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Diary Of A Madman (1835; Russian: Записки сумасшедшего, Zapiski sumasshedshevo) is a farcical short story by Nikolai Gogol. Along with The Overcoat and The Nose, Diary Of A Madman is considered to be one of Gogol's greatest short stories. The tale centers on the life of a minor civil servant during the repressive era of Nicholas I. Following the format of a diary, the story shows the descent of the protagonist, Poprishchin, into insanity. Diary Of A Madman, the only one of Gogol's works written in first person, follows diary-entry format.
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Nikolai Vasilievich Gogol (April 1, 1809 — March 4, 1852) was a Russian-language writer of Ukrainian origin. Although his early works were heavily influenced by his Ukrainian heritage and upbringing, he wrote in Russian and his works belong to the tradition of Russian literature. The novel Dead Souls (1842), the play Revizor (1836, 1842), and the short story The Overcoat (1842) count among his masterpieces. Source: Wikipedia
A strange occurrence has taken place to-day. I got up fairly late, and when Mawra brought me my clean boots, I asked her how late it was. When I heard it had long struck ten, I dressed as quickly as possible.
To tell the truth, I would rather not have gone to the office at all to-day, for I know beforehand that our department-chief will look as sour as vinegar. For some time past he has been in the habit of saying to me, “Look here, my friend; there is something wrong with your head. You often rush about as though you were possessed. Then you make such confused abstracts of the documents that the devil himself cannot make them out; you write the title without any capital letters, and add neither the date nor the docket-number.” The long-legged scoundrel! He is certainly envious of me, because I sit in the director's work-room, and mend His Excellency's pens. In a word, I should not have gone to the office if I had not hoped to meet the accountant, and perhaps squeeze a little advance out of this skinflint.
A terrible man, this accountant! As for his advancing one's salary once in a way—you might sooner expect the skies to fall. You may beg and beseech him, and be on the very verge of ruin—this grey devil won't budge an inch. At the same time, his own cook at home, as all the world knows, boxes his ears.
I really don't see what good one gets by serving in our department. There are no plums there. In the fiscal and judicial offices it is quite different. There some ungainly fellow sits in a corner and writes and writes; he has such a shabby coat and such an ugly mug that one would like to spit on both of them. But you should see what a splendid country-house he has rented. He would not condescend to accept a gilt porcelain cup as a present. “You can give that to your family doctor,” he would say. Nothing less than a pair of chestnut horses, a fine carriage, or a beaver-fur coat worth three hundred roubles would be good enough for him. And yet he seems so mild and quiet, and asks so amiably, “Please lend me your penknife; I wish to mend my pen.” Nevertheless, he knows how to scarify a petitioner till he has hardly a whole stitch left on his body.
In our office it must be admitted everything is done in a proper and gentlemanly way; there is more cleanness and elegance than one will ever find in Government offices. The tables are mahogany, and everyone is addressed as “sir.” And truly, were it not for this official propriety, I should long ago have sent in my resignation.
I put on my old cloak, and took my umbrella, as a light rain was falling. No one was to be seen on the streets except some women, who had flung their skirts over their heads. Here and there one saw a cabman or a shopman with his umbrella up. Of the higher classes one only saw an official here and there. One I saw at the street-crossing, and thought to myself, “Ah! my friend, you are not going to the office, but after that young lady who walks in front of you. You are just like the officers who run after every petticoat they see.”
As I was thus following the train of my thoughts, I saw a carriage stop before a shop just as I was passing it. I recognised it at once; it was our director's carriage. “He has nothing to do in the shop,” I said to myself; “it must be his daughter.”
I pressed myself close against the wall. A lackey opened the carriage door, and, as I had expected, she fluttered like a bird out of it. How proudly she looked right and left; how she drew her eyebrows together, and shot lightnings from her eyes—good heavens! I am lost, hopelessly lost!
But why must she come out in such abominable
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