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Culture and Anarchy is a series of essays by Matthew Arnold. According to his view advanced in the book, "Culture is a study of perfection". His often quoted phrase "[culture is] the best which has been thought and said" comes from the Preface to Culture and Anarchy: The whole scope of the essay is to recommend culture as the great help out of our present difficulties; culture being a pursuit of our total perfection by means of getting to know, on all the matters which most concern us, the best which has been thought and said in the world, and, through this knowledge, turning a stream of fresh and free thought upon our stock notions and habits, which we now follow staunchly but mechanically, vainly imagining that there is a virtue in following them staunchly which makes up for the mischief of following them mechanically. The book contains most of the terms - culture, sweetness and light, Barbarian, Philistine, Hebraism, and many others - which are more associated with Arnold's work influence.
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By Matthew Arnold
 In one of his speeches a year or two ago, that fine speaker and famous Liberal, Mr. Bright, took occasion to have a fling at the friends and preachers of culture. “People who talk about what they call culture!” said he contemptuously; “by which they mean a smattering of the two dead languages of Greek and Latin.” And he went on to remark, in a strain with which modern speakers and writers have made us very familiar, how poor a thing this culture is, how little good it can do to the world, and how absurd it is for its possessors to set much  store by it. And the other day a younger Liberal than Mr. Bright, one of a school whose mission it is to bring into order and system that body of truth of which the earlier Liberals merely touched the outside, a member of the University of Oxford, and a very clever writer, Mr. Frederic Harrison, developed, in the systematic and stringent manner of his school, the thesis which Mr. Bright had propounded in only general terms. “Perhaps the very silliest cant of the day,” said Mr. Frederic Harrison, “is the cant about culture. Culture is a desirable quality in a critic of new books, and sits well on a possessor of belles lettres; but as applied to politics, it means simply a turn for small fault-finding, love of selfish ease, and indecision in action. The man of culture is in politics one of the poorest mortals alive. For simple pedantry and want of good sense no man is his equal. No assumption is too unreal, no end is too unpractical for him. But the active exercise of politics requires common sense, sympathy, trust, resolution and enthusiasm, qualities which your man of culture has carefully rooted up, lest they damage the delicacy of his critical olfactories. Perhaps they are the only class  of responsible beings in the community who cannot with safety be entrusted with power.”
Now for my part I do not wish to see men of culture asking to be entrusted with power; and, indeed, I have freely said, that in my opinion the speech most proper, at present, for a man of culture to make to a body of his fellow-countrymen who get him into a committee- room, is Socrates’s: Know thyself! and this is not a speech to be made by men wanting to be entrusted with power. For this very indifference to direct political action I have been taken to task by the Daily Telegraph, coupled, by a strange perversity of fate, with just that very one of the Hebrew prophets whose style I admire the least, and called “an elegant Jeremiah.” It is because I say (to use the words which the Daily Telegraph puts in my mouth):–"You mustn’t make a fuss because you have no vote,–that is vulgarity; you mustn’t hold big meetings to agitate for reform bills and to repeal corn laws,–that is the very height of vulgarity,"–it is for this reason that I am called, sometimes an elegant Jeremiah, sometimes a spurious Jeremiah, a Jeremiah about the reality of whose mission the writer in the Daily  Telegraph has his doubts. It is evident, therefore, that I have so taken my line as not to be exposed to the whole brunt of Mr. Frederic Harrison’s censure. Still, I have often spoken in praise of culture; I have striven to make all my works and ways serve the interests of culture; I take culture to be something a great deal more than what Mr. Frederic Harrison and others call it: “a desirable quality in a critic of new books.” Nay, even though to a certain extent I am disposed to agree with Mr. Frederic Harrison, that men of culture are just the class of responsible beings in this community of ours who cannot properly, at present, be entrusted with power, I am not sure that I do not think this the fault of our community rather than of the men of culture. In short, although, like Mr. Bright and Mr. Frederic Harrison, and the editor of the Daily Telegraph, and a large body of valued friends of mine, I am a liberal, yet I am a liberal tempered by experience, reflection, and renouncement, and I am, above all, a believer in culture. Therefore I propose now to try and enquire, in the simple unsystematic way which best suits both my taste and my powers, what culture really is, what good it  can do, what is our own special need of it; and I shall seek to find some plain grounds on which a faith in culture–both my own faith in it and the faith of others,–may rest securely.
 The disparagers of culture make its motive curiosity; sometimes, indeed, they make its motive mere exclusiveness and vanity. The culture which is supposed to plume itself on a smattering of Greek and Latin is a culture which is begotten by nothing so intellectual as curiosity; it is valued either out of sheer vanity and ignorance, or else as an engine of social and class distinction, separating its holder, like a badge or title, from other people who have not got it. No serious man would call this culture, or attach any value to it, as culture, at all. To find the real ground for the very differing estimate which serious people will set upon culture, we must find some motive for culture in the terms of which  may lie a real ambiguity; and such a motive the word curiosity gives us. I have before now pointed out that in English we do not, like the foreigners, use this word in a good sense as well as in a bad sense; with us the word is always used in a somewhat disapproving sense; a liberal and intelligent eagerness about the things of the mind may be meant by a foreigner when he speaks of curiosity, but with us the word always conveys a certain notion of frivolous and unedifying activity. In the Quarterly Review, some little time ago, was an estimate of the celebrated French critic, Monsieur Sainte-Beuve, and a very inadequate estimate it, in my judgment, was. And its inadequacy consisted chiefly in this: that in our English way it left out of sight the double sense really involved in the word curiosity, thinking enough was said to stamp Monsieur Sainte-Beuve with blame if it was said that he was impelled in his operations as a critic by curiosity, and omitting either to perceive that Monsieur Sainte-Beuve himself, and many other people with him, would consider that this was praiseworthy and not blameworthy, or to point out why it ought really to be accounted worthy of blame  and not of praise. For as there is a curiosity about intellectual matters which is futile, and merely a disease, so there is certainly a curiosity,–a desire after the things of the mind simply for their own sakes and for the pleasure of seeing them as they are,–which is, in an intelligent being, natural and laudable. Nay, and the very desire to see things as they are implies a balance and regulation of mind which is not often attained without fruitful effort, and which is the very opposite of the blind and diseased impulse of mind which is what we mean to blame when we blame curiosity. Montesquieu says:–"The first motive which ought to impel us to study is the desire to augment the excellence of our nature, and to render an intelligent being yet more intelligent." This is the true ground to assign for the genuine scientific passion, however manifested, and for culture, viewed simply as a fruit of this passion; and it is a worthy ground, even though we let the term curiosity stand to describe it.
But there is of culture another view, in which not solely the scientific passion, the sheer desire to see things as they are, natural and proper in an intelligent  being, appears as the ground of it. There is a view in which all the love of our neighbour, the impulses towards action, help, and beneficence, the desire for stopping human error, clearing human confusion, and diminishing the sum of human misery, the noble aspiration to leave the world better and happier than we found it,–motives eminently such as are called social,–come in as part of the grounds of culture, and the main and pre-eminent part. Culture is then properly described not as having its origin in curiosity, but as having its origin in the love of perfection; it is a study of perfection. It moves by the force, not merely or primarily of the scientific passion for pure knowledge, but also of the moral and social passion for doing good. As, in the first view of it, we took for its worthy motto Montesquieu’s words: “To render an intelligent being yet more intelligent!” so, in the second view of it, there is no better motto which it can have than these words of Bishop Wilson: “To make reason and the will of God prevail!” Only, whereas the passion for doing good is apt to be overhasty in determining what reason and the will of God say, because its turn is for acting rather than thinking, and it wants to be  beginning to act; and whereas it is apt to take its own conceptions, which proceed from its own state of development and share in all the imperfections and immaturities of this, for a basis of action; what distinguishes culture is, that it is possessed by the scientific passion, as well as by the passion of doing good; that it has worthy notions of reason and the will of God, and does not readily suffer its own crude conceptions to substitute themselves for them; and that, knowing that no action or institution can be salutary and stable which are not based on reason and the will of God, it is not so bent on acting and instituting, even with the great aim of diminishing human error and misery ever before its thoughts, but that it can remember that acting and instituting are of little use, unless we know how and what we ought to act and to institute.
This culture is more interesting and more far-reaching than that other, which is founded solely on the scientific passion for knowing. But it needs times of faith and ardour, times when the intellectual horizon is opening and widening all round us, to flourish in. And is not the close and bounded intellectual horizon within which we have long lived  and moved now lifting up, and are not new lights finding free passage to shine in upon us? For a long time there was no passage for them to make their way in upon us, and then it was of no use to think of adapting the world’s action to them. Where was the hope of making reason and the will of God prevail among people who had a routine which they had christened reason and the will of God, in which they were inextricably bound, and beyond which they had no power of looking? But now the iron force of adhesion to the old routine,–social, political, religious,–has wonderfully yielded; the iron force of exclusion of all which is new has wonderfully yielded; the danger now is, not that people should obstinately refuse to allow anything but their old routine to pass for reason and the will of God, but either that they should allow some novelty or other to pass for these too easily, or else that they should underrate the importance of them altogether, and think it enough to follow action for its own sake, without troubling themselves to make reason and the will of God prevail therein. Now, then, is the moment for culture to be of service, culture which believes in making reason and the  will of God prevail, believes in perfection, is the study and pursuit of perfection, and is no longer debarred, by a rigid invincible exclusion of whatever is new, from getting acceptance for its ideas, simply because they are new.
The moment this view of culture is seized, the moment it is regarded not solely as the endeavour to see things as they are, to draw towards a knowledge of the universal order which seems to be intended and aimed at in the world, and which it is a man’s happiness to go along with or his misery to go counter to,–to learn, in short, the will of God,–the moment, I say, culture is considered not merely as the endeavour to see and learn this, but as the endeavour, also, to make it prevail, the moral, social, and beneficent character of culture becomes manifest. The mere endeavour to see and learn it for our own personal satisfaction is indeed a commencement for making it prevail, a preparing the way for this, which always serves this, and is wrongly, therefore, stamped with blame absolutely in itself, and not only in its caricature and degeneration. But perhaps it has got stamped with blame, and disparaged with the dubious title of curiosity, because  in comparison with this wider endeavour of such great and plain utility it looks selfish, petty, and unprofitable.
And religion, the greatest and most important of the efforts by which the human race has manifested its impulse to perfect itself,– religion, that voice of the deepest human experience,–does not only enjoin and sanction the aim which is the great aim of culture, the aim of setting ourselves to ascertain what perfection is and to make it prevail; but also, in determining generally in what human perfection consists, religion comes to a conclusion identical with that which culture,–seeking the determination of this question through all the voices of human experience which have been heard upon it, art, science, poetry, philosophy, history, as well as religion, in order to give a greater fulness and certainty to its solution,– likewise reaches. Religion says: The kingdom of God is within you; and culture, in like manner, places human perfection in an internal condition, in the growth and predominance of our humanity proper, as distinguished from our animality, in the ever-increasing efficaciousness and in the general harmonious expansion  of those gifts of thought and feeling which make the peculiar dignity, wealth, and happiness of human nature. As I have said on a former occasion: “It is in making endless additions to itself, in the endless expansion of its powers, in endless growth in wisdom and beauty, that the spirit of the human race finds its ideal. To reach this ideal, culture is an indispensable aid, and that is the true value of culture.” Not a having and a resting, but a growing and a becoming, is the character of perfection as culture conceives it; and here, too, it coincides with religion. And because men are all members of one great whole, and the sympathy which is in human nature will not allow one member to be indifferent to the rest, or to have a perfect welfare independent of the rest, the expansion of our humanity, to suit the idea of perfection which culture forms, must be a general expansion. Perfection, as culture conceives it, is not possible while the individual remains isolated: the individual is obliged, under pain of being stunted and enfeebled in his own development if he disobeys, to carry others along with him in his march towards perfection, to be continually doing all he can to enlarge  and increase the volume of the human stream sweeping thitherward; and here, once more, it lays on us the same obligation as religion, which says, as Bishop Wilson has admirably put it, that “to promote the kingdom of God is to increase and hasten one’s own happiness." Finally, perfection,–as culture, from a thorough disinterested study of human nature and human experience, learns to conceive it,–is an harmonious expansion of all the powers which make the beauty and worth of human nature, and is not consistent with the over- development of any one power at the expense of the rest. Here it goes beyond religion, as religion is generally conceived by us.
If culture, then, is a study of perfection, and of harmonious perfection, general perfection, and perfection which consists in becoming something rather than in having something, in an inward condition of the mind and spirit, not in an outward set of circumstances,–it is clear that culture, instead of being the frivolous and useless thing which Mr. Bright, and Mr. Frederic Harrison, and many other liberals are apt to call it, has a very important function to fulfil for mankind. And this function is particularly  important in our modern world, of which the whole civilisation is, to a much greater degree than the civilisation of Greece and Rome, mechanical and external, and tends constantly to become more so. But above all in our own country has culture a weighty part to perform, because here that mechanical character, which civilisation tends to take everywhere, is shown in the most eminent degree. Indeed nearly all the characters of perfection, as culture teaches us to fix them, meet in this country with some powerful tendency which thwarts them and sets them at defiance. The idea of perfection as an inward condition of the mind and spirit is at variance with the mechanical and material civilisation in esteem with us, and nowhere, as I have said, so much in esteem as with us. The idea of perfection as a general expansion of the human family is at variance with our strong individualism, our hatred of all limits to the unrestrained swing of the individual’s personality, our maxim of “every man for himself.” The idea of perfection as an harmonious expansion of human nature is at variance with our want of flexibility, with our inaptitude for seeing more than one side of a thing, with our intense  energetic absorption in the particular pursuit we happen to be following. So culture has a rough task to achieve in this country, and its preachers have, and are likely long to have, a hard time of it, and they will much oftener be regarded, for a great while to come, as elegant or spurious Jeremiahs, than as friends and benefactors. That, however, will not prevent their doing in the end good service if they persevere; and meanwhile, the mode of action they have to pursue, and the sort of habits they must fight against, should be made quite clear to every one who may be willing to look at the matter attentively and dispassionately.
Faith in machinery is, I said, our besetting danger; often in machinery most absurdly disproportioned to the end which this machinery, if it is to do any good at all, is to serve; but always in machinery, as if it had a value in and for itself. What is freedom but machinery? what is population but machinery? what is coal but machinery? what are railroads but machinery? what is wealth but machinery? what are religious organisations but machinery? Now almost every voice in England is accustomed to speak of these things as if they  were precious ends in themselves, and therefore had some of the characters of perfection indisputably joined to them. I have once before noticed Mr. Roebuck’s stock argument for proving the greatness and happiness of England as she is, and for quite stopping the mouths of all gainsayers. Mr. Roebuck is never weary of reiterating this argument of his, so I do not know why I should be weary of noticing it. “May not every man in England say what he likes?"–Mr. Roebuck perpetually asks; and that, he thinks, is quite sufficient, and when every man may say what he likes, our aspirations ought to be satisfied. But the aspirations of culture, which is the study of perfection, are not satisfied, unless what men say, when they may say what they like, is worth saying,–has good in it, and more good than bad. In the same way The Times, replying to some foreign strictures on the dress, looks, and behaviour of the English abroad, urges that the English ideal is that every one should be free to do and to look just as he likes. But culture indefatigably tries, not to make what each raw person may like, the rule by which he fashions himself; but to draw ever nearer to a sense of what is indeed  beautiful, graceful, and becoming, and to get the raw person to like that. And in the same way with respect to railroads and coal. Every one must have observed the strange language current during the late discussions as to the possible failure of our supplies of coal. Our coal, thousands of people were saying, is the real basis of our national greatness; if our coal runs short, there is an end of the greatness of England. But what is greatness?– culture makes us ask. Greatness is a spiritual condition worthy to excite love, interest, and admiration; and the outward proof of possessing greatness is that we excite love, interest, and admiration. If England were swallowed up by the sea to-morrow, which of the two, a hundred years hence, would most excite the love, interest, and admiration of mankind,–would most, therefore, show the evidences of having possessed greatness,–the England of the last twenty years, or the England of Elizabeth, of a time of splendid spiritual effort, but when our coal, and our industrial operations depending on coal, were very little developed? Well then, what an unsound habit of mind it must be which makes us talk of things like coal or iron as constituting  the greatness of England, and how salutary a friend is culture, bent on seeing things as they are, and thus dissipating delusions of this kind and fixing standards of perfection that are real!
Wealth, again, that end to which our prodigious works for material advantage are directed,–the commonest of commonplaces tells us how men are always apt to regard wealth as a precious end in itself; and certainly they have never been so apt thus to regard it as they are in England at the present time. Never did people believe anything more firmly, than nine Englishmen out of ten at the present day believe that our greatness and welfare are proved by our being so very rich. Now, the use of culture is that it helps us, by means of its spiritual standard of perfection, to regard wealth as but machinery, and not only to say as a matter of words that we regard wealth as but machinery, but really to perceive and feel that it is so. If it were not for this purging effect wrought upon our minds by culture, the whole world, the future as well as the present, would inevitably belong to the Philistines. The people who believe most that our greatness and welfare  are proved by our being very rich, and who most give their lives and thoughts to becoming rich, are just the very people whom we call the Philistines. Culture says: “Consider these people, then, their way of life, their habits, their manners, the very tones of their voice; look at them attentively; observe the literature they read, the things which give them pleasure, the words which come forth out of their mouths, the thoughts which make the furniture of their minds; would any amount of wealth be worth having with the condition that one was to become just like these people by having it?” And thus culture begets a dissatisfaction which is of the highest possible value in stemming the common tide of men’s thoughts in a wealthy and industrial community, and which saves the future, as one may hope, from being vulgarised, even if it cannot save the present.
Population, again, and bodily health and vigour, are things which are nowhere treated in such an unintelligent, misleading, exaggerated way as in England. Both are really machinery; yet how many people all around us do we see rest in them and fail to look beyond them! Why, I have heard  people, fresh from reading certain articles of The Times on the Registrar-General’s returns of marriages and births in this country, who would talk of large families in quite a solemn strain, as if they had something in itself beautiful, elevating, and meritorious in them; as if the British Philistine would have only to present himself before the Great Judge with his twelve children, in order to be received among the sheep as a matter of right! But bodily health and vigour, it may be said, are not to be classed with wealth and population as mere machinery; they have a more real and essential value. True; but only as they are more intimately connected with a perfect spiritual condition than wealth or population are. The moment we disjoin them from the idea of a perfect spiritual condition, and pursue them, as we do pursue them, for their own sake and as ends in themselves, our worship of them becomes as mere worship of machinery, as our worship of wealth or population, and as unintelligent and vulgarising a worship as that is. Every one with anything like an adequate idea of human perfection has distinctly marked this subordination to higher and spiritual ends of the cultivation of bodily vigour and activity.
 “Bodily exercise profiteth little; but godliness is profitable unto all things,” says the author of the Epistle to Timothy. And the utilitarian Franklin says just as explicitly:–"Eat and drink such an exact quantity as suits the constitution of thy body, in reference to the services of the mind.” But the point of view of culture, keeping the mark of human perfection simply and broadly in view, and not assigning to this perfection, as religion or utilitarianism assign to it, a special and limited character,–this point of view, I say, of culture is best given by these words of Epictetus:–"It is a sign of aphuia"+ says he,–that is, of a nature not finely tempered,–"to give yourselves up to things which relate to the body; to make, for instance, a great fuss about exercise, a great fuss about eating, a great fuss about drinking, a great fuss about walking, a great fuss about riding. All these things ought to be done merely by the way: the formation of the spirit and character must be our real concern." This is admirable; and, indeed, the Greek words aphuia, euphuia,+ a finely tempered nature, a coarsely tempered nature, give exactly the notion of perfection as culture brings us to conceive of it: a perfection in which the  characters of beauty and intelligence are both present, which unites “the two noblest of things,"–as Swift, who of one of the two, at any rate, had himself all too little, most happily calls them in his Battle of the Books,–"the two noblest of things, sweetness and light.” The euphyês+ is the man who tends towards sweetness and light; the aphyês+ is precisely our Philistine. The immense spiritual significance of the Greeks is due to their having been inspired with this central and happy idea of the essential character of human perfection; and Mr. Bright’s misconception of culture, as a smattering of Greek and Latin, conies itself, after all, from this wonderful significance of the Greeks having affected the very machinery of our education, and is in itself a kind of homage to it.
It is by thus making sweetness and light to be characters of perfection, that culture is of like spirit with poetry, follows one law with poetry. I have called religion a more important manifestation of human nature than poetry, because it has worked on a broader scale for perfection, and with greater masses of men. But the idea of beauty and of a human nature perfect on all its sides, which is the dominant idea of poetry, is a true and invaluable idea, though it  has not yet had the success that the idea of conquering the obvious faults of our animality, and of a human nature perfect on the moral side, which is the dominant idea of religion, has been enabled to have; and it is destined, adding to itself the religious idea of a devout energy, to transform and govern the other. The best art and poetry of the Greeks, in which religion and poetry are one, in which the idea of beauty and of a human nature perfect on all sides adds to itself a religious and devout energy, and works in the strength of that, is on this account of such surpassing interest and instructiveness for us, though it was,–as, having regard to the human race in general, and, indeed, having regard to the Greeks themselves, we must own,–a premature attempt, an attempt which for success needed the moral and religious fibre in humanity to be more braced and developed than it had yet been. But Greece did not err in having the idea of beauty, harmony, and complete human perfection, so present and paramount; it is impossible to have this idea too present and paramount; only the moral fibre must be braced too. And we, because we have braced the moral fibre, are not on that account in the right way, if at the same  time the idea of beauty, harmony, and complete human perfection, is wanting or misapprehended amongst us; and evidently it is wanting or misapprehended at present. And when we rely as we do on our religious organisations, which in themselves do not and cannot give us this idea, and think we have done enough if we make them spread and prevail, then, I say, we fall into our common fault of overvaluing machinery.
Nothing is more common than for people to confound the inward peace and satisfaction which follows the subduing of the obvious faults of our animality with what I may call absolute inward peace and satisfaction,–the peace and satisfaction which are reached as we draw near to complete spiritual perfection, and not merely to moral perfection, or rather to relative moral perfection. No people in the world have done more and struggled more to attain this relative moral perfection than our English race has; for no people in the world has the command to resist the Devil, to overcome the Wicked One, in the nearest and most obvious sense of those words, had such a pressing force and reality. And we have had our reward, not only in the great worldly prosperity which our obedience to this  command has brought us, but also, and far more, in great inward peace and satisfaction. But to me few things are more pathetic than to see people, on the strength of the inward peace and satisfaction which their rudimentary efforts towards perfection have brought them, use, concerning their incomplete perfection and the religious organisations within which they have found it, language which properly applies only to complete perfection, and is a far-off echo of the human soul’s prophecy of it. Religion itself, I need hardly say, supplies in abundance this grand language, which is really the severest criticism of such an incomplete perfection as alone we have yet reached through our religious organisations.
The impulse of the English race towards moral development and self- conquest has nowhere so powerfully manifested itself as in Puritanism; nowhere has Puritanism found so adequate an expression as in the religious organisation of the Independents. The modern Independents have a newspaper, the Nonconformist, written with great sincerity and ability. The motto, the standard, the profession of faith which this organ of theirs carries aloft, is: “The Dissidence of Dissent and the  Protestantism of the Protestant religion." There is sweetness and light, and an ideal of complete harmonious human perfection! One need not go to culture and poetry to find language to judge it. Religion, with its instinct for perfection, supplies language to judge it: “Finally, be of one mind, united in feeling,” says St. Peter. There is an ideal which judges the Puritan ideal,–"The Dissidence of Dissent and the Protestantism of the Protestant religion!” And religious organisations like this are what people believe in, rest in, would give their lives for! Such, I say, is the wonderful virtue of even the beginnings of perfection, of having conquered even the plain faults of our animality, that the religious organisation which has helped us to do it can seem to us something precious, salutary, and to be propagated, even when it wears such a brand of imperfection on its forehead as this. And men have got such a habit of giving to the language of religion a special application, of making it a mere jargon, that for the condemnation which religion itself passes on the shortcomings of their religious organisations they have no ear; they are sure to cheat themselves and to explain this condemnation  away. They can only be reached by the criticism which culture, like poetry, speaking a language not to be sophisticated, and resolutely testing these organisations by the ideal of a human perfection complete on all sides, applies to them.
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