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Anna the Adventuress is a 1920 British silent drama film directed by Cecil Hepworth and starring Alma Taylor, Jean Cadell and James Carew. It is based on a novel by Phillips Oppenheim. It is considered a lost film.Two identical sisters are able to switch places, leading to a series of unfortunate incidents.
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ANNA THE ADVENTURESS
E. PHILLIPS OPPENHEIM
Copyright © 2017 by E. Phillips Oppenheim.
All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.
This book is a work of fiction. Names, characters, businesses, organiza- tions, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
For information contact :
Sheba Blake Publishing
Book and Cover design by Sheba Blake Publishing
First Edition: January 2017
TABLE OF CONTENTS
THE CARPET-KNIGHT AND THE LADY
The girl paused and steadied herself for a moment against a field gate. Her breath came fast in little sobbing pants. Her dainty shoes were soiled with dust and there was a great tear in her skirt. Very slowly, very fearfully, she turned her head. Her cheeks were the colour of chalk, her eyes were filled with terror. If a cart were coming, or those labourers in the field had heard, escape was impossible.
The terror faded from her eyes. A faint gleam of returning colour gave her at once a more natural appearance. So far as the eye could reach, the white level road, with its fringe of elm-trees, was empty. Away off in the fields the blue-smocked peasants bent still at their toil. They had heard nothing, seen nothing. A few more minutes, and she was safe.
Yet before she turned once more to resume her flight she schooled herself with an effort to look where it had happened. A dark mass of wreckage, over which hung a slight mist of vapour, lay half in the ditch, half across the hedge, close under a tree from the trunk of which the bark had been torn and stripped. A few yards further off something grey, inert, was lying, a huddled-up heap of humanity twisted into a strange unnatural shape. Again the chalky pallor spread even to her lips, her eyes became lit with the old terror. She withdrew her head with a little moan, and resumed her flight. Away up on the hillside was the little country railway station. She fixed her eyes upon it and ran, keeping always as far as possible in the shadow of the hedge, gazing fearfully every now and then down along the valley for the white smoke of the train.
She reached the station, and mingling with a crowd of excursionists who had come from the river on the other side, took her place in the train unnoticed. She leaned back in her seat and closed her eyes. Until the last moment she was afraid.
Arrived in Paris she remembered that she had not the money for a fiacre. She was in ill trim for walking, but somehow or other she made her way as far as the Champs Elysées, and sank down upon an empty seat.
She had not at first the power for concealment. Her nerves were shattered, her senses dazed by this unexpected shock. She sat there, a mark for boulevarders, the unconscious object of numberless wondering glances. Paris was full, and it was by no means a retired spot which she had found. Yet she never once thought of changing it. A person of somewhat artificial graces and mannerisms, she was for once in her life perfectly natural. Terror had laid a paralyzing hand upon her, fear kept her almost unconscious of the curious glances which she was continually attracting.
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