounded her with drawn swords, threatening death to any that approached; others sprang from the bark, and throwing themselves on their knees before the Alcayde, implored him, by his honor and courtesy as a knight, to protect a royal virgin from injury and insult.
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