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Ann Veronica is a New Woman novel by H.G. Wells.Ann Veronica describes the rebellion of Ann Veronica Stanley, "a young lady of nearly two-and-twenty," against her middle-class father's stern patriarchal rule. The novel dramatizes the contemporary problem of the New Woman. It is set in Victorian era London and environs, except for an Alpine excursion. Ann Veronica offers vignettes of the Women's suffrage movement in Great Britain and features a chapter inspired by the 1908 attempt of suffragettes to storm Parliament.Mr. Stanley forbids his adult daughter, a biology student at Tredgold Women's College and the youngest of his five children, to attend a fancy dress ball in London, causing a crisis. Ann Veronica is planning to attend the dance with friends of a down-at-heel artistic family living nearby and has been chafing at other restrictions imposed for no apparent reason on her. After her father resorts to force to stop her from attending the ball, she leaves her home in the fictional south London suburb of Morningside Park in order to live independently in an apartment "in a street near the Hampstead Road" in North London. Unable to find appropriate employment, she borrows forty pounds from Mr. Ramage, an older man, without realizing she is compromising herself.With this money, Ann Veronica is able to devote herself to study in the biological laboratory of the Central Imperial College (a constituent college of London University) where she meets and falls in love with Capes, the laboratory's "demonstrator." But Mr. Ramage loses little time in trying to take advantage of the situation, precipitating a crisis. Distraught after Ramage tries to force himself on her, Ann Veronica temporarily abandons her studies and devotes herself to the cause of women's suffrage; she is arrested storming Parliament and spends a month in prison.
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H. G. WELLS
Copyright © 2017 by H.G. Wells.
All rights reserved. Printed in the United States of America. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations em- bodied in critical articles or reviews.
This book is a work of fiction. Names, characters, businesses, organiza- tions, places, events and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.
For information contact :
Sheba Blake Publishing
Book and Cover design by Sheba Blake Publishing
First Edition: January 2017
TABLE OF CONTENTS
CHAPTER THE FIRST
CHAPTER THE SECOND
CHAPTER THE THIRD
CHAPTER THE FOURTH
CHAPTER THE FIFTH
CHAPTER THE SIXTH
CHAPTER THE SEVENTH
CHAPTER THE EIGHTH
CHAPTER THE NINTH
CHAPTER THE TENTH
CHAPTER THE ELEVENTH
CHAPTER THE TWELFTH
CHAPTER THE THIRTEENTH
CHAPTER THE FOURTEENTH
CHAPTER THE FIFTEENTH
CHAPTER THE SIXTEENTH
CHAPTER THE SEVENTEENTH
ANN VERONICA TALKS TO HER FATHER
One Wednesday afternoon in late September, Ann Veronica Stanley came down from London in a state of solemn excitement and quite resolved to have things out with her father that very evening. She had trembled on the verge of such a resolution before, but this time quite definitely she made it. A crisis had been reached, and she was almost glad it had been reached. She made up her mind in the train home that it should be a decisive crisis. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell.
She had a compartment to herself in the train from London to Morningside Park, and she sat with both her feet on the seat in an attitude that would certainly have distressed her mother to see, and horrified her grandmother beyond measure; she sat with her knees up to her chin and her hands clasped before them, and she was so lost in thought that she discovered with a start, from a lettered lamp, that she was at Morningside Park, and thought she was moving out of the station, whereas she was only moving in. "Lord!" she said. She jumped up at once, caught up a leather clutch containing notebooks, a fat text-book, and a chocolate-and-yellow-covered pamphlet, and leaped neatly from the carriage, only to discover that the train was slowing down and that she had to traverse the full length of the platform past it again as the result of her precipitation. "Sold again," she remarked. "Idiot!" She raged inwardly while she walked along with that air of self-contained serenity that is proper to a young lady of nearly two-and-twenty under the eye of the world.
She walked down the station approach, past the neat, obtrusive offices of the coal merchant and the house agent, and so to the wicket-gate by the butcher's shop that led to the field path to her home. Outside the post-office stood a no-hatted, blond young man in gray flannels, who was elaborately affixing a stamp to a letter. At the sight of her he became rigid and a singularly bright shade of pink. She made herself serenely unaware of his existence, though it may be it was his presence that sent her by the field detour instead of by the direct path up the Avenue.
"Umph!" he said, and regarded his letter doubtfully before consigning it to the pillar-box. "Here goes," he said. Then he hovered undecidedly for some seconds with his hands in his pockets and his mouth puckered to a whistle before he turned to go home by the Avenue.
Ann Veronica forgot him as soon as she was through the gate, and her face resumed its expression of stern preoccupation. "It's either now or never," she said to herself. . . .
Morningside Park was a suburb that had not altogether, as people say, come off. It consisted, like pre-Roman Gaul, of three parts. There was first the Avenue, which ran in a consciously elegant curve from the railway station into an undeveloped wilderness of agriculture, with big, yellow brick villas on either side, and then there was the pavement, the little clump of shops about the post-office, and under the railway arch was a congestion of workmen's dwellings. The road from Surbiton and Epsom ran under the arch, and, like a bright fungoid growth in the ditch, there was now appearing a sort of fourth estate of little red-and-white rough-cast villas, with meretricious gables and very brassy window-blinds. Behind the Avenue was a little hill, and an iron-fenced path went over the crest of this to a stile under an elm-tree, and forked there, with one branch going back into the Avenue again.
"It's either now or never," said Ann Veronica, again ascending this stile. "Much as I hate rows, I've either got to make a stand or give in altogether."
She seated herself in a loose and easy attitude and surveyed the backs of the Avenue houses; then her eyes wandered to where the new red-and-white villas peeped among the trees. She seemed to be making some sort of inventory. "Ye Gods!" she said at last. "WHAT a place!
"Stuffy isn't the word for it.
"I wonder what he takes me for?"
When presently she got down from the stile a certain note of internal conflict, a touch of doubt, had gone from her warm-tinted face. She had now the clear and tranquil expression of one whose mind is made up. Her back had stiffened, and her hazel eyes looked steadfastly ahead.
As she approached the corner of the Avenue the blond, no-hatted man in gray flannels appeared. There was a certain air of forced fortuity in his manner. He saluted awkwardly. "Hello, Vee!" he said.
"Hello, Teddy!" she answered.
He hung vaguely for a moment as she passed.
But it was clear she was in no mood for Teddys. He realized that he was committed to the path across the fields, an uninteresting walk at the best of times.
"Oh, dammit!" he remarked, "dammit!" with great bitterness as he faced it.
Ann Veronica Stanley was twenty-one and a half years old. She had black hair, fine eyebrows, and a clear complexion; and the forces that had modelled her features had loved and lingered at their work and made them subtle and fine. She was slender, and sometimes she seemed tall, and walked and carried herself lightly and joyfully as one who commonly and habitually feels well, and sometimes she stooped a little and was preoccupied. Her lips came together with an expression between contentment and the faintest shadow of a smile, her manner was one of quiet reserve, and behind this mask she was wildly discontented and eager for freedom and life.
She wanted to live. She was vehemently impatient--she did not clearly know for what--to do, to be, to experience. And experience was slow in coming. All the world about her seemed to be--how can one put it? --in wrappers, like a house when people leave it in the summer. The blinds were all drawn, the sunlight kept out, one could not tell what colors these gray swathings hid. She wanted to know. And there was no intimation whatever that the blinds would ever go up or the windows or doors be opened, or the chandeliers, that seemed to promise such a blaze of fire, unveiled and furnished and lit. Dim souls flitted about her, not only speaking but it would seem even thinking in undertones. . . .
During her school days, especially her earlier school days, the world had been very explicit with her, telling her what to do, what not to do, giving her lessons to learn and games to play and interests of the most suitable and various kinds. Presently she woke up to the fact that there was a considerable group of interests called being in love and getting married, with certain attractive and amusing subsidiary developments, such as flirtation and "being interested" in people of the opposite sex. She approached this field with her usual liveliness of apprehension. But here she met with a check. These interests her world promptly, through the agency of schoolmistresses, older school-mates, her aunt, and a number of other responsible and authoritative people, assured her she must on no account think about. Miss Moffatt, the history and moral instruction mistress, was particularly explicit upon this score, and they all agreed in indicating contempt and pity for girls whose minds ran on such matters, and who betrayed it in their conversation or dress or bearing. It was, in fact, a group of interests quite unlike any other group, peculiar and special, and one to be thoroughly ashamed of. Nevertheless, Ann Veronica found it a difficult matter not to think of these things. However having a considerable amount of pride, she decided she would disavow these undesirable topics and keep her mind away from them just as far as she could, but it left her at the end of her school days with that wrapped feeling I have described, and rather at loose ends.
The world, she discovered, with these matters barred had no particular place for her at all, nothing for her to do, except a functionless existence varied by calls, tennis, selected novels, walks, and dusting in her father's house. She thought study would be better. She was a clever girl, the best of her year in the High School, and she made a valiant fight for Somerville or Newnham but her father had met and argued with a Somerville girl at a friend's dinner-table and he thought that sort of thing unsexed a woman. He said simply that he wanted her to live at home. There was a certain amount of disputation, and meanwhile she went on at school. They compromised at length on the science course at the Tredgold Women's College--she had already matriculated into London University from school--she came of age, and she bickered with her aunt for latch-key privileges on the strength of that and her season ticket. Shamefaced curiosities began to come back into her mind, thinly disguised as literature and art. She read voraciously, and presently, because of her aunt's censorship, she took to smuggling any books she thought might be prohibited instead of bringing them home openly, and she went to the theatre whenever she could produce an acceptable friend to accompany her. She passed her general science examination with double honors and specialized in science. She happened to have an acute sense of form and unusual mental lucidity, and she found in biology, and particularly in comparative anatomy, a very considerable interest, albeit the illumination it cast upon her personal life was not altogether direct. She dissected well, and in a year she found herself chafing at the limitations of the lady B. Sc. who retailed a store of faded learning in the Tredgold laboratory. She had already realized that this instructress was hopelessly wrong and foggy--it is the test of the good comparative anatomist--upon the skull. She discovered a desire to enter as a student in the Imperial College at Westminster, where Russell taught, and go on with her work at the fountain-head.
She had asked about that already, and her father had replied, evasively: "We'll have to see about that, little Vee; we'll have to see about that." In that posture of being seen about the matter hung until she seemed committed to another session at the Tredgold College, and in the mean time a small conflict arose and brought the latch-key question, and in fact the question of Ann Veronica's position generally, to an acute issue.
In addition to the various business men, solicitors, civil servants, and widow ladies who lived in the Morningside Park Avenue, there was a certain family of alien sympathies and artistic quality, the Widgetts, with which Ann Veronica had become very friendly. Mr. Widgett was a journalist and art critic, addicted to a greenish-gray tweed suit and "art" brown ties; he smoked corncob pipes in the Avenue on Sunday morning, travelled third class to London by unusual trains, and openly despised golf. He occupied one of the smaller houses near the station. He had one son, who had been co-educated, and three daughters with peculiarly jolly red hair that Ann Veronica found adorable. Two of these had been her particular intimates at the High School, and had done much to send her mind exploring beyond the limits of the available literature at home. It was a cheerful, irresponsible, shamelessly hard-up family in the key of faded green and flattened purple, and the girls went on from the High School to the Fadden Art School and a bright, eventful life of art student dances, Socialist meetings, theatre galleries, talking about work, and even, at intervals, work; and ever and again they drew Ann Veronica from her sound persistent industry into the circle of these experiences. They had asked her to come to the first of the two great annual Fadden Dances, the October one, and Ann Veronica had accepted with enthusiasm. And now her father said she must not go.
He had "put his foot down," and said she must not go.
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